18/09/2026
What can two artists teach us about an island we think we know?
At the opening of “…Of Barbados,” Dr Thérèse Hadchity explored what makes Arthur Atkinson and Sir Henry Fraser such distinctive voices in Barbadian art.
She described Sir Henry’s delicate watercolours as “haiku poems about the Barbadian landscape.” His coastlines, breaking waves and verdant fields capture fleeting moments with a timeless, meditative quality.
She also noted a fascinating tension: as a heritage advocate, he seeks to preserve; as a painter, he is drawn to changing light and atmosphere. His work holds both the passing moment and the desire to keep something from disappearing.
Arthur’s Barbados unfolds through many visual languages: folklore, photo-based collage, hyper-realist still lifes and beloved island scenery. Dr Hadchity playfully suggested that nowhere becomes quintessentially Barbadian UNTIL Arthur has painted it!
Yet there are surprises. She drew attention to a few works in this exhibition where Arthur leaves things less resolved, inviting us to spend time with the questions.
Beyond the canvas, their influence runs deeper.
In Sir Henry’s life across medicine, scholarship, heritage and art, she recognised the true spirit of a renaissance man: proof that creativity and scientific reasoning can enrich one another.
Recalling Arthur’s visits to other artists’ exhibitions during the Zemicon era, she described them as lessons in learning to see. His understanding of visual logic, and determination to master different visual languages, opened new ways of looking.
Her reflections leave us with a compelling invitation: there is always more to see—and more than one way to see it.
Come discover the Barbados you recognise, and the details you have yet to notice.
📍 Caribbean Brushstrokes
🗓 “…Of Barbados” continues through October 9, 2026
🎨 Artists’ Talk: Saturday, September 26 | 2–4 pm
(Photo by Elle Rene)