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The Auteur Cinema Archive is proud to welcome The Feast, the award-winning debut short film by Georgian filmmaker Mariam...
03/07/2026

The Auteur Cinema Archive is proud to welcome The Feast, the award-winning debut short film by Georgian filmmaker Mariam Bitsadze, to its growing collection of remarkable independent cinema.

Premiering at the Tbilisi International Film Festival, where it received the Main Prize for Best Short Film, and later selected by festivals including the Brussels Independent Film Festival, The Feast immediately established Mariam Bitsadze as an exciting new voice in contemporary cinema.

Set over the course of a single day, the film follows a Georgian housewife meticulously preparing an elaborate dinner for her husband's guests. Every dish is crafted with care, every detail attended to, yet when the guests arrive, she slowly fades into the background of the celebration she herself has created. What initially appears to be a familiar domestic drama gradually transforms into something far richer and more unexpected—a quiet meditation on identity, sacrifice, and the invisible emotional labour performed by countless women.

Rather than confronting its themes through overt conflict or melodrama, The Feast unfolds with remarkable patience. Bitsadze allows gestures, silences, and routines to accumulate emotional weight until the film reaches a poetic, surreal conclusion that redefines everything that came before. It is a finale that feels both dreamlike and inevitable, elevating an intimate domestic story into something profoundly universal.

Visually restrained and elegantly composed, the film demonstrates an impressive confidence for a first-time director. Every frame reflects an understanding that cinema often communicates most powerfully through what remains unsaid.

Auteur Cinema Archive curator Kris De Meester explains the film's inclusion:
"What stayed with me after watching The Feast was its extraordinary sense of rhythm. Mariam Bitsadze understands that emotion doesn't need to be forced—it can quietly grow until it becomes overwhelming. The film builds with remarkable patience before arriving at a poetic, almost surreal final movement that lands with tremendous emotional force.
At its heart, this is a portrait of a woman who is almost invisible to those around her, yet whose quiet strength carries the entire world she inhabits. The film never turns her into a victim; instead, it observes her with empathy, dignity, and profound respect. It is precisely this subtlety that makes the work so powerful.
Perhaps most exciting of all is that this is a debut. Mariam Bitsadze demonstrates a remarkable cinematic maturity, revealing herself as one of the most promising new filmmakers of her generation. If this film is any indication, her future work will be well worth following."

Beyond its intimate story, The Feast also offers a loving portrait of Georgian culture, where hospitality, food, and communal rituals become both expressions of generosity and reflections of deeply rooted social expectations. The sumptuous preparations for the evening meal are photographed with genuine affection, yet they also become symbols of the protagonist's unspoken sacrifices.

With The Feast, Mariam Bitsadze has crafted a film that speaks softly but resonates deeply. It is a beautifully observed work that transforms everyday domestic life into quietly profound cinema, revealing that the most significant revolutions sometimes begin with the smallest gestures.

The Auteur Cinema Archive is honoured to preserve and celebrate this exceptional debut, confident that it marks the beginning of a remarkable filmmaking career.

https://www.auteurarchive.com
https://www.whush.com

The Ardennes International Film Festival Concludes Its Second Edition in NamurThe second edition of the Ardennes Interna...
13/06/2026

The Ardennes International Film Festival Concludes Its Second Edition in Namur

The second edition of the Ardennes International Film Festival concluded after three days of screenings, conversations, and cinematic discovery in and around Namur, Belgium.

Taking place over three days, the festival presented its program across two venues. The first two days were hosted at Cinéma Caméo in Namur, while the final day unfolded at the rural setting of Vivi Viron in Wépion, where audiences gathered for three additional screening sessions in a more intimate environment.

True to its vision, the festival focused on creating meaningful encounters between films and audiences. Rather than pursuing scale, the Ardennes International Film Festival continues to cultivate a space where cinema can be experienced attentively, where discussions emerge naturally, and where filmmakers and viewers can engage with one another beyond the traditional festival format.

This year's program brought together independent works from Europe, North America, Asia, and the Middle East, showcasing a diverse range of perspectives, forms, and cinematic languages. From deeply personal documentaries and visionary experimental works to bold narrative features and innovative animation, the selection reflected the festival's commitment to artistic freedom and cultural exchange.

2026 Award Winners�

Best Documentary Feature Film
Vis ta Vie Bo**el! (France) by Bastien Thierry and Marc Laure
A poetic and deeply personal road movie following a seven-month journey from Brittany to the Moroccan desert. Through encounters with activists, shamans, and alternative communities, the film explores humanity's relationship with nature, inner transformation, and the search for meaning in a rapidly changing world.

Best Documentary Short Film
Faustyna (Poland) by Natalia Dutkiewicz
An intimate portrait distinguished by its emotional sensitivity and observational approach, revealing the complexity of an individual life through quiet and powerful moments.

Best Narrative Feature Film
Le Train (Canada) by Marie Brassard
Set in Quebec between the 1960s and 1970s, this imaginative coming-of-age story follows a gifted young girl whose fascination with a passing train leads her toward dreams, science fiction, and a mysterious journey into the unknown.

Best Narrative Short Film
Reliefs (Mexico) by Juan Manuel Gonzalez Fernandez
A touching and understated story about family, aging, and reconciliation, centered on the relationship between a middle-aged man struggling with his own life and a mother coping with chronic pain.

Best Experimental Film
Becoming (United Kingdom) by Shelley Hopkins
A hypnotic audiovisual experience that contemplates creation, destruction, and transformation on both microscopic and cosmic scales, inviting viewers into a realm where beauty and impermanence coexist.

Best Underground Film
Performance No.19190301 (South Korea) by Mingu Kang
An inventive blend of road movie, performance art, and historical reflection in which a grandmother and her grandson embark on an unexpected journey through the collective memory of Korea.

Best Animated Film
Une Fugue (France) by Agnès Patron
A poignant animated meditation on memory and loss, told through a sister's recollections of her brother and the enduring traces he leaves behind.

Best Super Short Film
Super V (France) by Franck Janin
A playful and highly efficient miniature comedy proving that imagination and humor need only a few minutes to leave a lasting impression.

Best Belgian Film
L'été avant l'internat (Belgium) by Vincent Terlinchamp
A moving portrait of a mother and her daughter with Down syndrome as they navigate the emotional transition toward greater independence and a new chapter in their lives.�

Cinema Beyond Borders
One of the defining characteristics of this year's edition was the diversity of cinematic voices represented on screen. Films from vastly different cultural backgrounds were presented to audiences willing to travel beyond familiar perspectives and discover new ways of seeing the world.
The conversations that followed many of the screenings demonstrated that while languages, histories, and experiences may differ, cinema remains a uniquely powerful medium for creating understanding and connection.

As the final screening came to a close, the festival once again affirmed its belief that some of the most meaningful cinematic experiences occur not in the largest venues, but in spaces where audiences can watch, reflect, and engage together.

The Ardennes International Film Festival
Where Silence Speaks in Flames.

ARDENNES INTERNATIONAL FILM FESTIVALDark woods. Deep stories.Du 9 au 11 juin 2026, l'Ardennes International Film Festiva...
02/06/2026

ARDENNES INTERNATIONAL FILM FESTIVAL
Dark woods. Deep stories.
Du 9 au 11 juin 2026, l'Ardennes International Film Festival vous invite à découvrir 26 films audacieux venus des quatre coins du monde. Une sélection sauvage, intime et profondément humaine, présentée dans deux lieux emblématiques de la région namuroise.

9 & 10 juin
Cinéma le Caméo
Rue des Carmes 49, 5000 Namur

11 juin
Vevi
Wéron 15, 5100 Wépion, Namur

Tous les billets : 5 € (boisson offerte)

Les films sont projetés en version originale sous-titrée en anglais.
Films are screened in their original language with English subtitles.

PROGRAMME
Courts métrages en Français
Mardi 9 juin 2026 – 20h00
7 courts métrages en français + une boisson offerte.
Tous les films sont en français et sous-titrés en anglais.
Cinéma le Caméo, Namur
Billets : 5 €

International Shorts
Mercredi 10 juin 2026 – 20h00
6 courts métrages internationaux + une boisson offerte.
Tous les films sont en anglais ou sous-titrés en anglais.
Cinéma le Caméo, Namur
Billets : 5 €

L'été avant l'internat
Jeudi 11 juin 2026 – 17h15
Court métrage documentaire en français + une boisson offerte.
Sous-titré en anglais.
Vevi, Wépion
Billets : 5 €

Vis ta Vie Bo**el!
Jeudi 11 juin 2026 – 18h00
Long métrage documentaire en français + une boisson offerte.
Sous-titré en anglais.
Vevi, Wépion
Billets : 5 €

Le Train (Canada)
Jeudi 11 juin 2026 – 20h00
Long métrage en français + une boisson offerte.
Sous-titré en anglais.
Vevi, Wépion
Billets : 5 €

Réservez vos places / Book your tickets :
https://www.ardennesfilmfestival.com

Ghent International Short Film Festival 2026 Concludes with Awards AnnouncementGhent, Belgium — The 2026 edition of the ...
23/03/2026

Ghent International Short Film Festival 2026 Concludes with Awards Announcement
Ghent, Belgium — The 2026 edition of the Ghent International Short Film Festival concluded on March 22 at the Velvet Room after a week-long celebration of independent and daring short cinema. From March 16 to 22, the festival presented a curated selection of 46 short films spanning narrative, documentary, animation, experimental and underground cinema. The festival welcomed a number of special guests, including Maximilian Nita, Hiroyuki Nishiyama, Klara Schmickler, Catarina Couto Gonçalves, Nina Pinzarrone, Luka Galle, Helena Taghon and Romane Eilahtan, whose presence contributed to a week of engaged screenings and enriching post-screening discussions with audiences.

Reflecting on this year’s edition, curator Kris De Meester described the festival as “a privilege to meet so many talented filmmakers and to experience the enriching conversations that followed the screenings.” Continuing its mission to support independent filmmakers, the festival awarded all selected filmmakers The Tarkovski Grant, valued at €500, to support their journey on the international film festival circuit.

Award Winners — Ghent International Short Film Festival 2026

Best Film
Mom Dances (Switzerland) by Mégane Brügger — 23:00
A powerful and intimate reflection on what remains of a mother after years of domestic violence — her body, dignity, strength, and the gestures and memories that can still be passed down.

Best Narrative Film
An Excess Baggage (France) by Myriam Garcia Marienstras — 16:20
A subtle portrait of a mother struggling with emotional dependency when her daughter leaves for summer camp, revealing how love can sometimes become too heavy to carry.

Best Documentary Film
Greetings from Seaside Heights (Germany) by Klara Schmickler — 14:30
A portrait of a seaside town caught between consumerism and quiet decay, where residents reflect on identity, purpose, and the cost of calling a place home.

Best Animated Film
Une Fugue (To the Woods) (France) by Agnès Patron
A poetic and fragile story of memory and loss, following a sister who recalls her brother with vivid tenderness.

Best Experimental Film
Kiesler’s Body (Austria) by Ganaël Dumreicher
An experimental exploration of architect Frederick Kiesler’s visionary cinematic space, where architecture and film merge into a boundless visual experience.

Best Underground Film
Tenez (Germany) by Maximilian Nita
A psychological portrait of a young tennis player confronting the trauma of past abuse on the eve of an important championship.

Best New Filmmaker
This Between Us (Belgium) by Helena Taghon
A fragile and intense portrait of the complex bond between a daughter and her mother over the course of a single night.

Best Connecting Cultures Film
NŪR (Congo) by Ryan Youngblood
A powerful reconstruction of life inside an Islamic State camp in the Democratic Republic of Congo, following a young man torn between survival, faith and the hope of returning home.

Best Belgian Narrative Film
The Catcher (Belgium) by Luka Galle
A surreal and melancholic story about a lonely government worker tasked with catching invisible birds, until he decides to bring one home.

Best Belgian Documentary Film
Dans un Souffle (Belgium, Hungary, Portugal) by Catarina Couto Gonçalves
A poetic black-and-white portrait of figure skater Nina Pinzarrone and her fragile yet relentless pursuit of perfection.

Best Dance Film
Kielo (Finland) by Janina Rajakangas & Sinem Kayacan
A dance film exploring imagination, neurodivergence, and the emotional world of young people through movement.

Best Music Video
Millenium (Belgium) by Melisa Gammarota

Best Super Short Film
20:15 Mexico DF (Argentina) by Alejandro Di Meglio
A tender encounter between two women in Mexico City becomes a reflection on memory, love and the passage of time.

Audience Choice Award
Ice Breath (Romania) by Leonard Alecu
A hypnotic black-and-white cinematic poem filmed among the melting icebergs of Greenland, reflecting on climate change, time and extinction.

The Ghent International Short Film Festival continues to position itself as a platform for bold cinema and meaningful exchange, where emerging and established filmmakers meet an engaged audience in an intimate setting dedicated to cinema as an art form.

Call for Entries — 2027 Edition
Submissions are now open for the 2027 edition of the Ghent International Short Film Festival. Filmmakers can submit their films via FilmFreeway: https://filmfreeway.com/GhentShortFilmFestival

Ghent International Short Film Festival 2026: gratis inkom + drankje! Van 16 tot 22 maart presenteert Velvet Room een in...
02/03/2026

Ghent International Short Film Festival 2026: gratis inkom + drankje!
Van 16 tot 22 maart presenteert Velvet Room een internationale selectie kortfilms: van drama’s en docu’s tot experimentele films. Van prijswinnende films tot wereldpremières. Tickets zijn GRATIS, incl. een gratis drankje achteraf, want deze films kunnen niet zonder nabespreking!
Ontdek het volledig programma en reserveer snel je tickets: www.ghentshortfilmfestival.com
Naast deze cinemavoorstellingen presenteert het festival ook een kleine online selectie, beschikbaar voor streaming van 16 maart tot 15 april. Meer info op de website!

CASTING CALL — THE AUDITION EXPERIMENTA documentary projectProject type: Documentary / experimental film projectWorking ...
06/02/2026

CASTING CALL — THE AUDITION EXPERIMENT
A documentary project

Project type: Documentary / experimental film project
Working title: The Audition Experiment
Language: English (fluency not required)
Profiles: M / F / X — 18 to 60 years old

THE PROJECT
The Audition Experiment is a documentary project by casting director Kris De Meester, exploring the inner mechanics of the audition world from the inside out.

With more than 25 years of experience in casting for feature films, drama series, and thousands of commercials, Kris has worked with filmmakers such as Lars von Trier, Thomas Vinterberg, Terrence Davies, and Koen Mortier.

This project grows out of a long-term, firsthand relationship with the audition process — its rituals, power dynamics, and unspoken rules.

Set in a stark black box studio, actors are invited to audition for roles in a feature film in development. But the film is only part of the setup. What is really being documented is the audition itself — behavior under pressure, adaptation, compliance, resistance, and exposure.

This is not a prank.
Not a competition.
Not reality television.
It is a filmed process.
An observation.
An experiment.

WHO WE ARE LOOKING FOR
We are looking for actors and performers (M / F / X, 18–60) who:
Are comfortable being on camera
Can work in English (accent welcome; fluency not required)
May or may not have professional acting experience
Have a strong desire to play meaningful roles
Are willing to be seen, tested, and observed
What matters most is hunger — not only for a role, but to take part in something that reflects the industry you are working in.

WHAT PARTICIPATION MEANS
By taking part, you are not only auditioning for a role in a film.
You are becoming a participant and subject in a documentary about the audition process itself.
You will be filmed during:
Scene work and repetition
Direction and adjustment
Conversation, waiting, uncertainty
Moments where acting may slip into something else

PRACTICAL INFORMATION
Shooting location: Ghent (Belgium)
Shooting dates: Saturday 7 or Sunday 8 of March
Time commitment: Approximately 1 hour
Compensation: A small fee will be paid

WHY THIS PROJECT
Actors spend their lives being watched, judged, and selected — rarely documented on their own terms.
The Audition Experiment turns the camera toward that process.
This project is for those who want more than a line in a film —
for those who want to take part in a work that examines the system they are trying to survive.

HOW TO APPLY
Please send the following:
Your name and age + contact information
A short introduction (text or video)
At least one recent photo or video of yourself
Any acting experience (optional)
Your availability (which date(s) and time slot(s) are possible for you on March 7 or 8
One sentence answering the question:
“Why do you want to be part of this project?”
Send all applications to:
📩 [email protected]

DOC.BERLIN Documentary Film Festival 2025: Award Winners Unveiled!Over the past few days, the Doc.Berlin once again host...
14/12/2025

DOC.BERLIN Documentary Film Festival 2025: Award Winners Unveiled!

Over the past few days, the Doc.Berlin once again hosted its annual event at the historic Babylon cinema in Berlin. The festival was happy to welcome a number of artists: Nazanin Hafez, Zora Arose Ritz, Evgenia Chetvertkova, Kayu Yeung, Matias Dumas, Westley Hennigh-Palermo, Piotr Goldstein and many more.

Cherrypicked out of more than 2000 submissions, this year’s official selection included 23 wonderful films hailing from France, Iran, Lebanon, Mexico, United States, Poland, Belgium, Qatar, Canada, Estonia, and Germany.

We are pleased to share with you the 2025 Doc.Berlin award winners, chosen by the jury panel.

Best Feature Documentary Film
Inferior Shadows (Iran) by Ramin Khalighi

Best Short Documentary Film
To the embers (France) by Morgane Ambre

Best German Documentary Film
Spiegelberg - A german village (Germany) by Adrian Sagolla

Best Experimental Documentary Film
Blessed Are Those Who Grieve (Germany) by Zora Arose Ritz, Evgenia Chetvertkova, Kayu Yeung

Best Underground Documentary Film
Tokyo Toy Boy (Belgium) by Esli Balatova

Best Cinéma Vérité Film
Yalla, Baba! (Belgium, Lebanon, Netherlands, Qatar) by Angie Obeid

Best LGBTQ+ Documentary Film
Portraits In Drag – The Faces of Pinay Colada (Germany) by Stephan Schaar

Best Poetic Documentary Film
Voice Notes on Death (Germany) by Romy Persaud Drennan, Harry Crampton

Best Historical Documentary
Ottilie Moore – Heiress in the Resistance (United States) by Dana Plays

Best Super Short Documentary Film
Nathalie, Nathalie (Germany) by Matias Dumas

Congratulations to all!

About Doc.Berlin:
Doc.Berlin is part of Doc.World, a new global network of documentary film festivals, with festivals in London, Berlin, Ghent and Boston. As a celebration of the cinematic and visual arts, these documentary festivals will bring diverse international films to our community and showcase the best regional and international filmmakers.
https://www.docberlin.org

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