MARUANI MERCIER Gallery

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MARUANI MERCIER Gallery Representing 20 artists, MARUANI MERCIER is a contemporary art gallery. Representing over 20 artists, MARUANI MERCIER is a contemporary art gallery.

Since opening its doors in 1995 it has focused on established American artist from the ‘80’s. The gallery has maintained long-term representation of influential artists like Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, McDermott & McGough, Philip Taaffe and Sue Williams. The gallery’s presence in Belgium, the heart of Europe, through multiple locations in Brussels and Knokke has allowed it to have simultaneous full-scale exhibitions. Along with its support in the production of their works, the gallery aims to promote the artists it represents by publishing catalogues or monographic documents, by participating in fairs, and above all, by helping with the organization of important museum retrospectives. At the turn of the new century, the gallery has developed its program with emerging artists such as Lyle Ashton Harris, David Lachapelle, Paul Morrison, George Shaw and Wendy White. The gallery is also known for working directly with the Estates or Associations to set-up museum quality shows like for Hans Hartung and Man Ray in 2012. After 28 years of gallery activities in Köln, Berlin and Zurich; Jablonka Galerie decided to transfer its activities to Maruani & Mercier Gallery.

MARUANI MERCIER is delighted to announce its representation of the Estate of Georg Karl Pfahler.Born in Emetzheim, Germa...
27/10/2026

MARUANI MERCIER is delighted to announce its representation of the Estate of Georg Karl Pfahler.

Born in Emetzheim, Germany, in 1926, Pfahler was a pioneering figure of European Hard-Edge painting and postwar abstraction. After studying in Nuremberg, he continued his education at the Kunstakademie Stuttgart under Willi Baumeister, graduating in 1954. Initially influenced by Art Informel, he began to simplify his forms in the late 1950s, developing the Formativ series and the distinctive visual language for which he became known: bold geometric compositions, sharply defined forms, and vibrant, contrasting fields of color.

For Pfahler, color was more than a formal element; it could shape perception and transform the experience of space. From the mid-1960s, he extended this inquiry beyond painting, creating three-dimensional Farb-Raum-Objekte (Color-Space Objects) and architectural environments that brought viewers into a direct encounter with color and space.

His work is held in major international collections, including the Museum of Modern Art (MoMA) in New York, Centre Pompidou in Paris, the Museum of Contemporary Art in Buenos Aires, the Neue Nationalgalerie in Berlin, the Städel Museum in Frankfurt, Kunstmuseum Stuttgart, Museum Folkwang in Essen, Kunstsammlungen Chemnitz, and the Daimler Art Collection. Moving between painting, sculpture, and architecture, Pfahler developed a lasting vision of color as a force capable of redefining the relationship between artwork, viewer, and space.

Featured:
Georg Karl Pfahler
“DA-OBG”, 1967-68
acrylic on canvas
180 x 160 cm - 70 7/8 x 63 in

Georg Karl Pfahler
“Cloff”, 1965-75
acrylic on canvas
200 x 190 x 4 cm - 78 3/4 x 74 3/4 x 1 5/8 in

Kasper Sonne: People Are Strange, the second solo exhibition of the artist with the gallery, is extended until October 7...
26/10/2026

Kasper Sonne: People Are Strange, the second solo exhibition of the artist with the gallery, is extended until October 7.

Featured:

Kasper Sonne
“The Balcony” (male), 2026
oil on linen
200 x 155 cm - 78 3/4 x 61 in
framed: 203,5 x 158,3 x 6 cm

MARUANI MERCIER is delighted to return to Frieze Masters highlights include major works by Josef Albers, Georg Baselitz,...
16/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters highlights include major works by Josef Albers, Georg Baselitz, Ross Bleckner, Sam Francis, Peter Halley, Alex Katz, Robert Mangold, Allan McCollum, Louise Nevelson, Hermann Nitsch, Georg Karl Pfahler, George Rickey, Ed Ruscha, Pierre Soulages and Andy Warhol.

‌Practical Information
Booth F05
The Regent’s Park
London, UK

Opening hours:
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

MARUANI MERCIER is delighted to return to Frieze Masters highlights include major works by Georg Baselitz, Ross Bleckner...
15/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters highlights include major works by Georg Baselitz, Ross Bleckner, Sam Francis, Peter Halley, Alex Katz, Robert Mangold, Allan McCollum, Louise Nevelson, Hermann Nitsch, Georg Karl Pfahler, George Rickey, Ed Ruscha, Pierre Soulages and Andy Warhol.

Featured:

Josef Albers
Study for Homage to the Square: Trusted, 1958
monogramed and dated lower right “A58”; signed, titled and dated on the reverse.
oil on masonite
76 x 76 cm - 29 7/8 x 29 7/8 in
framed: 78 x 78 x 3 cm

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

MARUANI MERCIER is delighted to return to Frieze Masters with a focused presentation featuring some of the key figures i...
13/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters with a focused presentation featuring some of the key figures in international postwar art.

Featured:

Alex Katz
Ann, 1982
Signed and dated 2-2-82
oil on linen
122.2 x 86.4 cm - 48 1/8 x 34 in

Other highlights include major works by Georg Baselitz, Ross Bleckner, Sam Francis, Peter Halley, Robert Mangold, Allan McCollum, Louise Nevelson, Hermann Nitsch, Georg Karl Pfahler, George Rickey, Ed Ruscha, Pierre Soulages and Andy Warhol.

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Wednesday, October 14 | 11 am - 7 pm
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

MARUANI MERCIER is delighted to return to Frieze Masters with a focused presentation featuring some of the key figures i...
08/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters with a focused presentation featuring some of the key figures in international postwar art.

At the centre of the booth is a survey of significant works by George Rickey, spanning five decades of his practice. The selection follows the announcement of the gallery’s representation of the George Rickey Foundation earlier this year. A pioneer of kinetic sculpture, Rickey sought to make work that operated in four dimensions, incorporating time as well as space. By ordering the movement of each element, his sculptures become animated by currents of air and subtle changes in the environment, reflecting the artist’s longstanding preoccupation with the invisible laws of physics governing the natural world.

Featured straight from the George Rickey Foundation:

George Rickey
Open Parallelepiped and Cube, 1995
stainless steel, bronze
indoor | unique
41 x 12 x 26 cm - 15 x 4 1/2 x 7 1/2 in
base: 7 x 7 cm

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Wednesday, October 14 | 11 am - 7 pm
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

05/10/2026

Kasper Sonne: People Are Strange, the second solo exhibition of the artist with the gallery, runs until October 31.

Featured:

Kasper Sonne
The Balcony (female), 2026
oil on linen
200 x 155 cm
78 3/4 x 61 in
framed: 203,5 x 158,3 x 6 cm

MARUANI MERCIER is delighted to return to Frieze Masters. Josef Albers“Homage to the Square: Golden”, 195781.3 x 81.3 cm...
01/10/2026

MARUANI MERCIER is delighted to return to Frieze Masters.

Josef Albers
“Homage to the Square: Golden”, 1957
81.3 x 81.3 cm - 32 x 32 in

Executed in 1957, Homage to the Square: Golden is an outstanding early example of Josef Albers’ celebrated Homage to the Square series. Composed of three nested squares in vibrant tones of yellow and orange, the painting is the first of two works in which Albers explored the motif of golden light; the related Homage to the Square: Golden(1958) set a new auction record for the artist in May 2026. Important works from this period are held by the Guggenheim Museum, New York, Louisiana Museum of Modern Art, Humlebæk, and the Josef Albers Museum.

‌Practical Information
Booth F05
The Regent’s Park
London, UK

VIP Days (by invitation only)
Wednesday, October 14 | 11 am - 7 pm
Thursday, October 15 | 11 am - 1 pm

Public Days
Thursday, October 15 | 1 pm - 7 pm
Friday, October 16 | 11 am - 7 pm
Saturday, October 17 | 11 am - 7 pm
Sunday, October 17 | 11 am - 6 pm

Last day of The Armory Show. Andy Warhol“Robert Mapplethorpe”, 1983Screen print on lenox museum boardOne of two unique v...
27/09/2026

Last day of The Armory Show.

Andy Warhol
“Robert Mapplethorpe”, 1983
Screen print on lenox museum board

One of two unique variants, one of which (red) is in the Wadsworth Atheneum Museum of Art Collection in Hartford, Connecticut.

Initialed VF (Vincent Fremont), with the Andy Warhol Foundation for the Visual Arts stamp, numbered UP41.77 and with the Estate of Andy Warhol stamp on the reverse

102 x 102 cm - 40 2/16 x 40 2/16 in
framed: 131 x 128 x 2 cm

Executed in 1983, this portrait of Robert Mapplethorpe is one of only two unique prints on museum board of the subject, with the other example on a red ground. Warhol also executed a painting on canvas based on the same Polaroid image, which can now be found in the collections of the National Galleries of Scotland and Tate, London.
‌
Printmaking was one of the central mediums in Warhol’s practice - the screenprint enabled him to repeat a photographic source while altering colour, emphasis and registration, producing images that blurred the distinctions between the artist’s hand and mechanical reproduction. His prints therefore occupy a position equally as important as that of painting within his work, embodying his fascination with circulation, celebrity and the transformation of public images through repetition.
In the present work, Mapplethorpe’s face emerges from an intensely luminous silver field, his transfixing gaze directed back at the viewer. Despite the almost abstracted, iconic features of the sitter that are characteristic of Warhol’s portraits, the image projects an intense sense of human presence and intimacy, pointing to the connection and mutual respect between the two artists.
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Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

Zaam Arif at The Armory Show. Featured:Zaam Arif“The Fire Within”, 2026oil on linen137.2 x 106.7 cm - 54 x 42 inZaam Ari...
26/09/2026

Zaam Arif at The Armory Show.

Featured:

Zaam Arif
“The Fire Within”, 2026
oil on linen
137.2 x 106.7 cm - 54 x 42 in

Zaam Arif
“Studio”, 2026
oil on linen
50.8 x 40.6 cm - 20 x 16 in

Zaam Arif
The Scent of Trodden W**d, 2026
oil on linen
129.5 x 205.7 cm - 51 x 81 in

Practical Information
Booth 114
Javits Center, NYC

Dates & Opening Hours
September 24 | 9 am – 7 pm (invitation only)
September 25 | 11 am – 6 pm (public days)
September 26 | 11 am – 7 pm (public days)
September 27 | 11 am – 6 pm (public days)

Adresse

Avenue Louise 430
Brussels
1000

Heures d'ouverture

Lundi 10:00 - 18:00
Mardi 10:00 - 18:00
Mercredi 10:00 - 18:00
Jeudi 10:00 - 18:00
Vendredi 10:00 - 18:00
Samedi 11:00 - 18:00

Téléphone

+3225125010

Notifications

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