Pelicula Cinema

Pelicula Cinema Pelicula Cinema "The Diamond Key" is a children's film: action packed, exciting, moving like the best John Hughes films of the 1980s.

A boutique feature film production company based in Sydney, Australia, Pelicula Cinema is dedicated to "giving blood to your fantasies" - producing the most amazing, enthralling, captivating movies you will see in your life! My contemporaries - Chris Nolan, PT Anderson, Joel and Ethan Coen, Bruce Beresford, David Fincher, Pedro Almodovar - are my inspiration and my constant reminder to stay hungry

, stay fresh and relevant to give something more to the audiences of today and 2112 and beyond!! Five features are in works, to be released between 2013 and 2023:

"Gulf of Carpentaria" about 21st century pirates, a drama/action/adventure/political thriller packs together a determined border security naval officer and a Mafia-don-like people smuggler branching out to other forms of free trade on the high seas of northern Australia and Indonesia. "Finding Mr Desire", a buddy-road movie with a mother and daughter in search of the daughter's missing fiance, which takes them from 1920s rural Victoria, Australia to the pinnacle of the Jazz age in Paris, France where espionage, mistaken idenitity and music/city life bring hilarious situations to life! A 13 year old moves into a new home with her single parent mother to discover a post-office box key, which turn out to hold millions of dollars in stolen diamonds. Her best friend and a love of video arcade games (particularly car racing games) are the only two things going for her against the thugs who are also after the diamonds. A tale of friendship, loyalty, and rip-roaring car chases on the streets of Sydney, Australia. "Pretty Boys Must Die" is my darkest film to date. Its central character is a female lawyer whose past compels her to kidnap and torture little boys. A disturbing, malevolent slide into insanity and familial irresponsibility. It's also a detective thriller as one Mark-Ruffalo-like investigator chases the protagonist through a web of psychological potholes and dangerous escapes from Perth to Sydney, Australia. "Mr Okimura?" is a sci-fi alternate universe story with special visual effects that transport the main character, a teenage school girl from an ordinary 21st century life in urban Sydney to a medieval Japan and futuristic China, through the corridors of CityRail and hidden passages in the city. A pulsating music and time travel are just a couple of the main pillars of this intriguing story. Out in a cinema near you in the very near future!!!

02/05/2022

Following on from anthology film 'Here Out West', writer-director Dee Dogan is readying another project set in Western Sydney - her debut feature, the semi-autobiographical 'A Cup of Tea'.

01/04/2022

The various layers of negotiating commercial and industrial agreements with streamers were again on the agenda at Screen Forever on Wednesday, as a selection of prominent Australian producers recounted their experiences of dealing with the platforms.

16/03/2022

World Poll 2021 – Part 7 the editors January 2022 World Poll Issue 100 ENTRIES IN PART 7: Dan Sallitt Maria San Filippo Rowena Santos Aquino Jack Sargeant Christine Sathiah Barnabé Sauvage & Occitane Lacurie Howard SchumannChristopher Small Valerie Soe Mark Spratt Madalina Stefan Brad Stevens Iv....

Another sad passing...
13/03/2022

Another sad passing...

In 2018, the actor disclosed that he had been diagnosed with terminal prostate cancer which had spread to the bone.

08/03/2022
18/02/2022

AFTRS CEO Nell Greenwood has used the second session of the Digital Futures Summit to introduce a five-year plan for the national screen and broadcast school.

New Star Wars: how the TV spin-offs became more The Phantom Menace than The Empire Strikes Back. By Chris Edwards (16.2....
16/02/2022

New Star Wars: how the TV spin-offs became more The Phantom Menace than The Empire Strikes Back. By Chris Edwards (16.2.22)

Disney+’s upcoming Ewan McGregor-starring spin-off, Obi-Wan Kenobi, is overtly targeting viewers who grew up with the prequels, taking the franchise ever further away from the original trilogy

Fans of the original Star Wars trilogy, your time is up. Remember when you knew that the one true set of works based in a galaxy far, far away were the ones about Luke Skywalker? That the dreadful Attack of the Clones couldn’t be held up to The Empire Strikes Back? And that just thinking about Jar Jar Binks and Jake Lloyd’s acting was enough to make a million voices cry out in terror? Bad news: if you think like that, then when it comes to TV, Star Wars is no longer for you.

Disney+ has confirmed that 25 May will be the launch date of its new Star Wars spin-off series: Obi-Wan Kenobi. After the announcement, Ewan McGregor – who reprises his role from the prequel trilogy of the late 90s and early 00s – explained who this show is being made for.

“People in their late teens or early 20s, those people who were kids who we made those films for, they loved them,” he told Forbes. “To them, they’re their Star Wars films, you know? For us, it was the original films of the 70s, but for them, it was our films were their Star Wars. So to step back into his shoes again now and do a series, a whole series about Obi-Wan Kenobi for those fans, it just makes me really happy.”

That this is the show’s target audience probably shouldn’t come as a surprise, given that the Disney+ series directly follows on from Episode III – Revenge of the Sith, and takes place at a point where McGregor is yet to become Sir Alec Guinness. But the actor’s words confirm something that has seemed increasingly obvious to watchers of The Mandalorian and The Book of Boba Fett: Star Wars really isn’t aimed at diehard fans of the original trilogy any more.

It’s not just that Disney+’s Star Wars series are created with a younger generation in mind, they’re also clearly created for those who have followed post-prequel content like the animated shows, novels and comics. They’re full of nerd-pleasing references to what I’m going to call “New Star Wars”, which expands on events hinted at in the original trilogy and introduces a raft of new characters. Unless you’d followed the animated series Star Wars: The Clone Wars or Star Wars Rebels, to watch The Book of Boba Fett was to find yourself repeatedly asking things like: “When did that pointy black lightsaber become a thing? What does this Ahsoka person have to do with anything? And who the hell is Cad Bane, and why does he look like an alien Clint Eastwood?”

Given its target audience and the period in which it’s set, the Obi-Wan series is likely to feature its fair share of references like this. Is absolutely everyone aware that Darth Maul was glued back together after being lopped in half and definitely killed in The Phantom Menace? If you were confused by his cameo in 2018’s Solo, prepare for further befuddlement.

What’s ironic about Star Wars targeting younger audiences, though, is that about 87% of the franchise’s appeal comes from pure nostalgia. No matter how much additional material is introduced, fans new and old will always be drawn in by images of Darth Vader, the Millennium Falcon and Luke Skywalker doing a flip while wearing Yoda as a backpack.

But it’s a more recent form of nostalgia Disney+ is increasingly targeting: nostalgia for the prequels and the immediate content that followed. Many will be delighted to see that Hayden Christensen is back as Anakin Skywalker/Darth Vader for Obi-Wan Kenobi – even if his face is covered by a black helmet most of the time. They’ll also be eager to spend more time with McGregor’s Obi-Wan, who, in fairness, alongside Ian McDiarmid’s Chancellor Palpatine/Darth Sidious, was one of the best things about the prequels.

Is it a good idea to keep revisiting old characters and filling in the blanks, though? The real concern here is that this show will commit the same crime as The Book of Boba Fett: ruin an iconic character’s mystique and legacy by exploring a story that really didn’t need to be told. Do we really need to see what Obi-Wan got up to on Tatooine while watching over a baby Luke Skywalker? Presumably there was a lot of hanging around while trying not to look creepy. There will surely also be a bit that explains why Obi-Wan has no recollection of R2-D2 when he meets him in the original trilogy, despite spending a significant chunk of his life with the bin-shaped droid. A fan of New Star Wars would argue that this kind of continuity correction is reason enough for the show to exist. Others would happily go without.

Like The Mandalorian, there will undoubtedly be plenty to enjoy about Obi-Wan Kenobi. If the thought of it being aimed at prequel-loving fans who need to explore every corner of the galaxy fills you with abject horror, though, you should probably temper your expectations now.

Disney+’s upcoming Ewan McGregor-starring spin-off, Obi-Wan Kenobi, is overtly targeting viewers who grew up with the prequels, taking the franchise ever further away from the original trilogy

It's up to dark horse contenders Peter Dinklage, Ryûsuke Hamaguchi, Alana Haim, Simon Rex, Kristen Stewart, Tessa Thomps...
07/02/2022

It's up to dark horse contenders Peter Dinklage, Ryûsuke Hamaguchi, Alana Haim, Simon Rex, Kristen Stewart, Tessa Thompson and others to break this stat.

By Clayton Davis

"Sensing a potential trend in the possible nominations of three major Oscars categories — best director, actor and actress — we could see a first-time occurrence for the Academy Awards on Tuesday. However, if you read the tea leaves put forth by the nominations for the DGA and SAG, there’s a strong possibility that all three of those categories may not include a first-time nominee — a first in Oscar history.

For best actor, the SAG lineup recognized all former nominees and winners — Javier Bardem (“Being the Ricardos”), Benedict Cumberbatch (“The Power of the Dog”), Andrew Garfield (“Tick, Tick … Boom!”), Will Smith (“King Richard”) and Denzel Washington (“The Tragedy of Macbeth”). Even the ones on the bubble are once-nominated or crowned, including Mahershala Ali (“Swan Song”), Bradley Cooper (“Nightmare Alley”) and Leonardo DiCaprio (“Don’t Look Up”). The closest first-timers in the running seem to be Golden Globe nominees Peter Dinklage (“Cyrano”) and Cooper Hoffman (“Licorice Pizza”), and long shots include Clifton Collins Jr (“Jockey”) and Simon Rex (“Red Rocket”). The last time that category was made up of all familiar faces was 1980: winner Robert De Niro (“Raging Bull”), Robert Duvall (“The Great Santini”), John Hurt (“The Elephant Man”), Jack Lemmon (“Tribute”) and Peter O’Toole (“The Stunt Man”).

SAG shockingly left off Kristen Stewart (“Spencer”) in the best actress category, who would be a first-time Oscar nominee. Instead, they nominated Jessica Chastain (“The Eyes of Tammy Faye”), Olivia Colman (“The Lost Daughter”), Lady Gaga (“House of Gucci”), Jennifer Hudson (“Respect”) and Nicole Kidman (“Being the Ricardos”). Best actress lineups with all former nominees occur more often than the other two categories. For example, the 2013 lineup had four winners, and one still unrewarded: Amy Adams (“American Hustle”), Cate Blanchett (“Blue Jasmine”), Sandra Bullock (“Gravity”), Judi Dench (“Philomena”) and Meryl Streep (“August: Osage County”). Before that, you merely need to go back to 1994 for another case: Jessica Lange (“Blue Sky”), Jodie Foster (“Nell”), Miranda Richardson (“Tom & Viv”), Winona Ryder (“Little Women”) and Susan Sarandon (“The Client”).

This stat could bode well for potential BAFTA top-two vote-getters Alana Haim (“Licorice Pizza”), Emilia Jones (“CODA”), Renate Reinsve (“The Worst Person in the World”) and Tessa Thompson (“Passing”) or Golden Globe winner Rachel Zegler (“West Side Story”).

An all once Oscar-nominated lineup for best director hasn’t happened since 1950, with George Cukor (“Born Yesterday”), John Huston (“The Asphalt Jungle”), winner Joseph L. Mankiewicz (“All About Eve”), Carol Reed (“The Third Man”) and Billy Wilder (“Sunset Boulevard”). However, judging by the DGA Awards lineup that included Paul Thomas Anderson (“Licorice Pizza”), Kenneth Branagh (“Belfast”), Jane Campion (“The Power of the Dog”), Steven Spielberg (“West Side Story”) and Denis Villeneuve (“Dune”), all signs are pointing to this 71-year-long streak being broken (to be clear, this is referring to first-time nominees in the best director category). But, of course, this could get broken up with any of the seeming fringe contenders, notably Ryûsuke Hamaguchi (“Drive My Car”), Siân Heder (“CODA”), Reinaldo Marcus Green (“King Richard”) and Maggie Gyllenhaal (“The Lost Daughter”).

Before 1950, there has only been one other occurrence of all once-nominated filmmakers: for the celebration of 1931/32, which only nominated three directors, they recognized King Vidor (“The Champ”), Josef von Sternberg (“Shanghai Express”) and eventual winner Frank Borzage (“Bad Girl”).

While the statistic may seem mundane or unimportant, it may point to a possible unfavorable trend in Hollywood as to who the actors and directors branch voters are selecting as “the best of the year.” Familiarity and established names give you a considerable edge.

The categories in question are 60% of what many consider the “big five” – which also includes the categories for best picture and either original or adapted screenplay. A total of 43 films have been nominated in all five of these categories in history, with just three successfully winning all of them – “It Happened One Night” (1934), “One Flew Over the Cuckoo’s Nest” (1975) and “The Silence of the Lambs” (1991). Even best original screenplay, if “King Richard” scribe Zach Baylin can make the cut, has potential for all former nominees and winners. Luckily the adapted race could have four newbies, potentially even all women.

One of the great dreams of actors and filmmakers is the chance to be recognized for your achievements in your craft. Unfortunately, there seems to a downward trend for being recognized, as Barkhad Abdi (“Captain Phillips”), Adriana Barraza (“Babel”) or Lupita Nyong’o (“12 Years a Slave”) have. Even then, the opportunities that can come afterward don’t always align with others in year’s past. Nyong’o has made 10 films since 2013, four of which only used her voice, and just one, Jordan Peele’s “Us,” was a leading role.

This isn’t just an Academy membership problem. It’s about throwing accountability back to the studios to give more unknowns and underappreciated actors and filmmakers a chance to hit a home run."

Sensing a potential trend in the possible nominations of three major Oscars categories — best director, actor and actress — we could see a first-time occurrence for the Academy Awards o…

2021 seems a long time ago yet ...
01/02/2022

2021 seems a long time ago yet ...

World Poll 2021 – Part 1 the editors January 2022 World Poll Issue 100 ENTRIES IN PART 1: Antti Alanen Victor Alicea Francisco Algarín Navarro Salvador Amores Geoff Andrew Cinema Antiviral. Martyn Bamber Jennifer Lynde Barker Arta Barzanji Amarsanaa Battulga Mike BartlettNicolas Bartlett Raphaël...

24/01/2022

Victoria will again open itself up for NBCUniversal drama La Brea, which is returning to the state for the production of a second season.

12/01/2022

The second instalment of SPA's hugely successful Pitch On Demand initiative will now take place as a part of the SPA Connect Domestic Market at SCREEN FOREVER.

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