Soch.Live

Soch.Live Soch • सोच • سوچ
It will make you think. A Melbourne based South Asian literary and performing arts platform.

20/04/2026

“Lekhan di har leek”, a Ghazal by Irshaad Sandhu

•ਲੇਖਾਂ ਦੀ ਹਰ ਲੀਕ, ਤਲੀ ਦੇ ਉੱਤੇ
ਉਮਰਾਂ ਤੋਂ ਰਹੀ ਚੀਕ, ਤਲੀ ਦੇ ਉੱਤੇ
Lekhan di har leek, tali dey uttey
Umra’n toñ rahi cheek, tali dey uttey

Recitation: Krisna Bhardwaj
Production & Recording: Soch .live
Location: Melbourne, Australia

All Rights Reserved.
[This audio-visual production, including its recording, cinematography, sound design, and media elements, is the exclusive property of Soch (Soch.Live). Unauthorised reproduction, redistribution, or use of this recording in any form is prohibited without prior written permission. All rights in the underlying literary work remain with the original author and/or respective copyright holders.]

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punjab

19/04/2026

ye gham kya dil ki adadt hai?

10/03/2026

“Sitaron sey aagey jahan aur bhi hain”

There are ghazals that are appreciated for their craft, and there are those that enter collective memory. This composition by Allama Muhammad Iqbal, included in Bal-e-Jibril, belongs unmistakably to the latter category. “Sitaron sey aagey…” has transcended literary gatherings to become part of South Asia’s intellectual and moral vocabulary. It speaks not merely to admirers of poetry, but to students, thinkers, reformers, and ordinary individuals confronting limitation. Its central thesis is unmistakable: existence does not culminate at the visible horizon. Human potential remains unfinished.

The matla itself establishes the philosophical framework. “Beyond the stars” is not astronomical imagery; it is metaphysical insistence. Likewise, ishq in Iqbal’s lexicon signifies disciplined passion, the force that compels self-transcendence. The trials of love are, therefore, the trials of growth. As the ghazal unfolds, it cautions against complacency in the “aalam-e-rang-o-boo” the seductive world of surface beauty and comfort. It asserts movement where stagnation appears. Even apparent loss a broken nest does not signify annihilation, but transition. Other stations exist. Other skies remain. The couplet invoking the shahii.n (eagle) crystallises Iqbal’s doctrine of selfhood: “Tu shahii.n hai, parvaz hai kaam tera”
The metaphor is deliberate. The eagle is solitary, disciplined, altitude-seeking. Flight is not leisure; it is vocation.

In this presentation, Hamza Surbuland approaches the ghazal as a serious philosophical text expressed through poetic form. The recitation foregrounds Iqbal’s enduring argument that the human self is designed for elevation, resistance, and continuous expansion.

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A Ghazal by
Recited by
Produced by .live

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16/02/2026

In this recording, Hamza Surbuland recites “Haqeeqat-e-Husn”, a nazm by Allama Iqbal, one of the most influential poet-philosophers of the modern East.

Born in 1877 in Sialkot to a family of Kashmiri Brahmin ancestry that had embraced Islam centuries earlier, Iqbal was educated in Arabic, Persian, and Urdu before pursuing higher studies in philosophy. He completed his M.A. in Philosophy, studied at Trinity College, qualified as a Barrister, and earned a doctorate from Germany with his thesis The Development of Metaphysics in Persia. Over his lifetime, he taught philosophy, practised law, engaged in political thought, and participated in the Second Round Table Conference. Knighted by King George V, he was thereafter known as Sir Mohammad Iqbal.

Writing in both Persian and Urdu, Iqbal is widely regarded as the “poet-philosopher” of the Muslim world. His philosophy of khudi (selfhood) called for inner awakening, self-realisation, and disciplined spiritual growth. His poetry revisits history, metaphysics, and Islamic thought through powerful metaphor and symbolism. Among his major works are Asraar-e-Khudi, Rumooz-e-Bekhudi, Baang-e-Daraa, Baal-e-Jibreel, Javed Naama, and Zarb-e-Kaleem, along with his English lectures compiled as The Reconstruction of Religious Thought in Islam.

Haqeeqat-e-Husn reflects Iqbal’s metaphysical depth and aesthetic vision where beauty, truth, and transcendence intersect.



Recitation: Hamza Surbuland
Production & Recording: .live

Location: Melbourne, Australia



All Rights Reserved. This audio-visual production, including its recording, cinematography, sound design, and media elements, is the exclusive property of Soch (Soch.Live). Unauthorized reproduction, redistribution, or use of this recording in any form is prohibited without prior written permission. All rights in the underlying literary work remain with the original author and/or respective copyright holders.

Subscribe to Soch for more Urdu/Hindi/Punjabi poetry, storytelling, and classical recitations. (Link in Bio)

[Soch.Live, Allama Iqbal, Allama Iqbal Poet, Urdu Shayari, Urdu Literature, Urdu Poetry, Black and White, Poetry]

05/02/2026

Lafz taaseer sey zinda hai tallafuz sey nahiñ
ehl-e-dil aaj bhi hai ehl-e-zubañ sey aagey

•ta’sir/taaseer: effect, impact, emotional force
•tallafuz: pronunciation
•ehl-e-dil: people of the heart (the sincere, emotionally and spiritually attuned)
• ehl-e-zabaañ/zubaañ: people of language (the linguistically skilled, rhetoricians)

Literal translation:
A word lives by its impact, not by its pronunciation.
Even today, people of the heart stand ahead of people of mere language.

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[Soch.Live, Hamza Surbuland, sher, urdu poetry, shayari, urdu shayari]

01/02/2026

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