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The Commercial Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from The Commercial, Art Gallery, 5/4 Jabez Street, Marrickville, Sydney.

Representing:

Bonita Bub
Mitch Cairns
Gunter Christmann
Diena Georgetti
Agatha Gothe-Snape
Patrick Hartigan
Narelle Jubelin
Anna Kristensen
Andrew Liversidge
Nigel Milsom
Archie Moore
Lillian O'Neil
Oscar Perry
Jude Rae
Stephen Ralph
Michael Riley
Tim Schultz
Yasmin Smith
Amanda Williams


Director:

Amanda Rowell

BRISBANE | Mitch Cairns: Artist’s Mouth – Artist/Curators Talk TODAY 2pmJoin Mitch Cairns in conversation with curators ...
10/10/2026

BRISBANE | Mitch Cairns: Artist’s Mouth – Artist/Curators Talk TODAY 2pm

Join Mitch Cairns in conversation with curators Lucy Latella and Robert Leonard at the Institute of Modern Art, Brisbane today at 2pm, as part of the opening weekend of Mitch Cairns: Artist’s Mouth, a survey spanning 20 years of the artist’s practice.

Pictured is a detail from Papers: Fixed Chorus, part of a series of screenprints incorporating an erotic, ‘booby’ alphabet developed collaboratively by Mitch and Agatha Gothe-Snape during their early courtship. The series was first exhibited at TCB Inc., Melbourne in 2014.

In his statement accompanying the original exhibition, Mitch proposed the ‘Cigarette cm’ as a unit for measuring time and space, drawing parallels between smoking and printmaking: “As a printing process imbues paper with visual information, the smoking process erases the paper itself, or rather transforms its form so that it may be distributed throughout the atmosphere.”

Mitch Cairns: Artist’s Mouth
Institute of Modern Art, Brisbane
10 October – 20 December 2026

Image: Mitch Cairns, Papers: Fixed Chorus, 2007/2013, screenprint on paper with ‘booby’ font drawn in collaboration with Agatha Gothe-Snape, 95 × 73 cm, edition of 5 + 2 AP (detail).

Cellar Door Institute of Modern Art National Art School

FRANCE: Jazz Money in 18th Lyon Biennale of Contemporary ArtNow open in France, Jazz Money is exhibiting in the 18th Lyo...
09/10/2026

FRANCE: Jazz Money in 18th Lyon Biennale of Contemporary Art

Now open in France, Jazz Money is exhibiting in the 18th Lyon Biennale of Contemporary Art: To pass from one dream to another, presented across multiple venues in Lyon, curated by Catherine Nichols.

Jazz is exhibiting two works one each at the Musée d’art contemporain de Lyon and the Musée des Tissus et des Arts Décoratifs At Musée des Tissus is a new micro poem, our song rising, in burnt spotted gum:

“The burnt lettering recalls histories of violence and attempted erasure. It emerges at a time marked by the suppression of books, the contestation of historical memory and renewed attempts to silence artists, writers and communities across the world. The poem responds to this present climate through language rooted in Country. For Money, Country speaks ‘in a language of abundance’ and is a source of knowledge where stories are carried through place and across generations. As she has written, there are “moments that need me to be gentle and others that require determined resistance”. The poem holds these two responses together in an ethic that refuses to separate care from the work of resistance.”

Jazz Money’s participation in the Lyon Biennale is presented with assistance from Fondation Opale, Switzerland, the support of the Australian Embassy in France and the Fondation pour les Échanges Culturels Franco-Australiens.

18th Lyon Biennale of Contemporary Art: To pass from one dream to another, Lyon, France

Exhibition: Until 13.12.26

Images: Jazz Money, our song rising, 2026, Burnt spotted gum, 26 parts, overall dimensions 53 x 212.5 x 2.5 cm

(Photos: The Commercial)

Jazz Money 🌞 Biennale de Lyon — Art Fondation OPALE

BRISBANE | Mitch Cairns: Artist’s Mouth | Institute of Modern ArtOpening 10.10.26 at the Institute of Modern Art (IMA), ...
04/10/2026

BRISBANE | Mitch Cairns: Artist’s Mouth | Institute of Modern Art

Opening 10.10.26 at the Institute of Modern Art (IMA), Brisbane, is Mitch Cairns: Artist’s Mouth, a major survey exhibition jointly presented by NAS Gallery (Sydney) and IMA (Brisbane).

Spanning 20 years of the artist’s practice, with over 40 loans of works from public institutions and private collections, the exhibition is the most comprehensive presentation of Cairns’ work to date.

Mitch Cairns: Artist’s Mouth is jointly curated by Lucy Latella and Robert Leonard and is accompanied by a fully illustrated 200-page publication including four new essays.

Exhibition: 10.10.26 – 20.12.26
Institute of Modern Art, Brisbane

Image: Mitch Cairns, Agatha Gothe-Snape, 2017, oil on linen, framed, 140.5 × 125 × 5 cm. Winner, Archibald Prize 2017. Collection: Monash University Museum of Art.

Photo: Sophia Freeman/The Commercial

Cellar Door Institute of Modern Art National Art School

Matthew Harris | 18th Lyon Biennale of Contemporary Art: To pass from one dream to another | Curated by Catherine Nichol...
25/09/2026

Matthew Harris | 18th Lyon Biennale of Contemporary Art: To pass from one dream to another | Curated by Catherine Nichols

Commissioned for the Lyon Biennale is Matthew Harris’ Inalienable Possession, installed at the Museum of Contemporary Art of Lyon (MacLyon).

“Across ten raw cotton canvases, Harris paints a grid of 39,000 cells in vivianite, a rare blue mineral pigment sometimes called “corpse crystal” because it forms from minerals released by decaying organic matter. Each cell corresponds to one of approximately 39,000 Aboriginal cultural belongings held in UK institutions. Many remain unphotographed, uncatalogued or inaccessible, represented publicly only by numbers or redacted spreadsheets. The grid adopts the impersonal language of institutional classification, yet its handmade surface wavers and gathers into encrusted areas. Reclamation is central to Harris’s practice, which traces the ongoing circulation of First Peoples belongings through colonial and commercial systems. By giving material form to an abstract institutional count, Harris makes visible the scale of dispossession and frames recognition as a first step towards the reclamation of cultural belongings.”

Exhibition until 13.12.26

Matthew Harris, Inalienable possession, 2026, Blue ochre (vivianite) and acrylic binder on canvas, 10 parts, each: 198.5 x 88.5 cm x 2.5cm, Installed 198.5 x 912 x 2.5cm

Supported by Fondation OPALE

Sculptures by Birke Gorm

Matthew Harris Biennale de Lyon — Art

BRISBANE | Justene Williams: Once We Were Mudskippers | QAGOMAOpening next week at Queensland Art Gallery | Gallery of M...
24/09/2026

BRISBANE | Justene Williams: Once We Were Mudskippers | QAGOMA

Opening next week at Queensland Art Gallery | Gallery of Modern Art, Brisbane, is Justene Williams: Once We Were Mudskippers, a major survey exhibition curated by Ellie Buttrose. The largest presentation of Williams’ work to date brings together sculpture, performance, video and installation from across three decades, including ambitious new commissions.

Working improvisationally with avant-garde spirit cast through a contemporary suburban lens, Williams draws on mass retail merchandising, gaming environments and popular culture. The artist’s frenetic energy transforms repurposed materials into elaborate sets, costumes and monumental sculpture in an exuberant, anarchic practice underpinned by a rigorous understanding of history.

Like the amphibious fish invoked by the exhibition’s title, Williams’ artworks exist between worlds. They give rise to new heroines and archetypes for our hyper-stimulated times.

Exhibition: 03.10.26 — 07.03.27
Queensland Art Gallery | Gallery of Modern Art, Brisbane

Image: Justene Williams, Santa was a Psychopomp, 2014 (video still). Single-channel digital video, colour, sound; mixed media, dimensions variable. Collection Museum of Contemporary Art Australia, Sydney and Tate, London, with support from the Qantas Foundation in 2015.

Justene Williams elliebuttrose QAG & GOMA

Justene Williams: A Magical Hotstart | Powerhouse ParramattaAs part of the festival to celebrate the opening of Powerhou...
21/09/2026

Justene Williams: A Magical Hotstart | Powerhouse Parramatta

As part of the festival to celebrate the opening of Powerhouse Parramatta, Justene Williams is presenting a new avant-garde opera, A Magical Hotstart, created in collaboration with Club Weld and the Australian Chamber Orchestra.

In A Magical Hotstart, “Williams crafts a world of transformations, connections and emotions inspired by objects from the Powerhouse Collection and named in honour of the powerful act of hot starting a car (or a museum).” Presented in partnership with Arts & Cultural Exchange, Parramatta.

Two one hour performances, 6.30pm Thursday 26 and Friday 27 November. Bookings via link in Powerhouse Museum bio.

Justene Williams ClubWeld Australian Chamber Orchestra ACE

Yasmin Smith in 2026 Gyeonggi Ceramics Biennale | South KoreaCurated by Daehyung Lee, the 2026 Gyeonggi Ceramics Biennal...
21/09/2026

Yasmin Smith in 2026 Gyeonggi Ceramics Biennale | South Korea

Curated by Daehyung Lee, the 2026 Gyeonggi Ceramics Biennale: Earth Makes opened last week in Icheon, South Korea. The exhibition continues until 01.11.26.

Documentation of Yasmin’s work now on The Commercial website via link in bio.

Opening night photo: l-r Focus Australia Commissioner Dr Natalie King OAM, His Excellency Mr Jeffrey Robinson Ambassador of Australia to the Republic of Korea, Yasmin Smith.

(Photo: The Commercial)

Natalie King 주한 호주 대사관 Yasmin Smith 경기도자비엔날레 Gyeonggi Ceramics Biennale Lee Daehyung

The Commercial at Sydney Contemporary | 03.09.26–06.09.26It is the last day of Sydney Contemporary at Carriageworks. The...
05/09/2026

The Commercial at Sydney Contemporary | 03.09.26–06.09.26

It is the last day of Sydney Contemporary at Carriageworks. The Commercial is exhibiting in Booth B07. The fair continues until 5pm today.

We are presenting a group exhibition with works by Archie Moore, Augusta Vinall Richardson, Lillian O’Neil and Mitch Cairns and Stephen Ralph. The selection brings together abstract and figurative sculpture, painting and collage, with an emphasis on materials, textures and the handmade.

The Commercial has participated in every edition of Sydney Contemporary since its inception in 2013.

(Photo: The Commercial)

Sydney Contemporary

The Commercial at Sydney Contemporary | 03.09.26–06.09.26It is with great pleasure that The Commercial presents a group ...
04/09/2026

The Commercial at Sydney Contemporary | 03.09.26–06.09.26

It is with great pleasure that The Commercial presents a group exhibition of work by Archie Moore, Augusta Vinall Richardson, Lillian O’Neil, Mitch Cairns and Stephen Ralph for the 10th anniversary edition of Sydney Contemporary at Carriageworks. The Commercial is located at Booth B07.

The selection brings together abstract and figurative sculpture, painting and collage, with an emphasis on materials, textures and the handmade.

The Commercial has participated in every edition of Sydney Contemporary since its inception in 2013.

Jazz Money’s exhibition Lightning for a song continues at the gallery during usual opening hours throughout Sydney Contemporary week. Tomorrow, Saturday 05.09.26, Jazz is presenting a poetry reading at The Commercial from 6.30–8pm (7pm start).

Augusta Vinall Richardson, Portrait (chambers), 2026, Bronze, patina, wax, 53.5 × 15 × 7.5 cm (Photos: Dane Lovett)

Sydney Contemporary Augusta Vinall Richardson

The Commercial at Sydney Contemporary | 03.09.26–06.09.26It is with great pleasure that The Commercial presents a group ...
03/09/2026

The Commercial at Sydney Contemporary | 03.09.26–06.09.26

It is with great pleasure that The Commercial presents a group exhibition of work by Archie Moore, Augusta Vinall Richardson, Lillian O’Neil, Mitch Cairns and Stephen Ralph for the 10th anniversary edition of Sydney Contemporary at Carriageworks. The Commercial is located at Booth B07.

The selection brings together abstract and figurative sculpture, painting and collage, with an emphasis on materials, textures and the handmade.

The Commercial has participated in every edition of Sydney Contemporary since its inception in 2013.

Jazz Money’s exhibition Lightning for a song continues at the gallery during usual opening hours throughout Sydney Contemporary week. On Saturday 05.09.26, Jazz Money will present a poetry reading at The Commercial from 6.30–8pm.

Installation view, The Commercial at Sydney Contemporary, 2026.

Sydney Contemporary

Address

5/4 Jabez Street, Marrickville
Sydney, NSW
2016

Opening Hours

Thursday 11am - 4pm
Friday 11am - 4pm
Saturday 11am - 4pm

Telephone

+61280963292

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