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Holosuite Mastering

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Holosuite Mastering

Bespoke mastering for artists on the experimental side

25/12/2025

Congrats to on his gorgeous debut, out now! Mastered at Holosuite 🎉

Reposted by

Out now link in bio
Recorded/mixed by me at home
Mastered by OVRSCN

04/11/2025

blije
"unsolicited"
Mastered by Holosuite

Reposted from

OUT NOW

blije - unsolicited
(ЧЖ073)

Available on 140g vinyl, rave case cassette and digital.

Music&art :: .niki
Design :: & blije
Vinyl mastering ::

ЧЖ

04/11/2025

Ben Brown & Stefan Christoff
"In Duet"
Out Nov 7
Mastered by Holosuite

Reposted from

ANNOUNCING NM052

Ben Brown & Stefan Christoff
In Duet

There is a wild expansiveness to the sound that percussionist Ben Brown, and pianist Stefan Christoff capture here. An unbound and inspirational collaboration.

Releases Nov. 7th on New Motion via digital and cassette.

Music by:

Production by:
Simon Labelle

Mastered by:

Artwork by:

04/11/2025

Gentleforce
"Music for Tranformation, Vol. 1"
Mastered by Holosuite

Reposted from

Release day for album “Music for Tranformation, Vol. 1” via 🌱

This album contains 2 x monolithic slabs of bush ambiance, fusing natures song alongside the ebb and flow of tonal synths and sonic textures. Now available via Bandcamp for full Wav fidelity or via all the usual music streaming services 📡 - https://bushmeditation.bandcamp.com/album/music-for-transformation-vol-1

This project wouldn’t have come to fruition without the creative vision of 2 very special friends;

- Nigel Lough eye for capturing the emotive response to the Australian landscape. Photos pictured here and on the album cover 📸
- Marcus Miller for his mixdown and mastering techniques to highlight the widescreen sounds of the bush and its rhythms 🎚️

Come meditate on natures weight 🦎
-
-
-

24/07/2025

Knivtid
"Cloud Copy"
Mastered by Holosuite

Reposted from@knivtid

New album/EP released.
Cloud copy.
Currently only on Bandcamp. Mastering by

24/07/2025

Hiram
"Solarium Songs"
Mastered by Holosuite

Reposted from

It’s been just over a week since ‘Solarium Songs’ stepped into the light, and I’m so happy it’s resonating.

Stephan Kunze recently featured the album in his Best New Ambient column, saying:

“… the music does feel as if it’s mirroring photosynthesis, essentially transforming light into life.” - Zen Sounds

Many thanks to Marcus Miller for his great work mastering these recordings, helping to bring the music into its final form.

Mastering:

Physical editions turned out beautifully. Limited edition cassettes are real-time duplicated to Analogue Pro Hi-Fi ferro, in a frosted white shell c36 with green ink imprint.

Printing & Duplication: .ca

The artist edition Lathe-cut 7” features an exclusive B-side track. Clear, square record includes original signed 4x4” cyanotype print.

Lathe-cutting:

I’ve been living with these Solarium Songs for a while now, and it’s good to set them free.

Thanks for listening. It means so much to connect with you through this music.

🙏✨🌿

28/03/2025

End Scene
"I Will Not Live Safe, I Will Live True"
Mastered by Holosuite

Repost of

The second album ‘I Will Not Live Safe, I Will Live True’ is finally out today! Tom and I have put a lot of work into it over the last few years and we’re proud of what we’ve cooked up. The album title is inspired by something actor Justice Smith () said while promoting Jane Schoenbrun’s () excellent 2024 film ‘I Saw the TV Glow’, which he stars in. The film deals with themes around being your authentic self, and we feel like the album title is a good mantra for anyone who needs the courage to make art and put it out into the world. Like our first album ‘All My Ghosts’, the music jumps around genre-wise (ADHD, you’ve done it again), covering indie pop, rock, punk and a few other assorted flavours. We hope you enjoy listening to it; we sure as hell enjoyed making it x ❤️‍🔥
On all streaming platforms, or hit the link in bio

Credits:
James Jennings: singer and songwriter; cover art ()
Tom Dufficy: plays all instruments except drums; he also mixed and produced the album
Joel Van Gastel: drums ()
David Akerman: additional recording/production/engineer ()
Mastered by Marcus Miller at Holosuite Mastering ()

02/03/2025

Andrew Boyd
"Set and Setting, Volume 1: The Emerald Palace"
Mastered by Holosuite 🤘

If you love Jon Hopkins' ambient albums, you'll adore this 😇

19/01/2025

Thom Antoni
Tunnels
Mastered by Holosuite

Reposted from

Tunnels is a collection of 8 tracks that came together last year. For the most part it felt all over the place, but the final product is a special snapshot in time for me. The first single is out now and rest of the album will be available Feb 2 ✌️

I’m sure I’m not the only one still processing and reflecting on 2024. I still have “admin” from last year that I’m catching up on and I still haven’t written in my journal.

I stop every so often and remember something somewhat significant that happened. I’m listening to songs I made and that’s helping. A picture is slowly starting to form.

It’s nice to look back, especially from the other side, but sometimes I hold onto things for a little longer than I need to.

There’s a cool thing that happens when you release a song. You have to let go and let it do it’s thing, you can’t control who it reaches, how they react to it, when or if it leads to something else. Catharsis. “Your latest release.”

Mastered by ( )
Photograph -

19/01/2025

Happy New Year y'all! 🎆

Moonlight Cicada
Agnere's Prison
Mastered by Holosuite

Reposted from

Our first album “Agnere’s Prison” is out now (pretty much everywhere)!

29/11/2024

Christopher Fantasy (Chris Otchy)
Recurring Fantasy
Mastered by Holosuite 😎

Reposted from

Recurring Fantasy is a sonic exploration born from my time spent in Berlin. Over the last two visits I’ve made there, I found myself wandering the city’s streets, soaking in the energy, the chaos, and the quiet moments that often go unnoticed. But it wasn’t just the city itself that inspired me—it was the sounds I discovered there. Analog, forgotten, and full of texture, those tapes became a window into a world that felt as fragmented and dreamlike as my own thoughts.

I created Recurring Fantasy using just my laptop and modular synths, two instruments that allowed me to bend sound into shapes I hadn’t imagined before. I felt like I was piecing together a collage of my own mind, stitching together fragments of melodies and textures into something cohesive but not quite whole. Each track is a reflection of a moment in Berlin: a walk down a narrow alley, the hum of a subway station, the reverberation of distant conversations. The city’s influence is there, but it’s wrapped in a sense of dreamlike abstraction.

But despite the album being finished, I held onto it for a year. I wasn’t sure if it was ready. I wasn’t sure if I was ready. It was like releasing a part of myself that I wasn’t quite ready to share with the world, a bit like holding an injured sea lion in my hands—careful, unsure, but hopeful. I wanted to wait until it was “healed”—until I felt ready to let it live on its own in the world.

Now, a year later, I realize that the hesitation was a part of the journey. The album is its own thing now, its life no longer tied to my doubt. Just as the sealion eventually returns to the sea, Recurring Fantasy is now free to roam, to evolve, and to find its place in the world. It feels like letting go—not of the music itself, but of the fear that once held it back.

This album is no longer just mine; it’s yours to experience, interpret, and feel. And I’m no longer afraid of what that means. It’s time to release it into the world and let it make its own waves. Thanks to for his excellent work on this! Much appreciated, friend.

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