Autonomous Design KASK

Autonomous Design KASK A Practice in Relation to Society. How can we use our practice to contribute to society?

It is from this critical question that the Autonomous Design programme takes on its own trajectory.

Time is flying. Already 3 intense 6-week modules past for our bridging students in Autonomous Design. Here you see some ...
11/03/2026

Time is flying. Already 3 intense 6-week modules past for our bridging students in Autonomous Design. Here you see some atmosphere of the presentations of the Artistic Research, Participation and Methodology modules.

Works by Jazz/Auguste/Mercedes/Leyla/Gautier/Mona/Maryna/Huixin/Azarnoosh

08/03/2026

Design Talks:
RELATIONAL INFRASTRUCTURE
30.03.26

The Atlas of Ovens is an artistic research conducted by , and . It focuses on heat practices by studying and using the infrastructures that contain and guide them. Starting from the idea that heat is as much a physical phenomenon as a social one, we explore how ovens function not only as containers of physical energy but also as relational infrastructures; more than mere technical shells guiding energy transformation processes, ovens radiate towards communities and can produce new forms of social relations.

In this research, the intangible of social practice becomes matter to work with by encountering firing contexts and transforming materials. Combining approaches nourished by our architectural and ceramicist backgrounds, we collect documents, stories and gather, discuss and speculate around fire in order to circulate multiple knowledges and experiences of heat and energy.

27/02/2026

What is Autonomous Design all about? In this video students share their insights. Does it resonates with you? Welcome to apply for our bridging year or master starting next year!

Call for new students to join our Master Autonomous Design or bridging programme. The first deadline for porfolio and ma...
26/02/2026

Call for new students to join our Master Autonomous Design or bridging programme. The first deadline for porfolio and master proposal is on 26.03.26. Good luck on your application, if you have questions, please reach out. We look forward welcoming you. More details on the link in bio.

25/02/2026

Op woensdag 4 maart organiseren we een infomoment voor kandidaat-studenten waar je in gesprek kan gaan met studenten, docenten en studietrajectbegeleiders van onze opleidingen. ⁠

Bekijk het programma en reserveer via onze website schoolofarts.be

[EN] On Wednesday, March 4, we are organizing an information session for prospective students, where you can talk to students, teachers, and study and learning track counsellors from all of our programmes.⁠

Discover the planning and register via our website schoolofarts.be

🎥: Ties Kalker

11/02/2026

Design Talks 02/02/26: Disarming Design From Palestine We look forward welcoming Annelys De Vet and Ibrahim Muhtadi.

Disarming Design From Palestine () is an independent, non-profit design platform and label that fosters thought-provoking design rooted in Palestinian experiences. More than a commercial platform, it uses design to tell stories, challenge assumptions, and invite reflection on daily life under occupation. Its objects — from domestic tools and textiles to jewellery and games — carry personal narratives, political realities, and cultural memory.
Founded in 2012, the project brings Palestinian and international designers in dialogue with craftspeople into dialogue through collective workshops and shared production processes. These collaborations translate lived realities — such as restricted mobility, unequal access to resources, and everyday forms of resilience — into tangible artefacts that circulate globally, carrying and amplifying local stories into new contexts.

At its core, Disarming Design From Palestine positions design as cultural resistance; objects function as conversation starters, unsettling dominant narratives and inviting reflection on power, solidarity, and the politics embedded in everyday life.

In this lecture, Annelys de Vet (), graphic designer and co-initiator, and Gaza-born architect and designer will discuss the project’s methodology, collaborations, and the role of design as a cultural and political practice.

Flashback of last year’s expo Autonomous Design titled ‘The question has to stay’. In a society that demands answers and...
18/12/2025

Flashback of last year’s expo Autonomous Design titled ‘The question has to stay’. In a society that demands answers and solutions, the students put question marks. With the color of salmon and street life, with fiddling and boundaries, with home feeling and social anxiety, with having and being.

Pictures by Fien Meizler & Zoa Engelen

29/10/2025

Congratulation to winning the first prize in Product Design  with his graduation work projects Meer Koet, Minder Afval and Woodwormdesign

Waste collecting with the help of birds -- Who knows, maybe one day we’ll be able to swim through clean Ghentian canals. For now this remains fiction.

But these remarkably adaptive birds, the 'meerkoeten' (coots), might help bring us closer to that vision! Accustomed to city life, coots have started weaving human trash into their nests. This is an opportunity: by building special nesting platforms (due to a lack of good nesting spaces), we invited the coots to construct their homes. After the breeding season, once the chicks have fledged and the nests are not used anymore, we collect these nests, now filled with plastic and other waste the birds have gathered.

In this way, humans and birds work together to clean our waterways.

And what a harvest it was! One family in particular collected an impressive amount of waste. At the same time, more than ten chicks grew up successfully across three test platforms.

                         

Compost Printer by .duterneWhile nature only knows cycles, where there are humans, there is waste.This project starts fr...
30/06/2025

Compost Printer by .duterne

While nature only knows cycles, where there are humans, there is waste.

This project starts from an observation: while walking around, I very often find household printers on the street with a paper saying “free/ still works.” These human artifacts represent the way we consume things and resources. While the printer may still work, the ink needed to run the print¬er becomes harder to find and more expensive than a new one. Hence its disposal on the street. According to the UNITA, less than 22.3% of global e-waste is properly recycled; the rest ends up in landfills or is shipped to the Global South, often illegally.

The start of the project consisted of exploring different ways of recycling these printers, trying to find new ways to repurpose them to print with biological inks. With the idea in mind to create guides and make it a very accessible project so that anyone could do the same. These household printers are not made to be used this way and are meant to break in a few years. The nature of these print¬ers and the microscopic scale of the components meant that the project consisted mostly of main¬tenance. Repairing these components after every print required expensive hardware and some¬times couldn’t be done without purchasing a very expensive replacement part.
At this point, the project shifted towards new questions: What is the scale of resources behind such consumer products? What can I do when the printer stops working?

The projects are influenced by: Ernesto Oroza - Rikimbili; Studio Plastique - Microwave ; Forma Fantasma - Ore streams; KASK Laboratorium; Scraping ; Low-Tech movement

Pictures by Louis Mahiant

Not a manifesto, not a plan, but a poetic exploration of care, how it has many sides, shades and shapes. How it crosses ...
01/06/2025

Not a manifesto, not a plan, but a poetic exploration of care, how it has many sides, shades and shapes. How it crosses time and borders, but sometimes, is obstructed by borders, by nations, by identity. Not a plan, not a manifesto. But a poetic political personal expression of care and oppression and the entanglement of that.

What IfWhat if you left no postcard, bought no souvenir,But someone remembers the way you laughed—How your clumsy Flemis...
30/05/2025

What If
What if you left no postcard, bought no souvenir,
But someone remembers the way you laughed—
How your clumsy Flemish tangled with their English,
until meaning arrived, not through words,
But the warmth of a shared smile?
What if you still hear their voice, saying, “Follow me,”
like a secret only the two of you could keep,
leading you down streets you’d never planned to walk,
to corners where the city whispered its true name?
What if you tasted cuberdons from a vendor’s cart,
and the sweetness lingered long after the sugar dissolved—
not in your mouth, but in the way a stranger’s eyes crinkled
As they taught you to say “dank u wel” through sticky lips?
What if you helped repaint a fading mural in Werregarenstraat,
your hands stained with colors you can’t name,
leaving behind a brushstroke no guidebook will ever frame,
But a teenager points to it weeks later and says,
“See? That’s where someone cared.”
What if you danced badly to a busker’s accordion songs,
And the coins you tossed were not for music,
But for the unspoken pact that joy needs no translation?
What if you sat on the edge of a canal at twilight,
sharing fries with someone whose name you forgot,
while the water held your reflections like a borrowed map—
Two strangers tracing routes they’ll never take again?
No numbers exchanged, only moments.
No souvenirs, only stories.
And when you left, you carried a map
drawn not on paper, but in the quiet marks
of a stranger’s kindness—
and the city, once foreign,
now lives in the curve of your remembering.

what is a homefeeling?not always a place —it might be someone’s voice, a specific smell,or a memory that stays?it can be...
29/05/2025

what is a homefeeling?
not always a place —
it might be someone’s voice, a specific smell,
or a memory that stays?
it can be a fabric,
maybe it lies in a routine,
or somewhere in between?
a soft search.
a collective mapping of home.
what reminds you of home?

Adres

Louis Pasteurlaan 2
Ghent
9000

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