18/06/2026
New to our Moving Image & Sound Portal!
Accompanying the exhibition 'Tim Page: the very edge of the brightest light' and curated by our Acting Collections Manager Sharna Barker, '(re)collecting & (re)viewing moments' brings together four artists from the Griffith University Art Collection’s Moving Image and Sound Archive who address themes of war, peace, memory, and the aftermath through documentary and experimental approaches to film making.
Here the artists offer a compelling lens to perceive fragmentary and precarious experiences, and the navigation of power that shapes our perceptions of places and events. Each of the works highlight gaps and the unattainable through strategies that confront, disorientate, and play on the emotions and empathy of audiences.
List of Works/Image stills:
1. Barbara Campbell, 'Watching the Apocalypse', 1994, single channel video, 7mins. Griffith University Art Collection. Purchased with assistance from the Australian Government through the Australia Council, its arts funding and advisory body, 1997
2. Jackie Farkas, 'The Illustrated Auschwitz', 1992, video, 12.16mins
Griffith University Art Collection. Purchased with assistance from the Australian Government through the Australia Council, its arts funding and advisory body, 1997
3. Geoffrey Weary, 'the Eye of the Model', 1993-4, video, digital betacam, 6.4mins
Griffith University Art Collection. Gift of the artist, 1994
4. Paul Winkler, 'Neurosis', 1970, 16mm film/digital betacam, 9mins. Griffith University Art Collection. Purchased with assistance from the Australian Government through the Australia Council, its arts funding and advisory body, 1997