Wat zijn de openingstijden?

Donderdag 14:00 - 18:00 Vrijdag 14:00 - 18:00 Zaterdag 14:00 - 18:00

BEIGE

BEIGE is an art space for contemporary art founded by Ann Cesteleyn.

Rue Coppens 3, 1000 Brussels

Friday & Saturday 2-6 pm
Or by appointment

[email protected]

13/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Geert Goiris travels the world, seeking out unusual places and interpreting them in enigmatic images. Despite the high resolution afforded by his large-format film camera, his images don’t overwhelm us with definitive information. They are intentionally unpinned from a specific era, giving the feeling that we could be simultaneously looking at the past and the future.

His work is present, among others, in the following collections: Seattle Art Museum, Seattle; Hamburger Kunsthalle, Hamburg; Museum of photography, Antwerp; Centro de Arte Caja de Burgos, Spain; Musée d’Art Moderne de la Ville de Paris; Centre National des Arts Plastiques, Paris; Direction des Affaires culturelles de la Ville de Paris; Deutsche BÖRSE AG, Germany; Nouveau Musée National de Monaco.

Image:
Geert Goiris
Procession, 2011
Archival pigment print on Hahnemühle Photo Rag,
mounted on dibond. Ed. 1/5
56 x 45 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

11/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Geert Goiris (b. 1971, Belgium) occupies a distinct position within contemporary photography, where in his work the documentary image is destabilised through ambiguity and estrangement. His images depict landscapes, architectural forms, and figures that appear recognisable but remain unresolved. Through a precise and detached visual language, he constructs situations in which scale, time, and spatial relations become uncertain. Rather than confirming what is seen, his work explores how perception is shaped and conditioned, and how images produce unstable readings of reality.

Image:
Geert Goiris, Hotel Siaulai, 2003
Archival pigment print on Hahnemühle Photo Rag, mounted on dibond, Ed. 3/5
121 × 100 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

10/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Fumimaro Ayano (b. 1992, Japan) works with found images and everyday objects, which he collects and reworks into sculptural and installation-based constellations. Starting from photography and its history, he is interested in how images detach from their original context and circulate in new configurations. Rather than treating representation as given, he approaches it as something constructed through systems of language, naming, and classification. Through reordering and close reading of images and objects, he explores how meaning is produced within cultural and linguistic structures that shape how things are seen and understood.

Image:
Fumimaro Ayano, Grass is greener, 2024
Acrylic, mat board, inkjet print
40.1 x 32 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

09/06/2026

Reconfiguration
Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

BEIGE is pleased to present a new group exhibition Reconfiguration with works by Fumimaro Ayano, Geert Goiris, and Maria Saygua André. The exhibition places three distinct practices alongside one another, each engaging with the shifting conditions of representation today.
These practices are linked by a shift in how image, language, and material operate. No longer understood as transparent depictions of a pre-existing reality, they are approached as active conditions in which reality is produced, circulated, and reshaped.

Image:
Geert Goiris
Hotel Posta, 2000
Ed. 4/5
Lambda print
120 × 100 cm

BEIGE
Rue Coppens 3
1000 Brussels

Open Fri & Sat 14-18h
And by appointment

03/06/2026

Upcoming exhibition

Reconfiguration
with works by Fumimaro Ayano, Geert Goiris & Maria Saygua André
09.06 - 04.07.2026

Opening Tuesday 09.06.2026; 17-20h

BEIGE
Rue Coppens 3
1000 Brussels

30/05/2026

Melissa Gordon is part of a collective installation in the framework of the historical exhibition Unforgettable, Women artists from Antwerp to Amsterdam, 1600–1750 at MSK, Ghent, curated by Frederica Van Dam.

“In response to the exhibition Unforgettable, Women Artists from Antwerp to Amsterdam, 1600–1750, the artists Christiane Blattmann, Manon de Boer, Melissa Gordon, Aglaia Konrad, Valérie Mannaerts, Hana Miletić, Annaïk Lou Pitteloud, Heidi Voet, and Asia Zielińska have created an intervention for the museum’s forum.

Together, they have developed a collective work that articulates their shared position as women artists and their alliance with other artists who were active in these historical periods and social contexts. Art-historical research for this exhibition suggests an uneven ratio: around seventy percent of women artists can be identified and catalogued, while thirty percent remain anonymous due to a lack of records. The group intuitively challenges this figure and postulates that, in fact, only one third of women artists active throughout history have been granted visibility and legacy.

To highlight this idea, the names of 179 women artists identified by art historians are hand-printed onto bicolour, corporeal latex sheets. These specific hues propose an inverted ratio: bright red stands for historical knowledge, while dark red materializes the structural amnesia surrounding women’s labour and contributions to cultural heritage.”

On view until May 31, 2026

images: Installation view, ×, 2026, bright and dark red latex sheets, iridescent pearl white vinyl paint, 2 diagonal surfaces of ca 4.30 × 27 m.

30/05/2026

Last day!

Anna van der Ploeg
Customs
22.04 - 30.05.2026

1. - 4. Installation

5. Yes my boy, 2026
Oil on linen, 40 x 80 cm

6. Moonmilk / On the wings of the moon
Oil on linen, 40 x 80 cm

7. Boyfriends, 2026
Oil on linen, 100 x 80 cm

Photography by Isabelle Arthuis

BEIGE
Rue Coppens 3
1000 Brussels
Thu - Sat 14-18h

Email for the full documentation to
[email protected]

30/05/2026

Last day!

Anna van der Ploeg
Customs
22.04 - 30.05.2026

1. 2. Installation shot

3. Inner beach, 2026
Oil on linen, 40 x 80 cm

4. Installation shot

5. The Speed of the Camel, 2026
Oil on linen, 40 x 80 cm

6. Queen of Cups, 2026
Oil on linen, 40 x 80 cm

7. Economy, 2026
Oil on linen, 40 x 80 cm

8. Lady Divine, 2026
Oil on linen, 40 x 80 cm

Photography by Isabelle Arthuis

BEIGE
Rue Coppens 3
1000 Brussels
Thu - Sat 14-18h

Email for the full documentation to
[email protected]

20/05/2026

Anna van der Ploeg
Customs
22.04 - 30.05.2026

So much of the generosity of van der Ploeg’s work is that her gaze, imagination and touch don’t seek to expose the people she paints. She invites them forwards and then makes room for them to be as they are, mutable, inscrutable, whole in their aliveness within the world and currents of their particular being. They come from her to be amongst us, ‘ritually hot’³ and vital. Her eyes move with her heart; her paint is always fresh. At one point in Women of the Aeroplane, Timmy Tale, the Ghanaian-Scottish anthropologist, asks Babo, one of the three men in love with Pokuaa, the woman at the heart of Laing’s story: ‘“So what do you do with your knowledge?...” “Live it,” Babo said simply.’4 In Customs, living is to see, to paint, and to come to know.
Excerpt from a text by Hannah Walton
Photography by Isabelle Arthuis

BEIGE
Rue Coppens 3
1000 Brussels
Thur-Sat 14-18h

10/05/2026

Anna van der Ploeg
Customs
22.04 - 30.05.2026

With a text by Hannah Walton: "That’s one of the things I like about flying, the toffee time. Thick, a moment to be with ‘the paradox of long time and short time,’ minute-to-minute monosubstance that is the same in every direction and which I give myself over to when I fly. Cannot move freely cannot get away and so you sit and are. They bring you food and drink and you watch movies you can’t really hear. There is a totality of privacy in the strange sardine proximity and what I see in Anna van der Ploeg’s figures here is that they sink into themselves, come to rest. Except the typing man of Inner beach, he looks like he is having a terrible, extremely familiar time. Temporal duress and staring into a screen. But, he is with us, and we are here amongst the people of the aeroplane."

Photography by Isabelle Arthuis

BEIGE
Rue Coppens 3
1000 Brussels
Thur-Sat 14-18h

Adres

Rue Coppens 3
Brussels
1000

Openingstijden

Donderdag	14:00 - 18:00
Vrijdag	14:00 - 18:00
Zaterdag	14:00 - 18:00

Telefoon

+32477723557

Website

http://www.beige.brussels/

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