Do You Know Me

Do You Know Me Do You Know Me is a site specific play about homelessness. It is based on interviews with homeless people from the Melbourne CBD.

15/01/2026
24/09/2023

Yirra Yaakin Theatre Company are seeking Aboriginal performers to audition for our 2024 main-stage production of Songbird written by Shakara Walley. Songbird is a story about a young couple, Leon & Brooke, who parted ways following the death of Brooke’s brother, Michael. Michael, Brooke and Leon g...

What a bloody legend. 😀
24/09/2023

What a bloody legend. 😀

Malcolm Mawhinney’s home was held together by weeds and pigeon droppings, according to his friends. But it has proved quite the windfall for the Rev Bill Crews Foundation.

25/01/2023

If Shakespeare and Hendrix did the wild thing, this would be their love child. The three witches of McPutin are mad as hell and on the warpath for revenge. Not All Dictators is a no-holds-barred drama about the impact of war and what happens when women fight back. Spurned and outcast by the patriarc...

19/08/2020

Paddy, 38, slept rough for first time after being evicted from Coventry home amid pandemic

‘Tsemberis said Global Citizens can start to address homelessness by recognizing the discomfort we feel when we encounte...
09/06/2020

‘Tsemberis said Global Citizens can start to address homelessness by recognizing the discomfort we feel when we encounter a homeless person. That discomfort is an indication that homelessness is unnatural and inhumane, he said.
“I do believe that all of us sacrifice part of our humanity by being able to walk past a homeless person,” Tsemberis said. “It goes against human instinct. You have to shove a piece of yourself down to walk by someone who is suffering in the street.”’
“We owe it to them,” he continued. “And we owe it to ourselves to restore a sense of community and humanity.

The Housing First model bypasses stigmas and tackles homelessness at its most basic level.

14/04/2020

Around 241 people experiencing homelessness in Adelaide have been accommodated in hotels by the SA government as part of the state's response to the COVID-19 crisis. Aboriginal people make up 40 per cent of those sleeping rough in the city.

Thanks to Porl Phillips for the cracker promo!
30/03/2020

Thanks to Porl Phillips for the cracker promo!

17/03/2020

Our producer Aden Date is also a social impact evaluator. Here’s his evaluation of Do You Know Me, based on 33 surveys returned to us by audience members. Thanks to those of you who responded. These responses will help us so much with future funding and marketing.

Do You Know Me Impact Evaluation
Do You Know Me was assessed using a follow-up survey, delivered within 24 hours of the performance to the e-mail address of the ticket purchaser. We collected 33 responses across the season, approximately a 15% response rate.
The criteria by which we assessed the performance, and the mean score (maximum 100) for each criterion were as follows:
Distinctiveness: It was different from things I've experienced before​
87
Challenge: It challenged me to think in a different way
78
Meaning: It moved and inspired me
89
Insight: It helped me gain new insight or knowledge
80
Worldview: It helped me to understand something new about the world​
76
Risk: The artists were not afraid to try new things
89
Local Impact: It's important that it's happening here
95

The high scores on Local Impact, Risk, Meaning, and Distinctiveness. Comparatively lower scores on ‘Challenge’ and ‘Worldview’ suggest the play’s main impact was emotional and transformative, rather than educational in the informational sense. These scores aligned with our efforts to produce site-responsive theatre that changed public sentiment around a major social issue.
We also assessed Net Promoter Scores with the question “How likely is it that you would recommend future events by Epiphany Productions to friends or colleagues?” The average score was 8.8 with 29 of 34 responders providing a rating of 9 or above. This is a very good result.
We also allowed people to make comments on the survey. Here were a few highlights:
• This was a really excellent performance. At times it was difficult to see the line between the actors and reality. Congratulations to the actors, production team and everyone involved.
• The actors were excellent. I had trouble distinguishing reality from the acting which was amazing. I was very moved and was quite emotional when it finished. Well done to all involved!
• Fantastic work by all involved. Having been exposed to some of the characters situations myself i.e. drug/alcohol abuse, mental illness, sexual abuse, the performance struck a very raw spot in my soul. While we all know in our minds why some people are homeless, it’s tough to watch it "firsthand" through the performance. Kudos to the actors and the writer of this!!
• It was a really powerful piece and I was quite emotional afterwards. Still thinking about it weeks later.
• I now say hi to homeless people.

As part of the production we also asked people to have a conversation with a homeless person over the coming months. We will follow up with our audiences in May to assess the longer-term transformative impacts and to see if they did indeed end up having a conversation with a rough sleeper. Please reach out directly to [email protected] in late May if you are interested in this data.

Address

21 Butson Street Hilton
Perth, WA
6163

Telephone

+61410890283

Website

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