William Mora Galleries

William Mora Galleries +61 3 9429 1199

Today we focus on the theme of groups in Mirka Mora’s imagery. Her figures convey a strong sense of collective activity ...
18/06/2026

Today we focus on the theme of groups in Mirka Mora’s imagery. Her figures convey a strong sense of collective activity and shared movement, whether through their interconnected gazes or the directional flow of their bodies. This feeling of togetherness is why the term “gathering” is so often used to describe these scenes. Rich in energy and human connection, these works are beautifully framed and currently available for viewing.
Stay tuned for our upcoming exhibition.


Buru: An Exhibition of the late, great Roy Wiggan’s Ilma continues until 27 June 2026 in partnership with Short St Galle...
16/06/2026

Buru: An Exhibition of the late, great Roy Wiggan’s Ilma continues until 27 June 2026 in partnership with Short St Gallery.

This exhibition offers a rare opportunity to experience the cultural legacy of one of Australia's most distinctive First Nations artists.

Today we highlight Back of The Rain (2002).

This Ilma depicts the sky after a major rainstorm. Known as the “back of the rain,” it represents the period when the thunder and lightning have passed, leaving only light rain or drizzle beneath a grey sky. For the artist, this weather carried deep personal significance: it was the rain that “took away” his father, returning him to his homeland.

Back of The Rain (2002)
242 × 95 cm
Acrylic on plywood with cotton wool

This work combines environmental observation with personal memory, reflecting the profound connections between weather, Country, family, and cultural knowledge that are central to Roy Wiggan’s artistic practice.

Don't miss Buru: an exhibition celebrating the extraordinary Ilma of the late, great Roy Wiggan presented in partnership...
10/06/2026

Don't miss Buru: an exhibition celebrating the extraordinary Ilma of the late, great Roy Wiggan presented in partnership with Short St Gallery.

On display until 27 June, this exhibition offers a rare opportunity to experience the vibrant cultural legacy of one of Australia's most distinctive First Nations artists.

Each Ilma tells a different story.
Booloomangooroo (2002–2005) depicts the way whirlpools are created by tidal movements across the reef. As the tide recedes, water rushing against the reef forms small whirlpools, represented by the two smaller circles. These then give rise to a larger whirlpool, symbolised by the large central circle.
The semicircular shape at the bottom of the Ilma represents the incoming tide as it moves around the bay. The island where this phenomenon occurs is called Booloomangooroo. Roy Wiggan's father sailed these waters as a skipper, giving the work a personal connection to family history and Country.

Booloomangooroo, 2002-2005, 111 x 36 cm, Acrylic on plywood, cotton wool

Buru — An Exhibition of Works by the Late Roy Wiggan IlmaBuru, an exhibition celebrating the work of the late and much-l...
01/06/2026

Buru — An Exhibition of Works by the Late Roy Wiggan Ilma

Buru, an exhibition celebrating the work of the late and much-loved Roy Wiggan Ilma, is now installed, and we look forward to welcoming visitors to the gallery.

Please join us for the opening celebration on Thursday 4 June, from 6.00–8.00 pm, with Emily Rohr, Director of Short Street Gallery.

Gallery hours:
Wednesday to Friday, 10.00 am–4.00 pm
Or by appointment.

❤️❤️❤️
29/05/2026

❤️❤️❤️

As our current exhibition The Pull of Things comes to a close, we warmly invite you to join us for an afternoon of drink...
26/05/2026

As our current exhibition The Pull of Things comes to a close, we warmly invite you to join us for an afternoon of drinks and conversation on Saturday 30 May, from 3–5 pm at William Mora Galleries.

To mark the final day of the exhibition, exhibiting artists Jo Lane, Darren McDonald, Deanne Gilson, and Steve Cox will share reflections on their practices and discuss the works featured in the exhibition.

We would be delighted to see you there!


We have loved our Saturday afternoons with Katrina Rank ❤️Please join us on Sat 23 May at 2pm for Creature 3-3 I assembl...
21/05/2026

We have loved our Saturday afternoons with Katrina Rank ❤️

Please join us on Sat 23 May at 2pm for Creature 3-3 I assemblage.
Choreographed by Katrina Rank

Compulsion, accumulation, obsession.
When can excess ever be enough?

Join us for the last rendez-vous of a rare 3-part movement performance of Creature performed by award winning Katrina Rank.
Katrina is the pioneer of Costumography, an environmentally responsive performance methodology using reclaimed materials, including paper and disposable materials as sites of inscription and transformation. In costumography the performer maintains constant dialogue with the materials that form its exterior surface, its 'costume'. This haptic engagement is triggered by structure, weight, look, feel, smell and textures of the materials at play. It is highly inventive, prompting the viewer to consider alternative practice models.

Creature (2025) made using this process, received a Melbourne Fringe Award for Sound and Technical Excellence and a 2026 Green Room nomination for Costume. Reworked as a 3-part installation at William Mora Galleries.

Duration 20-30 minutes

Image by Robert Wagner.

Therese Strauss,Summer Garden, 2021,198 x 137 cm, oil on linen.-“Shall I compare thee to a summer’s day?Thou art more lo...
19/05/2026

Therese Strauss,Summer Garden, 2021,198 x 137 cm, oil on linen.
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“Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date;
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d.”
William Shakespeare’s “Sonnet 18, My Garden”.

In The Pull of Things until 30 May 2026.
The gallery is open from Wednesday to Friday 10 am to 4 pm or Saturday 12-4 pm. Please email us for any enquiries.

William Mora Galleries is delighted to honour the work of the late Bardi Elder Roy Wiggan (1930–2015), from north of Bro...
15/05/2026

William Mora Galleries is delighted to honour the work of the late Bardi Elder Roy Wiggan (1930–2015), from north of Broome on the Dampier Peninsula. A highly influential Indigenous artist, Roy Wiggan’s practice was deeply grounded in the cultural traditions of the Kimberley region of Western Australia. His work is intrinsically connected to Ilma: ceremonial objects and story systems that map the sea, Country, ancestral knowledge, and lived experience through form, pattern, and material.

Buru – An Exhibition of the Late, Great Roy Wiggan’s Ilma brings together a selection of works from 2002–2005. Buru is the Bardi term for a patrilineal estate or Country — a spiritually significant and culturally held territory carrying religious, ecological, and ancestral importance. Through bold sculptural compositions, Roy Wiggan translated these narratives into forms that evoke the movement of water, wind, and tide, reflecting both the power and fragility of the environment.

Presented in collaboration with Short Street Gallery, this exhibition positions Roy Wiggan’s practice as both cultural knowledge and contemporary artistic expression, held within a lineage of Bardi storytelling and making. Roy entrusted his vast and intimate cultural knowledge to Emily Rohr and Short Street Gallery, leaving behind Ilma that are not only cultural objects, but enduring testaments to his extraordinary talent.

Short Street Gallery and William Mora Galleries first exhibited Roy Wiggan’s work in 2002, marking the beginning of the two galleries’ longstanding collaboration.

Please join us for the opening on Thursday 4 June, 6–8 pm, to be opened by Emily Rohr, Founder and Director of Short Street Gallery.

For further information or to request a catalogue, please email us.

We look forward to seeing you ❤️

Anna

Today, I focus on Parfum Can-Can (2026) by Lisa Barmby in the Exhibition The Pull of Things.For me, this painting is a c...
14/05/2026

Today, I focus on Parfum Can-Can (2026) by Lisa Barmby in the Exhibition The Pull of Things.

For me, this painting is a celebration in itself — a playful reference to the cabarets of Parisian nightlife, where anything feels possible. The joy lies not only in the subject matter, but also in the vibrant striped backdrop and vivid colour palette, which heighten the sense of theatricality and delight.

“This bottle made me smile, discovered in a flea market around the corner from Paradis Latin. The Can-Can is a cliché, but still highly celebrated. You can find vintage Can-Can dresses with the actual dancer’s name embroidered on them, and every cabaret show finishes with a high-kicking, leg-splitting, spirit-raising Can-Can.” — Lisa Barmby

Lisa captures that same spirit here: sensual, humorous, nostalgic, and unapologetically alive. Lisa has 4 paintings on display in The Pull of Things, on until the end of the month.

The gallery is open Wednesday to Friday 10 am to 4 pm and Saturday 12-4 pm.

Address

60 Tanner Street
Richmond, VIC
3121

Opening Hours

Wednesday 10am - 4pm
Thursday 10am - 4pm
Friday 10am - 4pm

Telephone

+61394291199

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