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The word herbarium is a collective noun, a pin for pricking thoughts, emotions, memories, art works and other documents that have gathered the energy of the creative act whether it would be a momentary impulse or a precisely considered gesture.

With part of his long-term project “On Vacation…”, 2004–in progress, the artist Luchezar Boyadjiev is featured in the ex...
04/08/2026

With part of his long-term project “On Vacation…”, 2004–in progress, the artist Luchezar Boyadjiev is featured in the exhibition Horizon Ablaze at the Taichung Art Museum. This is an international exhibition launching this summer at TcAM, co-curated by a transnational team from Taiwan, the Philippines and Panama. Curators Takamori Nobuo, Tessa Maria Guazon, Juan Canela, and Jennifer Choy bring together artists from five continents to explore diverse responses to “heat.”

For those living in Taiwan—where tropical and subtropical climates meet—heat is never abstract. From sticky air and blazing sun to restless, mosquito-filled nights, it is a deeply familiar, physical experience.

Can this shared sensation become a language for exchanging memories across the world?

On the photo: 55 prints, 80x60 or 60x80 cm
Taichung Contemporary Art Museum, Taichung City, Taiwan.
May 15 – August 30, 2026

In her creative practice, Gönül Nuhoğlu exploresthe complexities of human nature as a driving forcethat can disrupt the ...
24/06/2026

In her creative practice, Gönül Nuhoğlu exploresthe complexities of human nature as a driving forcethat can disrupt the structures of political systems. Inthe exhibition *Non nobis solum nati sumus*, shepresents the world as a space filled with paradoxicaloppositions. Her works juxtapose human figures andfaces—seemingly taken from everyday life—alongside objects from daily existence that carrytraces of dehumanization and war. These imagesserve as a representation of the boundaries ofidentity, exploring how individuals relate to others. Nuhoğlu focuses on the modern dysfunction inhuman relationships and the challenges ofcommunication in multicultural societies.
       An additional layer in her work is the use oflanguage, which interacts uniquely with the visualelements. The exhibition’s title, *Non nobis solumnati sumus*, references a motto from Cicero’sphilosophical writings: “non nobis solum nati sumusortusque nostri partem patria vindicat, partem amici”which embodies the Stoic ideal of cosmopolitanism. This philosophy emphasizes the belief that all humanbeings are interconnected, forming a unified whole, and should contribute to the common good throughacts of kindness and mutual support.
     Nuhoğlu metaphorically expresses the idea thatconcepts can be both delicate and powerful throughher choice of materials like metal and glass. Theinterplay between shine and transparency, the coolenigma of polished metal, and the careful attention todetail create both attraction and distance. Thisreflects a central characteristic of the social fabric – its ability to generate life-affirming and destructiveinstincts, coexisting in a fragile balance. In her work, Nuhoğlu continually tests this balance, creatingsculptures that depict a surreal world where doubtand hope exist together on the edge of dreams andreality.
 
Non nobis solum nati sumus
Artist : Gönül Nuhoğlu Gonul Nuhoglu
Curator: Irina Batkova
Macka Gallery, Istanbul
14 April- 16 May 2026

The exhibition The Night of Time explores the preservation of memory and the nature of the artifacts left behind by this...
23/06/2026

The exhibition The Night of Time explores the preservation of memory and the nature of the artifacts left behind by this process of preservation. Its title derives from a passage in Hydriotaphia, Urn Burial by Sir Thomas Browne, a book devoted to burial practices, whose full quotation reads: “The night of time far surpasseth the day, and who knows when was the Æquinox?”According to Browne, the ritual of burials offers only the illusion of a “deceptive permanence,” while the preservation of memory depends upon the artifacts themselves, left at the mercy of time and chance.
In this sense, Radostin Sedevchev’s work engages precisely with those memory objects that remain after our physical presence has seized to exist, and above all with the transformations to which they are subjected. The exhibition intertwines archival images drawn from personal histories — family photographs alongside found or anonymous ones.
The Night of Time
Artist : Radostin Sedevchev
Curator: Aksiniya Peicheva
21 May – 27 June, 2026 , ICA-Sofia

“…for years we play this game I am nauseated by it but I want to play it with you…”-Thomas Bernhard’s, The World-FixerWi...
20/04/2026

“…for years
we play this game
I am nauseated by it
but I want to play it
with you…”
-Thomas Bernhard’s, The World-Fixer

Within “Perfect Symmetry” by Radostin Sedevchev, themes of tension, attraction, discomfort, intimacy and distance unfold. How does echo guide fragments of past lives as they remain with us?

You can learn more about Radostin and his work Perfect Symmetry, as well as listen to the audio file, on our website via the link in bio. And of course for more updates: follow Radostin’s journey


Photo courtesy of: Rayna Teneva ()

Some work stays with you because it feels rooted in the places and memories that shaped it. Some Time Before the End is ...
05/04/2026

Some work stays with you because it feels rooted in the places and memories that shaped it. Some Time Before the End is one of those exhibitions, smart and alive in the way it turns where we come from into something artistic and something we can all think about.

With Krassimir Terziev (), Adelina Popnedeleva (), Missirkov/Bogdanov, Luchezar Boyadjiev (), and Nadezhda Oleg Lyahova, curated by Victoria Gyuleva () at Vaska Emanouilova Gallery (.emanouilova.gallery) in Sofia, on view until May 10, 2026.

What does home feel like when it stretches across cities and memories? In HOME, Ivan Kostolov brings together painting a...
29/03/2026

What does home feel like when it stretches across cities and memories? In HOME, Ivan Kostolov brings together painting and drawing to explore this question through his life between Sofia and Berlin. His works take a look at imagined spaces shaped by nature, where scale shifts and familiar forms take on new meaning. Themes of distance, protection, and curiosity quietly unfold throughout the exhibition.

Now on view at Ausstellungszentrum Pyramide in Berlin, this exhibition offers a moment to pause and look closer. Many of Kostolov’s colors are made from natural materials gathered near his home, adding a personal layer to each piece. You can follow to stay connected to his work. For those who are curious and want more insight into his process and perspective, you can also read his recent interview for VIJ Magazine: https://vijmag.bg/bg/article/piksela-pigmenta

Mark your calendars for this exhibition, on view from April 11 to June 5, 2026 at Ausstellungszentrum Pyramide in Berlin.

Step into a world where art feels alive. In My Friend the Art, Egill Sæbjörnsson invites you to meet sculptures, project...
26/03/2026

Step into a world where art feels alive. In My Friend the Art, Egill Sæbjörnsson invites you to meet sculptures, projections, and forms that seem to move and respond to you. The exhibition explores art as something we live with and shape over time.

Now on view at Nordatlantens Brygge () in Copenhagen, the exhibition creates space for curiosity and reflection. You are invited to look closely, slow down, and even create something yourself along the way. For a closer look into the artist’s thinking, you can watch the interview via http://youtube.com/watch?v=6Uwmy8tJ-2Y&t=2s, or follow to stay connected to his work and process.

On view until June 7, 2026. If you find yourself in Copenhagen, this is an exhibition to spend time with!

What happens when art steps out of its frame?In the workshop “How to Enter and Exit the Herbarium Box,” kids explored wh...
23/03/2026

What happens when art steps out of its frame?

In the workshop “How to Enter and Exit the Herbarium Box,” kids explored what happens when digital images leave their boxes and start moving in new ways. Inspired by Dagmar Schürrer, they experimented with bringing those images back and made their own links between digital and real spaces. A workshop full of fun, curiosity, play, and learning together. A big thank you to all the little participants and their parents, and Dagmar Schürrer () for being part of this experience!

The workshop is being held under a grant program in two sessions titled “Creating Bulgarian productions and co-productions in the performing arts sector and promoting them on European and international arts markets.”

В детската работилница „Как да влезем и излезем от хербариумната кутия“ говорихме за колекцията „Хербариум“ и за това ка...
22/03/2026

В детската работилница „Как да влезем и излезем от хербариумната кутия“ говорихме за колекцията „Хербариум“ и за това как изкуството може да бъде „хербаризирано“ и преосмисляно в нов контекст.
Вдъхновени от работата на Dagmar Schürrer, децата експериментираха с дигитални образи, които „излизат“ от кутията, а после се опитаха да ги върнат обратно превръщайки границата между реалното и виртуалното в игра.
Сред кутиите с невероятни насекоми от цял свят в Природонаучния музей те веднага създадоха връзка между изкуство, игра и въображение.
Очакваме да видим какво ще сложат всички участници в кутиите, които им раздадохме

Работилницата се осъществява по схема за безвъзмездна помощ в две сесии „Създаване на български продукции и копродукции в сектора на КТИ и промотирането им на европейските и международни пазари за изкуства“.

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