Onder de Kerktoren / Under the Tower

Onder de Kerktoren / Under the Tower Is there a difference between digital assumptions and physical experience?

ONDER DE KERKTOREN / UNDER THE CHURCH TOWER is an exhibition project that links a broad range of artists, curators and locations from the Belgian and Middle East region.

02/10/2022
29/09/2022
(10) Under the Tower / Onder de Kerktoren / تحت البرج  : Blueprint*, Herentalsebaan 80, 2100 AntwerpWarm welcome this Sa...
21/10/2021

(10) Under the Tower / Onder de Kerktoren / تحت البرج :

Blueprint*, Herentalsebaan 80, 2100 Antwerp

Warm welcome this Saturday 23 October at 18:30 in a new space in Antwerp : Blueprint*
for an (informal) presentation / talk about :
Onder de Kerktoren / Under the Tower / تحت البرج
with the screening of the video ثَرثَرة / Glossolalia from Ignace Cami en Alaa Abu Asad
and
Sound of Stones: Els Vanden Meersch / Past Tense: Jack Persekian

*Production of L&P vzw for publications, collectives, close readings and small (dining) arrangements

👀 https://www.facebook.com/groups/379224250602388

(08) Quartair, Den Haag & Arab Film Festival, RotterdamUntil 17 October 2021ROSH ABDELFATAH & RODI KHALILHere and There ...
11/10/2021

(08) Quartair, Den Haag & Arab Film Festival, Rotterdam
Until 17 October 2021

ROSH ABDELFATAH & RODI KHALIL

Here and There Lockdown
2021, multimedia installation, 2 x 2 x 2 m

‘Here and There Lockdown’ is an inner journey, both surreal and realistic, into the world of Rosh Abdelfatah and Rodi Khalil. The multimedia installation consists of paintings, photographs and a video work.

Rosh Abdelfatah is a Kurdish-Syrian artist, filmmaker, artistic director of the Arab Film Festival Rotterdam, who graduated at the St. Joost Academy in Breda, 2006. Currently he makes freelance productions for different Arabic TV stations and works as an independent artist in the Netherlands and Middle East.
“As an individual you hardly have any control over the environment. Reality forms while you look at it helplessly. As an artist and filmmaker I search for images where I can get a grip of time. In my work I look for moments of support. They are anchors in a deteriorating, changing environment. The search for what is in disappearance forms visual benchmarks that, if well done, can convey both pain and comfort.” Rosh Abdelfatah
Rodi Khalil was born in Tal Hedat, Syria and currently living in Bremen, Germany. He studied art and design at the university of Damascus. He worked as an Stage Designer at the Theatre of Damaskus, made decoration of different TV films, broadcasted in Syria and exposed his paintings and sculptures at several places: London, Rotterdam, Beirut, Turkey, Spain, New York, Sweden and Germany. In Germany he was involved in a movie decoration and became a member of the National Association of Artists (BBK Bremen) and the International Association of Art (IGBK, IAA, AIAP).

“My images are dealing with the beauties of our culture, especially our myths. But they also show suffering, hunger and repression. That‘s a part of it: I come from a land of myths and repression. For me these myths are building a connection to the present. They offer topics which are fascinating for me and which are seen as ageless by me. I want to build a bridge from past to present for all those people, who are open or can be interested for that. My images are showing elements of manifold cultures: Those of the Assyric, Meder, Marer, which I am a child of. I want to transfuse their rich symbolic and spirit to the present. This impulse is forming my paintings. The richness of these traditions is a heavy part of my thinking. Here I want to mediate - not at last through expressing peace and love.“ Rodi Khalil, 2021

https://www.rodi-khalil.de
arabfilmfestival.nl
At the Arab Film Festival Evening on 09 October 2021 Rosh Abdelfatah talks about the Arabic Cinema in Corona times: The lockdown situation has ensured that many initiatives arose in the various Arab coutries. In the online field, vlogs, sketches and series emerged full of seriousness, doubt, a laugh and a tear. In Jordan, young filmmakers were encouraged to make short films. In addition to the pandemic, Lebanon also has to deal with the aftermath of the fire explosion. Perhaps the urgency was even greater here to give young makers more space to express themselves through various projects. With the help of stories, photos and film fragments, Abdelfatah gives us a glimpse into the Arab world.

(08) Quartair, Den Haag & Arab Film Festival, RotterdamUntil 17 October 2021Paul Donker-Duyvis Corrona Cancer Comfort202...
10/10/2021

(08) Quartair, Den Haag & Arab Film Festival, Rotterdam
Until 17 October 2021

Paul Donker-Duyvis
Corrona Cancer Comfort
2021, Print on aluminium, dibond acrylic, 120 x 80 cm

The Corona outbreak was only a few months old when metastatic tumors were discovered in Paul Donker-Duyvis.
Immediately three Muses took care of him and became Angels, Caregivers and Comforters.
Donker-Duyvis decided to use the illness as a vehicle for a staggering, undisguised and moving series of self-portraits, which portray the comforting and warm contact with the three women. In the exhibition, all three of them have their say with a short statement.

The understanding treating physicians quickly turned to life-prolonging treatments: radiation, hormone injection and chemotherapy, but all physical treatments. Psychological help was also offered, but much more important than words were the indispensable touches, which produced an immediate comforting and magical effect.

The touch, the skin, the direct contact, the production of Oxytocin (cuddle hormone) is a neglected part of medical and terminal care in the eyes of the photographer, who is seriously ill. The moving series of straight black and white self-images Corona Cancer Comfort 2021 is a plea for the return of the loving healing touch, which was missed by many during the Corona epidemic.

Paul Donker-Duyvis Lives and works in Amsterdam, the Netherlands. As Dutch artist he strongly relates himself to a non-western concept of Art. Spiritual elements from old ceremonies and rituals in western and other cultures in Africa, Asia and America form an important background and source of inspiration. His performances, Installations and photo work are often spontaneous improvisations. Especially actions in the public domain.

https://pddstudio.wordpress.com

(08) Quartair, Den Haag & Arab Film Festival, RotterdamUntil 17 October 2021ILONA SENGHOREThe same breath for the same d...
09/10/2021

(08) Quartair, Den Haag & Arab Film Festival, Rotterdam
Until 17 October 2021

ILONA SENGHORE

The same breath for the same danger.
2020, crayon on cotton paper, 29,7 x 20,6 cm

“I am getting a cold and think I am infected. On the day that the Netherlands locks down, the norovirus reigns in my department. In the event of an outbreak, the nursing staff continues to work with the appropriate measures. Other disciplines do not come to the ward in order to limit further spread in the nursing home. I belong to the group of well-being counselors and work in a ward with 32 residents with dementia, half of whom are relatively young. Fortunately, after a week, the norovirus is gone. Unfortunately, the Coronavirus is spreading further across the Netherlands and is breaking out in nursing homes as well.
It is very quiet on the street. I cycle through the quiet streets sobbing to work because I feel strongly that I am a source of contamination and the last thing I want is to infect the residents. The use of face masks will soon be made mandatory. Visitors are no longer allowed. Family and friends are not allowed to visit. That has a huge impact on everyone. Emotional dramas take place. A family secretly rows over the ditch with an inflatable boat to be able to be with their mother. Face-time calling is introduced. I take hundreds of pictures to show the family that they are doing well. Convinced that being outside is the best remedy, I walk for hours with the residents through the paradise garden, which seems more beautiful than ever. The sky is clear blue, there is no noise, no planes.”

Ilona Senghore graduated in 1989 as Monumental Designer at the Royal Academy of Art in The Hague. In addition to being active as an artist, she teaches painting and has been working since 1995 as a well-being counselor in a nursing home. Ilona makes symbolic drawings, paintings and socially critical ceramics.
She draws associatively to understand everyday life, which puzzles her often. From random lines and shapes, a story unfolds that becomes known during the drawing, or even the day after.
Thus the trace appears in her work, the symbol of time. The train comes roaring unstoppably. The trumpet with its bell is the attention that is demanded. The animals can be themselves, but more often symbolize human actions. The water and the sea is the subconscious, a movement and the source from which it all begins.

www.ilonasenghore.nl

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