Cassandra Bird

14/06/2026

13/06/2026

SYDNEY

Paul Davies

Final Day

Join us in the gallery today for the final chance to view 'Layers in Motion' by Paul Davies.

Central to Davies’ approach is the notion of painting as a site of memory. Architectural references, whether drawn from observed environments or internalised impressions are translated into compositions that oscillate between the real and the imagined. The layering of paint operates simultaneously as a formal strategy and conceptual device, embedding personal histories within the material surface.

PAUL DAVIES
Forest Modular, 2026
acrylic on linen
152 x 122 cm
60 x 48 inches

For all enquires contact : [email protected]

12/06/2026

PARIS

JANET LAURENCE
Once Were Forests

CASSANDRA BIRD PARIS, supported by ZIMMERMANN, is pleased to present Once Were Forests, an immersive solo exhibition by internationally renowned Australian artist Janet Laurence. Featuring a major installation alongside a new body of artworks, the exhibition brings together sculpture, painting, and photography in a sensory environment shaped by transparency and reflection.

Laurence’s artwork engages with ice, forest, and water as carriers of time, memory, and life, tracing threads between ancient ecologies, the present state of nature, and possible future ecologies. Within the exhibition, forest and ice are inseparable: one preserves, the other transforms; one remembers, the other lives. Together, they form a network of relationships, a living archive of entangled life systems spanning leaves, insects, branches, animals, pollen, people, seeds, soils, and fungi, each a record within a larger cosmos, held in the past and rediscovered in the present.

JANET LAURENCE
Moss Origin, 2026
Chromagenic images on shinkolite
100 x 180 cm

Exhibition continues until July 11, 2026

For all enquiries please dm or email: [email protected]

11/06/2026

SYDNEY | Offsite

Tina Havelock Stevens
Margaret Whitlam Gallery
Until July 16

Tina Havelock Stevens is currently showing in group exhibition Ladies to the Front - The Art of Noise at the Western Sydney University, Margaret Whitlam Gallery. The exhibition celebrates female artists, with an emphasis on Western Sydney alumni, exploring their energies of power and rebellion in performance, sound, composition and visual arts.

Havelock Stevens work bridges the inner and outer worlds, creating assemblages that balance immediacy with introspection. Video and performance works extend this rhythm, aligning drumbeats, environmental sound, and moving image with primal cycles of birth, death, and transformation.

Her work is collected by major institutions such as Artbank, Campbelltown Arts Centre, Newcastle Art Gallery, and various private collections.

Orange Alert, 2025
drum kit, flocking and stainless steel
base 220cm diameter

For enquiries please email: [email protected]

05/06/2026

SYDNEY

PAUL DAVIES

Join us in the gallery tomorrow at 3pm for an artist talk with Paul Davies as he discusses his latest exhibition, Layers in Motion.

Davies advances a practice that is both materially rigorous and conceptually expansive. Through a refined interplay of construction and erasure, his works occupy a liminal terrain between architecture and abstraction, memory and materiality. Grounded in an ongoing investigation of architecture and the built environment, Davies extracts a visual language of line, structure and form, transforming familiar spatial experiences into poetic and contemplative works.
This is a wonderful opportunity to hear directly from the artist about the ideas, processes and influences that shape his practice and the development of this remarkable body of work.

PAUL DAVIES
Untitled , 2024
acrylic on linen
152 x 122 cm
60 x 48 inches

For enquiries please contact: [email protected]

28/05/2026

REMY FAINT
Artspace

Congratulations to Remy Faint who has been invited to join the Artspace Studio residency program.

The Studio Program continues to offer artists the space to research and produce new works without constraint in an open and critically-engaged environment. Selected through a national open call, these artists form the first cohort within Artspace’s renewed two-year, rent-free residency model, marking a major new chapter in the organisation’s long-standing commitment to supporting artists with time, space and institutional support at pivotal moments in their practice.
Working across sculpture, installation, painting, video, performance and expanded interdisciplinary practice, the new cohort reflects the breadth and complexity of contemporary artistic practice today.
faint

27/05/2026

OFFSITE- Canberra

SYLVIA KEN

National Gallery of Australia
Ngura Puḻka – Epic Country
until 23 Aug 2026
Level 1, Galleries 2–7

Sylvia Ken's paintings such as this work explore the dreaming story of the Seven Sisters, a story that takes place in the APY Lands where her family are traditional owners. More of her work is currently being shown at the National Gallery of Australia in the artist-led project ‘Ngura Puḻka – Epic Country‘. This exhibtion celebrates the powerful Tjukurpa (Aṉangu law/cultural stories) and Country from Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands, Coober Pedy and Tarntanya/Adelaide, in South Australia.

Swipe to see current available work in the gallery.

SYLVIA KEN
Untitled, 2026
acrylic on belgian linen
120 x 91 cm

For enquiries about this work, please contact [email protected]

25/05/2026

SYDNEY

PAUL DAVIES
'Layers in Motion'
Until 13 June, 2026

'Layers in Motion' by Paul Davies brings together an immersive installation, a new series of paintings, and dynamic bronze sculptures. The exhibition offers a compelling articulation of Davies’ engagement with process, material, and the spatial conditions of image making.

In Layers in Motion, Davies advances a practice that is both materially rigorous and conceptually expansive. Through a refined interplay of construction and erasure, his works occupy a liminal terrain between architecture and abstraction, memory and materiality.

Davies's work has been acquired by The J. Paul Getty Museum, Los Angeles, the University of California Irvine, Institute and Museum of California Art, Scottsdale Museum of Contemporary Art, Palm Springs Art Museum, Crocker Art Museum, MAK Center for Art and Architecture and the Laguna Art Museum. In 2016 he completed a residency at the Frank Lloyd Wright School of Architecture Phoenix and work from this is now held in the permanent collection at the Scottsdale Museum of Contemporary Art and McClelland Sculpture Park + Gallery. In 2013 he was awarded a residency at the Cite Internationale des Arts, Paris by the Art Gallery of New South Wales. Davies was featured with Luc Tuymans and Peter Doig in the essay 'Limbo Architecture – Painters of Modernism' by Aaron Betsky, director of the Cincinnati Art Museum (2006–14), for the May 2014 edition of Architecture Review.

PAUL DAVIES
Frozen Modular , 2026
acrylic on linen
152 x 122 cm
60 x 48 inches

For enquiries please contact: [email protected]

23/05/2026

Sydney
Tina Havelock Stevens
Art Gallery of New South Wales
31 May, 2026

THUNDERHEAD is an immersive audiovisual performance by artist and musician Tina Havelock Stevens (drums) and long-time collaborator Liberty (guitar) with an improvised performance that channels the tremendous beauty and chaos of a supercell storm.

Tina Havelock Stevens' practice moves fluidly between sound, image, and performance, exploring the nuanced intersections of memory and perception. Her multidisciplinary, site-responsive works investigate the entwined relationship between sound and environment, creating encounters that are both intellectually resonant and physically immersive.

For enquiries please contact [email protected]

20/05/2026

SYDNEY

Paul Davies
Layers in Motion

The entrance to the exhibition, Layers in Motion is marked by a stunning site-specific wall installation by Paul Davies.
Drawing upon the layered visual language that defines his painting practice, Davies has created an immersive installation composed of a series of cyanotype prints. Rich in texture, movement and depth, the work extends the artist’s exploration of memory, landscape and materiality beyond the canvas, transforming the architectural space into a immersive environment. Through the distinctive blue tonalities and textured surfaces of the cyanotype process, the installation evokes both the elemental forces of nature and the traces of human presence.

PAUL DAVIES
Layer in Motion, 2026
cyanotype print
300 x 365cm