Fo###y Curves

Fo###y Curves https://linktr.ee/fo # #
Boorloo (Perth) based MC, performer, dance teacher, mentor & sparkle dealer. Artistic Director of Scarlet Bell Burlesque

www.curvyburlesque.com

Curvacious, vivacious, and decadently divine, Fo # # Curves is the burlesque starlet of your wildest fantasies. They sparkle and they strut, with the curves and confidence to stand out from the crowd. Whether they’re being a twirling tease, a hot and hilarious host, or a charming chanteuse, they will engage, entice, and leave you wetter than Splash Mountain.

Throwback to cast shoot in 2022 - and today we do it all again with .photographer
11/04/2026

Throwback to cast shoot in 2022 - and today we do it all again with .photographer

Tonight this powerhouse takes the stage at . Dusty Rose, I'm so proud of how hard you've worked, how open to feedback ...
27/03/2026

Tonight this powerhouse takes the stage at . Dusty Rose, I'm so proud of how hard you've worked, how open to feedback you've been, and how eager you are to contribute to this amazing burlesque community we have in WA. I can't wait for the world to see you sparkle. I love you, I'm proud of you, you're now a member of my burlesque family, my daughter - now go slaughter the stage!

And to all the contestants tonight, don't let the prizes and podiums be all you take away. Network, talk to people - lots of producers like me are watching to see what you've got, so show us your WHY and blow our socks off. Regardless of the outcome, you're all winners

Yep, it's another Unfiltered opinion: Performing is addictive. The rush is real. The applause feels good (of course it d...
10/03/2026

Yep, it's another Unfiltered opinion: Performing is addictive. The rush is real. The applause feels good (of course it does, adrenaline is an evil but tasty w***h...).

But if you find yourself chasing stage time purely for the sake of being on stage, it might be worth pausing and asking: what’s your “why”?

If you’re taking every class, doing a new solo at every show, entering every competition, just to stay visible or collect experience points (yeah we all know I'm a nerd), it’s easy to lose sight of the actual entertainment. Exposure on its own isn’t a strategy unless it’s connected to a clear direction.

When you stretch yourself across everything, refinement can take a back seat. Growth doesn’t always come from doing more. Often it comes from doing less, with more focus. Most often, the quality of your work won't improve, it will become pretty same-same, and the audience may notice.

Classes are for development, and should be taken liberally - but they don't all need to end in performance. Competitions can be powerful when entered with intention and purpose - and yes, having fun is a purpose! Grad shows are milestones worth celebrating, but they don’t have to become a constant cycle of output.

More stage time can be valuable. It just isn’t automatically transformative.

Let your work deepen. Give ideas space to evolve. Choose opportunities that align with your goals, work with people whose values align with your own, all instead of saying 'yes' or 'pick me' to everything.

Being visible is one thing. Being intentional is another.

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Here's my Unfiltered question / take on today - What’s your "why"?Why do you actually do burlesque, perform, or create?...
06/03/2026

Here's my Unfiltered question / take on today - What’s your "why"?

Why do you actually do burlesque, perform, or create? Applause? Validation? Identity? Community? Power? Art? Attention? Discipline? Rebellion? Money? Be honest—no one else needs to hear it, but you need to know it.

Your “why” shapes everything. If it’s external, you’ll chase bookings, classes, titles, followers, approval. You’ll feel high when it flows, and crash when it doesn’t. Over time, that cycle can wear you down.

If it’s internal, the work lands differently. You train differently (hell, you train at all!), handle rejection differently, support others differently. You still hurt. You still fail. But you recover with more stability and a growth mindset.

Point of note - there’s no morally superior answer. Wanting attention isn’t evil. Wanting success isn’t shallow. Wanting artistry isn’t pretentious. Not knowing your "why", though? That’s when people drift—and drifting creatives burn out fast.

I’ve been all of it. I started for me—to feel strong, sexy, and alive. I performed for me, because f**k the audience, I was doing this for myself. Then I got knocked around, excluded, and told I wasn’t good enough. It hurt. It humbled me. Thirteen years later, it’s still ups and downs.

Now, my "why" is still partly for me, but it’s also to connect and entertain and learn and grow the legacy of what our community has built. If someone buys a ticket to a show I'm in (even if it's not my own production), I owe them engagement. I can tell my stories, but I need to bring the audience with me. Anyone on stage should aim for that at minimum. So that's my "why", that's what keeps me going.

Strip it back. No branding. No captions. No persona. Why are you here?

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Unfiltered opinion: You have to give support to get support. Full stop. You didn't invent burlesque.If you only show up ...
02/03/2026

Unfiltered opinion: You have to give support to get support. Full stop. You didn't invent burlesque.

If you only show up when your name’s on the line-up, don’t be surprised when the crowd feels thin for you. If your energy and posts and attendance is reserved solely for touring headliners with glossy promo shots and big followings, while locals get radio silence, that pattern doesn’t go unnoticed. Your local performers, community and history is wildly important, and vital to the success YOU want to feel as a performer and creative.

Now, don't mess my words up - I'm not in any way bagging the work of higher profile performers. They've hustled, they've fought, and they've created a legacy and a life out of this amazing artform. This is their living, and I have nothing but respect for that. What I am saying is that they aren't the only people worth attention and time. Not everyone is in this fulltime, and those that aren't are no less deserving of time, attendance and effort.

Support is cultural. It’s buying the ticket. Staying for the whole show. Clapping for the newcomer finding their footing. Talking about the shows. Supporting the shows. Immersing yourself in community, not just a niche idea that you think is great because it's serving you - that's going to disappear real fast.

There is a legacy in every scene - stages didn’t appear out of nowhere. Other performers poured time, money, sweat and heart into creating the ecosystem you now benefit from. Acting above that is a quick way to disconnect yourself from it, and pretending it doesn't exist is hugely disrespectful to those who have persevered, who contribute, and who value what we have has a collective.

You want people to rally behind you? Be someone who rallies first. Show up when you’re not featured. Promote others without calculating what you get in return. Respect the locals as loudly as you praise the imports. You didn't invent burlesque. It was here decades before any of us, and it will be here long after we're gone.

Community is reciprocal. You invest in it, it invests in you.

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22/02/2026

Breaking comfort zones started today … with ‘s workshops! What joy it was to spend time really focusing on intent and walking and then to learn this cheeky and attitude filled routine! Definitely out of my comfort zone and pushing every step but worth every second. Thanks for being my videographer and thanks Mya for creating such a wonderful workshop space for everyone!!

Time for another Unfiltered opinion... if you’re talking s**t about someone in private, then hopping on social media to ...
08/02/2026

Time for another Unfiltered opinion... if you’re talking s**t about someone in private, then hopping on social media to publicly hype them, congratulate them, or post “so proud” nonsense, that’s not being supportive. That’s being two-faced.

Pick a lane.

You don’t get to tear someone down behind the scenes in 'private' or 'in confidence' and then spew kindness for the algorithm and public visibility. That behaviour isn’t subtle, and it isn’t fooling anyone who’s been around longer than five minutes. Say it with your chest or don’t say it at all. Fake support is worse than honest silence, and it absolutely tells people exactly who you are.

And if you’re the one being fed that gossip? Pay attention. People who will trash someone to you while posting fake support at them will do the exact same thing about you. That’s not insider information, it's a huge f**king red flag. That’s the moment you shut it down, change the subject, or step away entirely. Listening, indulging, or nodding along makes you part of it.

Silence can be classy. Complicity is not.

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06/02/2026

may well be one of the most fun shows we’ve ever been part of. Thanks for having us

Thanks for being the Kath to my Kim .sparkle - I can’t wait to do this again (without breaking my arm this time)

Fo###y’s Unfiltered Facts:If you knowingly choose to work with someone who has a well-known reputation for poor behaviou...
27/01/2026

Fo###y’s Unfiltered Facts:
If you knowingly choose to work with someone who has a well-known reputation for poor behaviour, sketchy ethics, or burning bridges, that decision doesn’t happen in a vacuum.

You don’t get to play surprised later. You don’t get to say “that’s just how they are” or "it didn't happen to me so it's ok" or "that was ages ago and they said it didn't happen that way" or any number of other brush offs, and wash your hands of it. By stepping into the room with them, you’re endorsing the environment they create.

People notice. Producers notice. Other performers notice. You may not be responsible for their actions, but you are responsible for your choices. And choosing to align yourself with someone known for bad conduct absolutely reflects on your judgment, your standards, and the kind of performer you are willing to be seen as.

Make good choices, kids. Ask your legends for feedback and references on other producers and performers. Ask if working with them would reflect negatively on you. Then make an informed decision, and live with the consequences.

Sometimes missing out on or saying no to that opportunity isn't a bad thing.

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Closing night special - Rushtix are unlimited 50% off!! That's only $17.50 for 8 amazing performers - award winning per...
25/01/2026

Closing night special - Rushtix are unlimited 50% off!! That's only $17.50 for 8 amazing performers - award winning performers in their field and more! Myla Thicc, Egson Ham, Lucinda Panties, Miss Chloe, Fiona Firebird, Blake Cassette, Dakota Howard, Elle Diablo. Plus me, of course, assisted by the amazing Lady Vespa.

Last night we did things that I never expected... so let's raise the bar tonight, pack out the amazing , and send the show off with a bang! This has been an amazing run, with the most incredible cast, and I can't wait for you to see it!

PS: Check out our name drop in The West Australian yesterday!

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81 James Street
Northbridge, Western Australia, WA
6003

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