Ars Belga, 28 Boulevard de Waterloo, Brussels (2026)

17/05/2026

New York or Nowhere.

16/05/2026

Frieze NY
3.
4. Chung Sang-Hwa
5. Louise Bourgeois
6. Sarah Sze
7. Giuseppe Penone and Titus Kaphar
8. Ha Chong-Hyun
9. Marcelo Silveira
10. Akinsanya Kambon
11. Genesis Belanger
12. Jean-Michel Othoniel and Josh Sperling
13. Sarah Flores
14. Mary Weatherford
15. James Turrell
16. .kapoor
17. Khalif Tahir Thompson
18. Tschabalala Self
19. Tony Matelli
20. John Giorno “Dial A Poem”

08/05/2026

Venice Biennale 2026

22/04/2026

OPENING TONIGHT - THE INAUGURATION - RETHORIC MEETS REALITY

From 6pm until 10pm for Gallery Night.

Ars Belga | Matthu-Boghossian
2 rue Saint-Georges
1050 Bruxelles

16/04/2026

Dear Friends of Ars Belga,

We are delighted to invite you to the opening of our new Brussels space on 22nd April 2026, from 6pm to late.

The show « Rhetoric Meets Reality » includes works by
Valerio Adami
Hans Hartung
Keith Haring
Anne Imhof
Matthew Day Jackson
Yayoi Kusama
Walter Leblanc
Robert Longo
Amadeo Luciano Lorenzato.

We are looking forward to seeing you there!

ARS BELGA | Matthu - Boghossian
2 Rue Saint-Georges
1050 Bruxelles

22nd April - 15 July 2026

16/04/2026

Dear Friends of Ars Belga,

We are delighted to invite you to the opening of our new Brussels space on 22nd April 2026, from 6pm to late.

The show « Rhetoric Meets Reality » includes works by
Valerio Adami
Hans Hartung
Keith Haring
Anne Imhof
Matthew Day Jackson
Yayoi Kusama
Walter Leblanc
Robert Longo
Amadeo Luciano Lorenzato.

We are looking forward to seeing you there!

ARS BELGA | Matthu - Boghossian
2 Rue Saint-Georges
1050 Bruxelles*

22nd April - 15 July 2026

01/04/2026

In a Parisian mood

perronet

18/03/2026

Domenico Gnoli died in 1970, aged 36. He had been painting seriously for six years.

In that time, he produced one of the most quietly radical bodies of work of the twentieth century - and almost no one outside specialist circles knows his name.

The Adventure of Domenico Gnoli opens today at in New York. The largest exhibition of his work in the United States in over fifty years.

What Gnoli understood - and what makes these paintings so unsettling - is that the familiar becomes strange the moment you remove its context. A collar without a neck. Hair without a face. Two bodies under a duvet, invisible. The back of a canvas, signed and dimensioned, presented as the subject.

He wasn’t making surrealism. He wasn’t making pop art, though people tried to put him there. He was doing something more patient and more precise: isolating the overlooked detail until it demanded to be seen.

He mixed sand into his pigments, building surfaces that recall Italian fresco: tactile, encrusted, impossible to fully capture in a photograph. Which is exactly why the show matters.

If you’re in New York before May 23rd, go.

—

Presented here:
1 and 2: ‘Curly Red Hair’, 1969
3: ‘Tour de cou 15½’, 1966
4: ‘Red Dress Collar’, 1969
5: ‘L’inverno (Couple au lit)’, 1967
6: ‘Back View’, 1968
7: ‘Apple’, 1968

Save this. Which work stops you?

13/03/2026

WEEK | OUR SELECTION OF HIGHLIGHTS

1. Lucio Fontana, ‘Concetto Spaziale’, 1954
2. Jef Verheyen, ‘Nul par Ailleurs’, c.1964-1965
3. Victor Brauner, ‘Progression du moi’, 1949
4. Domenico Gnoli, ‘La Robe Rouge’, 1964
6. China Qing Dinasty, ‘Six-Panel Screen’, Early 18th Century
7. René Magritte, ‘Le Bouchon d’Epouvante - Usage Externe’, c.1966
9. Alexander Calder, ‘The Bat’, 1966
10. Sam Francis, ‘Untitled’, 1957
11. Piero Manzoni, ‘Merda d’artista’, 1961
12. Philippe Starck
13. Tatuana mask, 19th Century
14. Lucio Fontana, ‘Concetto Spaziale’, 1962
15. Etel Adnan, ‘Untitled’, c.1980
16. Michel Mouffe
17. Jean-Michel Basquiat
20. Marten Rijckaert, ‘Panoramic landscape with the fall of Icarus’, 1631

Ars Belga

17/05/2026

16/05/2026

08/05/2026

22/04/2026

16/04/2026

16/04/2026

01/04/2026

18/03/2026

13/03/2026

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