No Vacancy Gallery, 34-40 Jane Bell Lane, Melbourne (2026)

08/06/2026

Now showing: Underglaze 2 by Drewfunk
June 9-13

Please join us for the opening celebration Wednesday, 10th June 6-9pm

Underglaze 2 is an exploration of my cultural duality drawing upon my Malaysian heritage, recontextualised through the lens of contemporary street art.

Drawing from 14th-century blue and white Chinese porcelain, these works reference the practice of cobalt pigment beneath a glaze, where imagery is embedded, preserved, and carried through time.

This series of circular paintings on wood, alongside fine art prints and hand-painted porcelain, reflects a balance between tradition and contemporary expression.

Andrew Yeoh, known professionally as Drewfunk, is a Malaysian-born multi-disciplinary artist recognised as a pioneer of the Malaysian graffiti movement. After establishing his early practice in Kuala Lumpur, he relocated to Melbourne in 2003 to undertake a Bachelor’s degree in Multimedia & Design at RMIT University, where he became involved in the city’s formative street art and stencil culture.

Working across painting, murals, street art, and illustration, Drewfunk’s practice examines the intersection of Eastern and Western visual languages, recontextualising cultural heritage through the lens of contemporary urban art. Informed by his background in graffiti and design, his works draw upon memory, migration, nostalgia, and identity, often incorporating animals and mythological motifs as recurring symbolic forms.

Balancing refined composition with the raw immediacy of street culture, Drewfunk’s work reflects an ongoing dialogue between tradition and contemporary expression. Over the course of his career, he has presented twelve solo exhibitions across Australia and Malaysia, alongside numerous group exhibitions, public and private art projects and establishing a significant presence within both the contemporary and street art landscape.

Link in bio for catalogue

04/06/2026

Got an idea for a solo exhibition?
Want to curate a show around a theme, conversation, or community?
Have a group of artists you'd love to exhibit with?

We're down to our final exhibition availability for 2026: Two weeks in August and limited dates remaining later in the year

If you've been thinking about exhibiting, now's the time to pitch your idea.

Link in bio.

04/06/2026

Final days to see: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis

26 May - 6 June 2026

Please Join us for the opening celebration Thursday 28th May 6-8pm

Held, Altered brings together Grace Mitchell, Indya Pearce and Keely Varmalis to explore the body as a site and vessel. Across painting and glass, the exhibition considers how memory is carried, absorbed and transformed through material, and how forms of knowledge emerge through sensation, intuition and embodied experience.

Working across distinct practices, each artist approaches the body as something shifting and permeable, shaped through time, pressure and relation. Grace’s work engages with inherited memory using photographs from her mother, filtered by fog, wax and material decay. Erosion and quietness become ways of thinking through lineage, where memory lingers as imprint and atmosphere. Indya’s paintings move between figuration and abstraction, drawing on archetypal narratives to explore femininity, ritual and the cyclical nature of life. Fragments of bodies appear charged with emotion intersecting personal experience with collective forms of storytelling. Keely’s clustered glass installations abstract the body into vessels shaped by heat, breath, and movement. Responding to pressure, environment, and proximity, she uses fluidity as both language and methodology, drawing on water’s ability to continually shift, yield, and reform - adaptive, like identity.

Together, the works open a dialogue around bodies as sites that carry memory, feeling and history. Materials are treated as repositories of experience, creating a tension between containment and release, decay and repair, inviting a consideration of how the body remembers, and how knowledge persists as something felt.

01/06/2026

Current: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis

26 May - 6 June 2026

Held, Altered brings together Grace Mitchell, Indya Pearce and Keely Varmalis to explore the body as a site and vessel. Across painting and glass, the exhibition considers how memory is carried, absorbed and transformed through material, and how forms of knowledge emerge through sensation, intuition and embodied experience.

Working across distinct practices, each artist approaches the body as something shifting and permeable, shaped through time, pressure and relation. Grace’s work engages with inherited memory using photographs from her mother, filtered by fog, wax and material decay. Erosion and quietness become ways of thinking through lineage, where memory lingers as imprint and atmosphere. Indya’s paintings move between figuration and abstraction, drawing on archetypal narratives to explore femininity, ritual and the cyclical nature of life. Fragments of bodies appear charged with emotion intersecting personal experience with collective forms of storytelling. Keely’s clustered glass installations abstract the body into vessels shaped by heat, breath, and movement. Responding to pressure, environment, and proximity, she uses fluidity as both language and methodology, drawing on water’s ability to continually shift, yield, and reform - adaptive, like identity.

Together, the works open a dialogue around bodies as sites that carry memory, feeling and history. Materials are treated as repositories of experience, creating a tension between containment and release, decay and repair, inviting a consideration of how the body remembers, and how knowledge persists as something felt.

29/05/2026

Current: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis

26 May - 6 June 2026

Held, Altered brings together Grace Mitchell, Indya Pearce and Keely Varmalis to explore the body as a site and vessel. Across painting and glass, the exhibition considers how memory is carried, absorbed and transformed through material, and how forms of knowledge emerge through sensation, intuition and embodied experience.

Working across distinct practices, each artist approaches the body as something shifting and permeable, shaped through time, pressure and relation. Grace’s work engages with inherited memory using photographs from her mother, filtered by fog, wax and material decay. Erosion and quietness become ways of thinking through lineage, where memory lingers as imprint and atmosphere. Indya’s paintings move between figuration and abstraction, drawing on archetypal narratives to explore femininity, ritual and the cyclical nature of life. Fragments of bodies appear charged with emotion intersecting personal experience with collective forms of storytelling. Keely’s clustered glass installations abstract the body into vessels shaped by heat, breath, and movement. Responding to pressure, environment, and proximity, she uses fluidity as both language and methodology, drawing on water’s ability to continually shift, yield, and reform - adaptive, like identity.

Together, the works open a dialogue around bodies as sites that carry memory, feeling and history. Materials are treated as repositories of experience, creating a tension between containment and release, decay and repair, inviting a consideration of how the body remembers, and how knowledge persists as something felt.

27/05/2026

Current: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis

26 May - 6 June 2026

Please Join us for the opening celebration Thursday 28th May 6-8pm

Held, Altered brings together Grace Mitchell, Indya Pearce and Keely Varmalis to explore the body as a site and vessel. Across painting and glass, the exhibition considers how memory is carried, absorbed and transformed through material, and how forms of knowledge emerge through sensation, intuition and embodied experience.

Working across distinct practices, each artist approaches the body as something shifting and permeable, shaped through time, pressure and relation. Grace’s work engages with inherited memory using photographs from her mother, filtered by fog, wax and material decay. Erosion and quietness become ways of thinking through lineage, where memory lingers as imprint and atmosphere. Indya’s paintings move between figuration and abstraction, drawing on archetypal narratives to explore femininity, ritual and the cyclical nature of life. Fragments of bodies appear charged with emotion intersecting personal experience with collective forms of storytelling. Keely’s clustered glass installations abstract the body into vessels shaped by heat, breath, and movement. Responding to pressure, environment, and proximity, she uses fluidity as both language and methodology, drawing on water’s ability to continually shift, yield, and reform - adaptive, like identity.

Together, the works open a dialogue around bodies as sites that carry memory, feeling and history. Materials are treated as repositories of experience, creating a tension between containment and release, decay and repair, inviting a consideration of how the body remembers, and how knowledge persists as something felt.

27/05/2026

Current: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis

26 May - 6 June 2026

Please Join us for the opening celebration Thursday 28th May 6-8pm

Held, Altered brings together Grace Mitchell, Indya Pearce and Keely Varmalis to explore the body as a site and vessel. Across painting and glass, the exhibition considers how memory is carried, absorbed and transformed through material, and how forms of knowledge emerge through sensation, intuition and embodied experience.

Working across distinct practices, each artist approaches the body as something shifting and permeable, shaped through time, pressure and relation. Grace’s work engages with inherited memory using photographs from her mother, filtered by fog, wax and material decay. Erosion and quietness become ways of thinking through lineage, where memory lingers as imprint and atmosphere. Indya’s paintings move between figuration and abstraction, drawing on archetypal narratives to explore femininity, ritual and the cyclical nature of life. Fragments of bodies appear charged with emotion intersecting personal experience with collective forms of storytelling. Keely’s clustered glass installations abstract the body into vessels shaped by heat, breath, and movement. Responding to pressure, environment, and proximity, she uses fluidity as both language and methodology, drawing on water’s ability to continually shift, yield, and reform - adaptive, like identity.

Together, the works open a dialogue around bodies as sites that carry memory, feeling and history. Materials are treated as repositories of experience, creating a tension between containment and release, decay and repair, inviting a consideration of how the body remembers, and how knowledge persists as something felt.

25/05/2026

Current: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis

26 May - 6 June 2026

Please Join us for the opening celebration Thursday 28th May 6-8pm

Held, Altered brings together Grace Mitchell, Indya Pearce and Keely Varmalis to explore the body as a site and vessel. Across painting and glass, the exhibition considers how memory is carried, absorbed and transformed through material, and how forms of knowledge emerge through sensation, intuition and embodied experience.

Working across distinct practices, each artist approaches the body as something shifting and permeable, shaped through time, pressure and relation. Grace’s work engages with inherited memory using photographs from her mother, filtered by fog, wax and material decay. Erosion and quietness become ways of thinking through lineage, where memory lingers as imprint and atmosphere. Indya’s paintings move between figuration and abstraction, drawing on archetypal narratives to explore femininity, ritual and the cyclical nature of life. Fragments of bodies appear charged with emotion intersecting personal experience with collective forms of storytelling. Keely’s clustered glass installations abstract the body into vessels shaped by heat, breath, and movement. Responding to pressure, environment, and proximity, she uses fluidity as both language and methodology, drawing on water’s ability to continually shift, yield, and reform - adaptive, like identity.

Together, the works open a dialogue around bodies as sites that carry memory, feeling and history. Materials are treated as repositories of experience, creating a tension between containment and release, decay and repair, inviting a consideration of how the body remembers, and how knowledge persists as something felt.

24/05/2026

Up next: Held, Altered

Grace Mitchell, Indya Pearce and Keely Varmalis
26 May - 6 June

Please join us for the opening celebration Thursday 28th 6-8pm

Indya Pearce is a visual artist based in Naarm, working across painting, photography, textiles and drawing. Her practice centres around recontextualising ancient mythologies, drawing parallels between archetypal narratives and contemporary issues. Through layered depictions of the body and portraiture, she explores themes of identity and relationships, navigating social, political, and internal struggles.

Grace Mitchell is an artist living and working in Naarm/Melbourne, working in an expanded painting practice. She primarily uses oil paint and also explores the structural qualities of wax. Her current works centre on an archive of photographs her mother took across Europe in the 1990s that depict mould, fog, ruins, and the processes of damage that occur across long periods of time and present themselves on objects in the world. Through material experimentation, Grace employs these processes of damage in her works by engineering the appearance of mould or sun damage onto an artwork. Her work engages with themes of decay, artificial or genuine, as well as the stories that objects hold via their material appearance.

Keely Varmalis is an interdisciplinary artist based in Naarm/Melbourne. She holds a Bachelor of Fine Arts (Honours) from the Victorian College of the Arts, where she specialised in Printmaking and Sculptural practices. Her work has been showcased in prominent galleries, such as Useful Objects, West Space and Craft Victoria. In addition to her visual arts practice, she has contributed to a range of performance projects in collaboration with other artists, presenting work at Station Gallery and Project8 Gallery. In 2022, Keely was honored with the Fan the Flames Acquisitive Scholarship, and her work is now permanently displayed at the Wilin Centre, University of Melbourne. Enamoured by the sensitivity of glass as a material, Keely began training at r.a.g.e. Hot Glass Studio in 2023.

No Vacancy Gallery

08/06/2026

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04/06/2026

01/06/2026

29/05/2026

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