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World Art Society

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World Art Society

We sell and promote Non Western Modern and Contemporary Art from selected international dealers and experts. Send your email to receive our catalogues.

26/12/2025

This item is presented in our Special edition CLAY AND FIRE:

ISHIGAKI YAKI POTTERY STUDIO
Haruhiko Kaneko (1961- )
«Never Ending and Blue Univers» 2016
31,5 cm X 31 cm X 22,5 cm
Weight: 6,800 kg
Price on request

Object Presented by:
Galerie Tiago
T.: +33 (0) 6 60 58 54 78
E.: [email protected]
W.: www.galerietiago.comtiago

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[email protected]

24/12/2025

This item is presented in our Special edition CLAY AND FIRE:

Ming Tong
Ecoute 1 (2024),
Signed by the artist
Ceramic and red pigment,
45,5x29x22cm
Price on request

Object Presented by:
Farah Massart’
T.: + 32 495 289 100
E.: [email protected]
W. :www.famarte.comasianart

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[email protected]

22/12/2025

This item is presented in our Special edition CLAY AND FIRE:

Dame Lucie Rie (1902 - 1995)
‘Bottle Vase’ with Flaring Rim
Circa 1980
Stoneware, blue/white volcanic glaze
’LR’ seal mark to base
27,5 cm x 14 cm x 12 cm
Provenance:
Private English collection
Price on request

Object Presented by:
Finch & Co
T.: +44 (0)7768 236921
E.: [email protected]
W.: www.finch-and-co.co.uk

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[email protected]

19/12/2025

This item is presented in our Special edition CLAY AND FIRE:

DETAIL OF GINDEI TOBAN (SILVER-GLAZED CLAY PLATE)
Hikaru Yamada (1923 - 2001), sealed Hikaru to lower right
Japan
1991
Ceramic panel: 33,8 cm x 47,5 cm
Frame: 36 cm x 50 cm
Publication:
Hikaru Yamada, Claywork, (2004), p237, pl. 253
Exhibition:
Yamada Hikaru To-ten (Ceramic exhibition), Shinjuku Isetan, Tokyo, 21-26 November 1991
Price on request

Object Presented by:
Gregg Baker Asian Art
M.: +32 (0) 469 49 84 89
E.: [email protected]
W.: www.japanesescreens.com

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17/12/2025

This item is presented in our Special edition CLAY AND FIRE:

A CERAMIC VASE OF BULBOUS DOUBLE-GOURD FORM, DECORATED IN ENAMEL WITH A STYLISED DESIGN OF CRESTING WHITE WAVES AGAINST A BLACK GROUND
Makuzu Kōzan II (1859-1940)
Signed as Kōzan and impressed seal mark: Makuzu
Japan
Taishō/Showa period
Early 20th century
30 cm x 21 cm
Price on request

Object Presented by:
Gregg Baker Asian Art
M.: +32 (0) 469 49 84 89
E.: [email protected]
W.: www.japanesescreens.com

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[email protected]

21/01/2025

MORITA SHIRYU
Ryū (dragon)
Signed, titled and dated 1965 on a label affixed to the reverse, framed
Aluminum flake pigment in polyvinyl acetate medium and yellow alkyd varnish on paper and wood panel
With frame: H. 161cm x W. 82.5cm
Painting: H. 157.5 cm x W. 80cm
Published in:
Inada Sōsai ed., Morita Shiryū: Catalogue Raisonné, 1952–1998, (Kyoto, 2019), no. XV II-504
Price on request

Object Presented by:
Gregg Baker Asian Art
M.: +32 (0) 469 49 84 89
E.: [email protected]
W.: www.japanesescreens.com

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[email protected]

18/01/2025

KANETA MASANAO
Untitled
2021
Glazed stoneware, Hagi glazes
D. 30 x 30 x 45 cm

Object Presented by:
Galerie Hioco
M.: +33 (0) 1 53 30 09 65
E.: [email protected]
W.: www.galeriehioco.com

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[email protected]

16/01/2025

THE MASTER OF THE WATER, PINE AND STONE RETREAT
Neidan - Alchemy within the Stone, 2016
Ink and water-colours on cloud-dragon paper mounted down on xuan paper
124 x 230 cm
Price on request

Object Presented by:
Rasti Fine Art Ltd
M.:+852 2415 1888
E.: [email protected]
W.: www.rastifineart.com

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[email protected]

14/01/2025

HAYASHI SHOTARO
Mountains
Glazed stoneware
D. 30 x 26 x H 39 cm

Object Presented by:
Galerie Hioco
M.: +33 (0) 1 53 30 09 65
E.: [email protected]
W.: www.galeriehioco.com

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[email protected]

17/07/2024

Like so many artists Kokuta Suda was passionate about art from a very early age. Determined to become an artist, he tried to enter the prestigious Tokyo School of Fine Arts (Tokyo Bijutsu Gakko) albeit without success. He failed four times in a row. This setback, however, could be seen as a positive outcome as he could now work freely without the dogma of the establishment.
According to Kotaro Nagahara (1864-1930), a professor of Tokyo School of Fine Arts at that time, Suda’s individualistic and eccentric drawing style was the main reason for the rejection. Despite knowing it could be a disadvantage for the entry exams, Suda was determined to stick to his own style and refused to follow any orthodox values. Acknowledging his talent, Nagahara suggested that Suda should move to America where his work would be better appreciated and the artist would be able to paint more freely than in Japan. Despite Nagahara’s advice Suda stayed in Japan and developed his own career.

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15/07/2024

Amal Lin (b. 1992) is a Taiwanese artist currently based in Canada. Her work is heavily influenced by traditional Persian miniatures.
The classical framework of her artwork is brought into a contemporary light as the work is influenced by the artist’s own journey of recovering from a severe eating disorder. For Amal Lin, the practice and creative process of her work is equally as important as the final image she creates. From producing her own mineral pigments, crafting the composition, and adding in details, it becomes a meditative, immersive process.

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12/07/2024

Born in Oita Prefecture Japan, Key Sato (Kei Sato) was a student of Tetsunosuke Yamash*ta (1887-1969) before moving to Tokyo in 1925 to study Western-style painting at the Kawabata Art School and then at the Tokyo School of Fine Arts.

In an effort to free themselves from the influence of the authorities and to create an environment where artists could work with true freedom of expression, Sato and some other young artists such as Genichiro Inokuma (1902-1992) and Kazu Wakita (1908-2005) founded a new art society known as Shinseisakuhakyokai (New Creation Association, later Shinseisakukyokai) in 1936. In 1952, Sato returned to Paris and settled there. This is when he began to experiment with lyrical abstraction, suggestive of telluric, geology or fossils and he began to incorporate various natural materials such as rocks, stones and driftwood into his work, applying layer after layer to express his unique universe.

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