Biennale of Sydney

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There’s one more chance to explore Tony Albert's Not a Souvenir with an MCA curator, with the final curator tour taking ...
01/09/2026

There’s one more chance to explore Tony Albert's Not a Souvenir with an MCA curator, with the final curator tour taking place on 17 September.

The tour offers a closer look at Tony’s practice and the ideas behind Not a Souvenir, which brings together sculpture, photography, installation, painting and assemblage alongside major new commissions.

If you haven’t made it to the exhibition yet, this is a great opportunity to experience the work with fresh insight.

📍 MCA Australia
📅 17 September

Find out more and book via https://www.mca.com.au/events-programs/calendar/curator-tours-tony-albert/

Images: 1. Tony Albert, photography: Louis Lim. 2 - 3. Installation view, Tony Albert: Not a Souvenir, Museum of Contemporary Art Australia, Sydney, 2026, photograph: Jessica Maurer.

Can a story from the past help us imagine a different future?Following her participation the 25th Biennale of Sydney, Mo...
31/08/2026

Can a story from the past help us imagine a different future?

Following her participation the 25th Biennale of Sydney, Monica Rani Rudhar, is presenting her work We Were Connected in a More Complicated Way Than Either of Us Could Even Begin to Understand in The Cube at Mosman Art Gallery.

Through what Monica describes as a “speculative mythological dreamscape”, the work brings together family histories, ancestral traditions and personal memories. Drawing on the ancient Indian celebration of Holi and stories passed down through her family, Monica collapses different timelines to reimagine the past and consider the stories that shape us.

As Monica shares: “This work highlights the importance of preserving ancient traditions in a way to connect to both my ancestors and broader Indian community.”

See Monica's work at Mosman Art Gallery until 26 October.

Find out more via https://mosmanartgallery.org.au/exhibition/the-cube-monica-rani-rudhar/

Images: 1. Monica Rani Rudhar, We Were Connected in a More Complicated Way Than Either of Us Could Even Begin to Understand, 2023, installation view, Primavera 2024: Young Australian Artists, Museum of Contemporary Art Australia, Sydney, 2024, single channel video, image courtesy the artist and Museum of Contemporary Art Australia © the artist, photograph: Zan Wimberley. 2 - 4. Video still from Monica Rani Rudhar We Were Connected in a More Complicated Way Than Either Of Us Could Even Begin To Understand, Commissioned by The Powerhouse Museum, 2023.

Abdul Abdullah joins the 2026 Pattani Biennale, bringing his exploration of identity and belonging to audiences in Thail...
30/08/2026

Abdul Abdullah joins the 2026 Pattani Biennale, bringing his exploration of identity and belonging to audiences in Thailand.

A multidisciplinary artist whose practice explores identity, perception and the experience of the ‘other’, Abdul brings a deeply personal perspective shaped by his Malay/Indonesian and Australian heritage.

Following his participation in the 25th Biennale of Sydney, his work continues to engage with questions of belonging, culture and how we see one another, challenging assumptions and creating space for more complex conversations around identity.

It’s great to see Abdul’s practice continuing to reach audiences across the region as part of Pattani Biennale 2026.

Images: 1. Abdul Abdullah. 25th Biennale of Sydney, Rememory, 2026, Art Gallery of New South Wales. Photograph: Daniel Boud. 2. Left to right: Abdul Abdullah, North Cronulla Beach car park approx 1:45pm, 2025; Mitchell Road approx 2:40pm, 2025; Cronulla Railway Station approx 3:00pm, 2025. Commissioned by the Biennale of Sydney with generous support from TWT Property Group. Courtesy of the artist and Ames Yavuz © Abdul Abdullah. Installation view, 25th Biennale of Sydney, Rememory, 2026, Art Gallery of New South Wales. Photo © Art Gallery of New South Wales, Felicity Jenkins. 3. Abdul Abdullah, Mitchell Road approx 2:40pm, 2025. Commissioned by the Biennale of Sydney with generous support from TWT Property Group. Courtesy of the artist and Ames Yavuz © Abdul Abdullah. Installation view, 25th Biennale of Sydney, Rememory, 2026, Art Gallery of New South Wales. Photo © Art Gallery of New South Wales, Felicity Jenkins. 4. Illustration by Nong Namwan, from Pattani Children’s Home.

CAMP and Kiri Dalena are heading to South Korea for the 16th Gwangju Biennale - 광주비엔날레, You Must Change Your Life, openi...
29/08/2026

CAMP and Kiri Dalena are heading to South Korea for the 16th Gwangju Biennale - 광주비엔날레, You Must Change Your Life, opening September 5, 2026, following their presentation at the 25th Biennale of Sydney.

Bringing together 43 artists and groups, this edition explores how artistic practice can open up new ways of living, relating and imagining change.

It’s great to see CAMP and Kiri Dalena’s practices extend across the international contemporary art landscape, with their work now reaching audiences in Gwangju.

Images: 1. Kiri Dalena. Photograph: Ben Brix. 2. Kiri Dalena, “In the dark times, will there also be singing? Yes, there will be also singing, About the dark times”, 2017. Courtesy of the artist © Kiri Dalena. Installation view, 25th Biennale of Sydney, Rememory, 2026, White Bay Power Station. Photograph: Document Photography. 3. CAMP. Photograph: Jonathan Dorado . Courtesy of the artist. 4. CAMP, Sydney Opera, 2026. Commissioned by the Biennale of Sydney and Rubaiya Qatar, Qatar Museums. Courtesy of the artists © CAMP. Installation view, 25th Biennale of Sydney, Rememory, 2026, White Bay Power Station. Photograph: Document Photography.

Vicente Telles heads to the US–Mexico border region this September for the 2026 Border Biennial / Bienal Fronteriza.An a...
28/08/2026

Vicente Telles heads to the US–Mexico border region this September for the 2026 Border Biennial / Bienal Fronteriza.

An artist whose work engages with place, identity and the histories that shape our understanding of borders, Vicente’s practice offers a personal perspective on the complex relationships between people, communities and the places they call home.

Following his participation in the 25th Biennale of Sydney, Vicente’s work will be presented as part of Imagining the Border, the 2026 edition of the Border Biennial, bringing together 31 artists and two collectives across the El Paso Museum of Art and Museo de Arte de Ciudad Juárez.

It’s great to see Vicente’s art continuing to reach new audiences in a biennial exploring the diverse experiences, histories and perspectives of borderland communities.

Images: 1. Vicente Telles. 25th Biennale of Sydney, Rememory, 2026, Campbelltown Arts Centre. Photograph: Daniel Boud. 2. Vicente Telles, Primera Voz/ First Voice, 2026. Commissioned by the Biennale of Sydney with generous support from Campbelltown Arts Centre. Courtesy of the artist © Vicente Telles. Installation view, 25th Biennale of Sydney, Rememory, 2026, Campbelltown Arts Centre. Photograph: Silversalt Photography. 3. Vicente Telles, Primera Voz/ First Voice, 2026. Commissioned by the Biennale of Sydney with generous support from Campbelltown Arts Centre. Courtesy of the artist © Vicente Telles. Installation view, 25th Biennale of Sydney, Rememory, 2026, Campbelltown Arts Centre. Photograph: Silversalt Photography.

Rememory / Yaritji YoungYaritji Young is a highly respected artist, cultural custodian and senior law woman from Amata c...
28/08/2026

Rememory / Yaritji Young

Yaritji Young is a highly respected artist, cultural custodian and senior law woman from Amata community on the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in the far north-west of South Australia. As an accomplished artist and community member, her practice centres on the honey ant story, for which she is a custodian. A series of new paintings by Young are on display in the adjacent gallery space as part of the 25th Biennale of Sydney.

In this video, we join Young in Amata as she paints her storyline and participates in inma (ceremonial dance and culture). Within the broader APY Lands community, Young performs important work, championing Indigenous voices locally and internationally, as well as sharing stories from her Country.

Commissioned by the Biennale of Sydney Courtesy of the artist, APY Art Centre Collective and Weld Stories.

Yaritji Young is a senior law woman and respected artist from the Amata community on the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in the far north-west of South Australia. A traditional owner of the tjala tjukurpa (honey ant story) near Amata, Young makes paintings that scurry with honey ants in a mass of shifting movement and colour. The vibrant use of colour and bold mark-making in these works capture the attention of the observer as the tjala travel across the canvas – much as they would on Country.

Like the honey ant, each individual stroke works in tandem with their fellow constituents to form a cohesive living story. Young traces the honey ant’s journey, twisting through rock and cave, across her Country.

Commissioned by the Biennale of Sydney with generous support from the South Australian Government through CreateSA Courtesy of the artist and Tjala Arts.

Art Gallery of New South Wales

Images: 1. Yaritji Young. 25th Biennale of Sydney, Rememory, 2026, Art Gallery of NSW. Photograph: Daniel Boud. 2. Foreground, left to right: Ngurrara Artists, Ngurrara Canvas II, 1997. Presentation at the 25th Biennale of Sydney was made possible with generous support from the Oranges & Sardines Foundation. Courtesy of the artists and the Ngurrara Canvas Management Group (NCMG) © Ngurrara Artists. Yaritji Young, Tjala Tjukurpa III, 2025; Tjala Tjukurpa II, 2025; Tjala Tjukurpa IV, 2025; Tjala Tjukurpa I, 2025; Tjala Tjukurpa, 2026. Commissioned by the Biennale of Sydney with generous support from the South Australian Government through CreateSA. Courtesy of the artist and Tjala Arts © Yaritji Young. Installation view, 25th Biennale of Sydney, Rememory, 2026, Art Gallery of New South Wales. Photo © Art Gallery of New South Wales, Felicity Jenkins. 3. Yaritji Young, Tjala Tjukurpa I, 2025; Tjala Tjukurpa, 2026. Commissioned by the Biennale of Sydney with generous support from the South Australian Government through CreateSA. Courtesy of the artist and Tjala Arts © Yaritji Young. Installation view, 25th Biennale of Sydney, Rememory, 2026, Art Gallery of New South Wales. Photo © Art Gallery of New South Wales, Felicity Jenkins. 4. Foreground: Yaritji Young, Ngayuku tjukurpa - kungka yuu tjala tjukurpa (My Story - women's honey ant story), 2025. Commissioned by the Biennale of Sydney. Courtesy of the artist, APY Art Centre Collective and Weld Stories © Yaritji Young. Ngurrara Artists, Ngurrara Canvas II, 1997. Presentation at the 25th Biennale of Sydney was made possible with generous support from the Oranges & Sardines Foundation. Courtesy of the artists and the Ngurrara Canvas Management Group (NCMG) © Ngurrara Artists. Yartiji Young, Tjala Tjukurpa I, 2025; Tjala Tjukurpa, 2026. Commissioned by the Biennale of Sydney. Courtesy of the artist and Tjala Arts © Yaritji Young. Installation view, 25th Biennale of Sydney, Rememory, 2026, AGNSW. Photo © Art Gallery of New South Wales, Felicity Jenkins.

Few artists have created a visual world as instantly recognisable or as boundless as Yayoi Kusama.Across decades of grou...
27/08/2026

Few artists have created a visual world as instantly recognisable or as boundless as Yayoi Kusama.

Across decades of groundbreaking work, Kusama continually pushed against boundaries between artist and artwork, performer and audience, reality and imagination. Her unmistakable visual language and fearless exploration of repetition, infinity and the self have left an extraordinary mark on contemporary art and generations of artists and audiences around the world.

Kusama participated in the 17th Biennale of Sydney in 2010, presenting Song of a Manhattan Su***de Addict. Dressed in her signature vibrant wig and polka-dot attire, Kusama performs in front of a shifting, technicolour and psychedelic animated backdrop drawn from her own paintings.

Today, we reflect on an extraordinary life and artistic legacy that continues to inspire people to see the world differently.

Thank you, Yayoi, for the infinite worlds you created, the boundaries you challenged and the imagination you invited us all to step into.❤️

Image credit: Yayoi Kusama, Song of Manhattan Su***de Addict 2010, 2010 video, colour, sound. Installation view of the 17th Biennale of Sydney (2010) at Cockatoo Island. Copyright: Yayoi Kusama, Yayoi Kusama Studio Inc. Courtesy the artist and Ota Fine Arts, Tokyo. This project was made possible with assistance from Ishibashi Foundation. Photograph: Sebastian Kriete.

Rememory / Wendy Hubert A riotous celebration of ancestral knowledge, Yindjibarndi Elder, Wendy Hubert, brings the brigh...
27/08/2026

Rememory / Wendy Hubert

A riotous celebration of ancestral knowledge, Yindjibarndi Elder, Wendy Hubert, brings the bright skies, rich colours and verdant foliage of her painting practice to life. Based on Yindjibarndi Country, Hubert is an artist, cultural custodian and linguist who carries botanical knowledge passed down through generations. While ecological disruptions fuelled by the changing climate has meant some plants are no longer represented on Yindjibarndi Country, knowledge of them
endures.

Through this work, Hubert celebrates the resilience of this ancestral knowledge by focusing on native plants used for eating, medicine, ceremonial purposes and artefact. Yindjibarndi Nyinyart at Wendy’s Garden tells the story of the five principles by which her people have lived in harmony with Country for thousands of years. These principles are: Ngurra (Home), Wangga (Truth, Language), Galharra
(Kinship), Birdarra (Ceremony) and Nyinyart (Reciprocity).

For Hubert, Wendy’s Garden “is so much more than just a garden. It shows us our past, and the path ahead. It is a web of stories from my Ngurra, my home...these plants are food, medicine, part of our family and our identity as Yindjibarndi
people. They represent principles and tell stories that are vital to our lives and our cultural future.”

Comissioned by the Biennale of Sydney with generous support from Regional Arts WA and generous assistance from Copyright Agency’s Cultural Fund and James Roth and Susan Acret Courtesy of the artist and Juluwarlu Art Group.

Penrith Regional Gallery, Home of The Lewers Bequest

Images: 1. Wendy Hubert. 25th Biennale of Sydney, Rememory, 2026, Lewers: Penrith Regional Gallery. Photograph: Daniel Boud. 2 - 6. Wendy Hubert, Yindjibarndi Nyinyart at Wendy’s Garden, 2025–2026. Commissioned by the Biennale of Sydney with generous support from Regional Arts WA and generous assistance from Copyright Agency's Cultural Fund and James Roth and Susan Acret. Courtesy of the artist and Juluwarlu Art Group © Wendy Hubert. Installation view, 25th Biennale of Sydney, Rememory, 2026, Lewers: Penrith Regional Gallery. Photograph: Maja Baska.

Today, we remember Dolly Parton - a singular voice whose music, spirit and larger-than-life presence touched generations...
26/08/2026

Today, we remember Dolly Parton - a singular voice whose music, spirit and larger-than-life presence touched generations around the world.

Dolly’s influence reached far beyond the world of country music, finding its way into art, culture and the imaginations of people everywhere. For 24th Biennale of Sydney artist Kaylene Whiskey, Dolly was among the iconic figures who appeared in her vibrant and joyful world of storytelling.

Dolly featured in Kaylene TV, Whiskey’s large-scale installation commissioned for the Biennale of Sydney, appearing alongside other cultural icons and Whiskey’s kungka kunpu (strong women).

Thank you for showing generations that strength can come with softness and extraordinary success can be matched with kindness.

Rest in peace, Dolly. ❤️

Image credit: Kaylene Whiskey, Kaylene TV, 2023. Commissioned by the Biennale of Sydney and the Fondation Cartier pour l’art contemporain with generous assistance from the Australian Government through creative Australia, its principal arts investment and advisory body. Courtesy the artist, Iwantja Arts and Roslyn Oxley9 Gallery. © Kaylene Whiskey. Installation view, 24th Biennale of Sydney, Ten Thousand Suns, 2024, White Bay Power Station. Photograph: Document Photography.

Sydney Contemporary returns to Carriageworks from 3–6 September for its 10th edition. Discover 100+ leading galleries fr...
26/08/2026

Sydney Contemporary returns to Carriageworks from 3–6 September for its 10th edition.

Discover 100+ leading galleries from nine countries, ambitious installations, and thousands of contemporary artworks available to buy, from emerging artists to established names.

Experience four days of art, ideas and discovery at Australasia’s premier art fair, presented in partnership with MA Financial Group.

Special offer of 20% off Art Night, Friday Night, and Any Day Tickets. Offer ends 11am Thursday 3 September.

https://sydneycontemporary.flicket.io/events/98098063-7924-4112-8ef4-4ea38811256d/reservation?slug=1e51e286&code=biennaleofsydney

Images: Courtesy of Sydney Contemporary.

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