BEIGE

05/09/2026

Kind reminder for our opening Monday 07.09
17-20h

Aaron Amar Bhamra
The title of the exhibition is the first sentence of the page you read
10.09 - 10.10.2026

Bhamra works and teaches at the University of Applied Arts Vienna and is currently a lecturer at the Vienna University of Technology. In 2020, he co-founded LAURENZ, an independent exhibition space for artistic experimentation and discourse in Vienna.
Supported by the Austrian Cultural Forum Brussels.

BEIGE
Rue Coppens 3
1000 Brussels

03/09/2026

Opening Monday 07.09; 17-20h

Aaron Amar Bhamra
The title of the exhibition is the first sentence of the page you read
10.09 - 10.10.2026

Aaron Amar Bhamra is an artist based in Vienna. His practice engages closely with architecture and the spatial conditions of exhibition-making, treating the exhibition space not simply as a container but as material in itself. Through subtle interventions, traces and imprints, he exposes the structures, boundaries and physical experience of a given place, often referring to other spaces or past exhibitions. The exhibition will include 'the page you read, 2026', a work constituted by contributions from Louis De Mey, Martin Germann, Sebastian Koeck, Michal Leszuk, Céline Mathieu and Koi Persyn.

Image:
Aaron Amar Bhamra
2024, 2026
Print on photo paper, plastic packaging, staples, magnets
16,8 x 4,7 x 1,5 cm

BEIGE
Rue Coppens 3
1000 Brussels

celinemathieu , .germann

01/09/2026

Opening Monday 07.09; 17-20h

Aaron Amar Bhamra
The title of the exhibition is the first sentence of the page you read
10.09 - 10.10.2026

BEIGE
Rue Coppens 3
1000 Brussels

celinemathieu .germann

03/07/2026

02/07/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Maria Saygua André (b. 1996, Bolivia) is a Franco-Bolivian multidisciplinary artist based in Brussels. A graduate of the Royal Academy of Fine Arts in Brussels, she has presented her work in numerous exhibitions, including at Bozar (Brussels, BE), Kunsthal Gent (Ghent, BE), The Constant Now x S.M.A.K. (Antwerp, BE), the Contextile Biennale (Guimarães, PT), and the Royal Over-Seas League (London, UK).

Committed to fostering social connections through art, she has also been involved in a number of artistic and socio-cultural projects through workshops, talks, and activities in Belgium and Bolivia.

Image:
Maria Saygua André, Installation El sueño de la mariposa, 2025
Photo credits: Isabelle Arthuis

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

Geert Goiris

02/07/2026

13/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Maria Saygua André (b. 1996, Bolivia) is a Franco-Bolivian multidisciplinary artist based in Brussels. A graduate of the Royal Academy of Fine Arts in Brussels, she has presented her work in numerous exhibitions, including at Bozar (Brussels, BE), Kunsthal Gent (Ghent, BE), The Constant Now x S.M.A.K. (Antwerp, BE), the Contextile Biennale (Guimarães, PT), and the Royal Over-Seas League (London, UK).

She has completed several artist residencies, notably at the TextielMuseum (Tilburg, NL), Espronceda Institute of Art & Culture x Art Nou (Barcelona, ES), the Carrefour des Arts Foundation (Brussels, BE), and more recently at KULT XL (Ixelles, BE), where she is currently a resident. She has received several awards, including the SOFAM Prize, which supports her ongoing research into performative installation.

Committed to fostering social connections through art, she has also been involved in a number of artistic and socio-cultural projects through workshops, talks, and activities in Belgium and Bolivia.

Image:
Maria Saygua André, Installation El sueño de la mariposa, 2025
Photo credits: Anatole Mélot

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

13/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Geert Goiris travels the world, seeking out unusual places and interpreting them in enigmatic images. Despite the high resolution afforded by his large-format film camera, his images don’t overwhelm us with definitive information. They are intentionally unpinned from a specific era, giving the feeling that we could be simultaneously looking at the past and the future.

His work is present, among others, in the following collections: Seattle Art Museum, Seattle; Hamburger Kunsthalle, Hamburg; Museum of photography, Antwerp; Centro de Arte Caja de Burgos, Spain; Musée d’Art Moderne de la Ville de Paris; Centre National des Arts Plastiques, Paris; Direction des Affaires culturelles de la Ville de Paris; Deutsche BÖRSE AG, Germany; Nouveau Musée National de Monaco.

Image:
Geert Goiris
Procession, 2011
Archival pigment print on Hahnemühle Photo Rag,
mounted on dibond. Ed. 1/5
56 x 45 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

11/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Geert Goiris (b. 1971, Belgium) occupies a distinct position within contemporary photography, where in his work the documentary image is destabilised through ambiguity and estrangement. His images depict landscapes, architectural forms, and figures that appear recognisable but remain unresolved. Through a precise and detached visual language, he constructs situations in which scale, time, and spatial relations become uncertain. Rather than confirming what is seen, his work explores how perception is shaped and conditioned, and how images produce unstable readings of reality.

Image:
Geert Goiris, Hotel Siaulai, 2003
Archival pigment print on Hahnemühle Photo Rag, mounted on dibond, Ed. 3/5
121 × 100 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

10/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Fumimaro Ayano (b. 1992, Japan) works with found images and everyday objects, which he collects and reworks into sculptural and installation-based constellations. Starting from photography and its history, he is interested in how images detach from their original context and circulate in new configurations. Rather than treating representation as given, he approaches it as something constructed through systems of language, naming, and classification. Through reordering and close reading of images and objects, he explores how meaning is produced within cultural and linguistic structures that shape how things are seen and understood.

Image:
Fumimaro Ayano, Grass is greener, 2024
Acrylic, mat board, inkjet print
40.1 x 32 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment