ENTHRALLMENT /death metal/
CO**SE /grindcore/
DIABLESS /doom death/
CATALEPSY /grindcore/
LINOLEUM /school punk-rock/
ABSENTA 13 /grindcore/
F. I. /goregrind/
MASS CONFUSION /thrash metal/
DARK GOD (Chile) /thrash metal/
IN UTERO CANNIBALISM (Greece) /death metal/
AXECUTOR /thrash metal/
SPIDER KICKERS (Greece) /thrash-death metal/
SFYROKALIMNON (Greece) /thrash metal/
CONCRETE /death metal/
DIMH
OLT /black metal/
UNHUMANITY /death metal/
MASS GRAVE /death metal/
KATORGA /death metal/
HYPERBOREA /death metal/
DEPRAVED /death metal, grindcore/
DARK INVERSION /black metal/
BELGARATH /black metal/
INCESTUS /death metal/
PLAGUE /oldschool death metal/
MANY MORE /heavy, speed, progressive metal/
SATANIC HATRED /black metal/
TERRAVORE /thrash metal/
SLAVE PIT /thrash metal
Drums:
ENTHRALLMENT/death metal/
CO**SE /grindcore/
DARK INCOGNITO /death metal/
ABSENTA 13 /grindcore/
DARK INVERSION /black metal/
CATALEPSY /grindcore/
OCCULTUM /black metal/
THE TEMERUTS /rock'n'roll/
CHAMUGAH /death metal/
MANY MORE /progressive heavy metal/
INCESTUS /death metal/
DEPRAVED /death metal, grindcore/
EQUIPMENT:
PRESONUS StudioLive 32.4.2 AI - 32 Channel Digital Mixer
With integrated 48 x 34 FireWire s800 audio interface and Ethernet port
Fully programmable
Remote controllable via an optional iPad (requires additional WLAN router)
JetPLL jitter attenuation
44.1 / 48 kHz
33 Ultra low-noise XMAX class-A preamps (also on the talkback input)
High-resolution Burr-Brown digital converter with 118 dB dynamic range
Internal signal processing with 32-bit floating point
37 High-quality 100 mm faders
32 LED chains
Talkback unit with XLR microphone input (48 V)
Prepared for optional Dante-, AVB- or Thunderbolt cards
Dimensions (W x D x H): 80.21 x 54.13 x 17.82 cm
Weight: 22.68 kg
Incl. Smaart System Analyzer, StudioLive Remote, QMix-AI (free of charge from the Apple App Store), Capture 2 and Studio One 2 Artist) for Mac and PC
Fat Channel:
Can be assigned to all inputs, AUX and effects buses, subgroups, the main bus, and can be used in real-time
Phase switch
Adjustable high-pass filter
Noise gate / expander with attack, release, range, and key filter controls, as well as key-list button
Compressor with Ratio, Attack, Release and Gain, Auto and Soft-Knee function
Limiter
Fully-parametric 4-band EQ with master bypass and bypass per band
Pan control
A/B button for switchable alternative settings for gate, compressor and EQ
Scene automation with Load/Save/Recall on all settings
6 Programmable mute groups and 6 quick scene memories, each with its own hardware button
16x 31-Band graphic EQs, for all the AUX sends and the main bus
4 Programmable master DSP effects (2x reverb, 2x delay)
Inputs:
32x Microphone (XLR) with phantom power
32x Line (jack, balanced)
32x Analog insert (jack, TRS send/return)
Tape (2x RCA L/R)
2x Stereo AUX (Jack L/R)
Outputs:
3x XLR (balanced L/R, mono balanced)
22x Balanced jacks (main L/R, 14x AUX/monitor, 4x subgroups, L/R)
Tape (2x RCA)
Headphones (TRS stereo)
S/PDIF (coaxial) plus 32 analog, balanced direct outputs (4x D-Sub 25)
KLARK TECHNIK Square One Dynamic
High-quality dynamics
With eight independently operating and individually configurable channels
Works as a compressor (RMS sensing type), "vintage" compressor (peak sensing type), broadband, frequency-dependent compression, Hi-Q frequency-conscious compressor (De-Esser), limiter, expander, or noise gate
The Square ONE dynamics also has an i-TS (intelligent threshold shift), which in conjunction with the hold function helps to reduce gate chattering
More unusual features include mono-, stereo- and multi-channel operation, solo bus operation, three-colour 6-segment input meter, and 10-segment attenuation depth meter
Sheet steel housing
Dimensions: 19", 3 U
ART - PRO MPA II
Discrete Class-A
Adjustable input impedance (150 - 2400 Ohm)
Adjustable anode voltage
2x XLR mic inputs
2x 6.3 mm Jack instrument inputs
Balanced XLR and jack outputs
Switchable phantom power: 48V
High pass filter
Large VU meter
Backlit meters
Supports M/S decoding matrix
RADIAL Engineering JCR
Studio Re-Amping Box for bass and guitar amps
1x XLR in, 1x Jack in, 1x Jack out, Phase reverse,
Ground Lift, switchable filter: flat, Highpass, Lowpass, switchable Mute, adjustable Level
MICROPHONES:
AKG drum set
4 x D40 dynamic tom and snare mic (cardioid)
1 x D112 MKII dynamic bass drum microphone (cardioid)
2 x C430 small diaphragm condenser overhead microphones (cardioid)
4 x H440 mount for D40
2 x P17 mount for C430
THE T. BONE RM 700 x 2
Ribbon Set Microphones
Sensitivity: 2mV/Pa (-55dB)
Characteristic: Figure 8
Nominal impedance: 600 Ohm
Max. SPL: 148 dB 1% THD
Frequency range: 20 - 10000 Hz
S/N ratio: 70dB
Equivalent noise level: 18 dB
SHURE Beta 91A
Combination of Beta 91 and SM 91
Switchable frequency range for bass drums or piano/ voice applications
Polar pattern: half cardioid
Frequency range: 20 - 20,000 Hz
Impedance: 146 Ω
11-52 V Phantom power
SHURE SM57
Contoured frequency response for clear instrumental and sonorous vocal recordings
Decrease of percussion, drums and instruments amplifiers in professional quality
Cardioid for isolated signal source and reduces distracting background noise
Pneumatic shock minimizes handling noise
Holds even heavy use in stage use was
Frequency response: 40-15000 Hz
Output Impedance: 310 Ohm
Idle Sensitivity: -54.5 dBV / Pa (1.88 mV)
Dimensions (L x Ø): 157 x 32 mm
AKG P420
Large diaphragm condenser microphone
Switchable characteristics (cardioid, omnidirectional, figure 8)
Frequency range: 20 - 20000 Hz
Switchable low cut at 300 Hz
Switchable -20 dB Pad
Maximum SPL: 135 / 155 dB
MXL V67i
Large Diaphragm Condenser Microphone
With 2 capsules
Directional characteristics: Cardioid
Frequency range: 30 - 20,000 Hz
Peak SPL: 130 dB (at 0.5% THD) and 140 dB at 10 dB PAD respectively
Capsule diameter: 25 mm/gold vapour-plated
Impedance: 200 Ω
Required supply voltage: 48 Volt phantom power
2 Selectable sound characteristics: "Brt" for the open and bright sound of the microphones from the 60s or "Wm" for a warm and round tone
Status LED for active sound selection
Switch for level adjustment and bass reduction
MONITORS & HEADPHONES
YAMAHA HS8 – studio monitors
Active 2-Way Nearfield Monitors
8" Woofer (75 W) + 1" Tweeter (45 W)
Power: 120 W biamp
Bass reflex system
Frequency range: 38 Hz - 30,000 Hz
Inputs: balanced XLR and 6.3 mm balanced jack
Room control and high trim response control
JAMO J121
3 ways passive studio monitors
Room EQ
25-20000Hz
2,4 watt / 96 dB / 1m
120 W
Year of manufacture – 1977
AMPS&CABINETS
EGNATER TOL 100 - Tube Guitar Amplifier 100W
Rocktron - Egnater TOL 100 4-channel head, MIDI, reverb, Ser/paraFX loop w/ level mixing
Select either 50 or 10 watts into 4, 8, or 16 ohms
Two channels each with selectable gain/voicing and bright switches - Channel one for clean to crunch. Channel two for clean to Megadrive
Master Presence and Density controls
Series/Parallel effects loop with return level control
Slave out with level control for driving external effects/power amp
Rich, 3-spring vintage reverb
EL34 power tubes
Top mounted controls (on combos)
Combos come with heavy-duty removable casters
The Tone Of Life
Dimensions: 1 x 12 - 23.5"w x 20.5"h x 10.5"d. 2 X 12 - 27"w x 20.5"h x 10.5"d. Head - 23.5"w x 9"h x 9.5"d
Output Power: 50 watts into 4, 8, or 16 ohms
Input Impedance: 1meg Ohm
Density: +8dB at 100Hz
Presence: +8dB at 5kHz
BUGERA 6262 Infinium - Tube Guitar Amplifier
2 Channels (Clean/Crunch and Lead)
4x 6L6 Power amp tubes
6x 12AX7 Preamp tubes
3-Band EQ
Integrated reverb
Presence control
Effects loop
Switchable impedance (4,8 and 16 Ohm)
Matching is no longer necessary
Different types (6L6, EL34 ...) can be combined
Operating point is always perfectly set
Statistically more durable tubes
Incl. footswitch (channel switching, FX loop)
H/H IC 100L - Solid state '74 vintage amplifire. KUSTOM DE 300 HD - Tube hybrid bass amplifier
Power: 300 W RMS at 4 Ohm
Preamp with 12AX7 Tube
Tone control: Bass, Mid and Treble
Room EQ
Organic Clipping Power Amp Circuit
Preamp Output
Poweramp Input
DI-Output: XLR
Dimensions (W x H x D): 584 x 267 x 292 mm
Designed in USA
KUSTOM DE 810 H Bass Speaker Cabinet
Power rating: 800 W
Equipped with 8 x 10" deep end loudspeaker + piezo horn
Impedance: 4 Ohm
Frequency range: 58 - 5,000Hz
SPL: 130 dB
Connectors: jack and speaker twist
With 2 reels and rugged handle
MARSHALL MX412A - Guitar Speaker Cabinet
Equipped with: 4 x 12" Celestion G12E speakers
Power: 240 W
Impedance: 16 Ohm
HARLEY BENTON G412S Vintage – Guitar Speaker Cabinet
Equipped with: 4 x 12" Celestion Vintage 30 speakers
Power rating: 240 W
Stereo: 4 Ohm (2 x 8 Ohm parallel) or 16 Ohm (2 x 8 Ohm serial)
Mono: 2 Ohm (4 x 8 Ohm parallel) or 8 Ohm (2 x 8 Ohm serial, connected in parallel)
Cabinet made from 16 mm plywood
Decorative strips
4 Caster wheels
DRUMS
MAPEX M Birch Drum Set
22" x 18" bass drum
8" x 8" tom
10" x 8" tom
12" x 9" tom
14" x 11" floor tom
16" x 16" floor tom
5,5" x 14" snare
