https://knottedbyhandmacrame.com/

Knotted by Hand Macrame, Melbourne (2026)

18/06/2026

Things Our Bodies Already Knew #2

Lately, I’ve noticed something interesting.

People aren’t just buying objects.

They’re searching for connection.

After years of living through screens, scrolling endlessly and moving faster than ever, there seems to be a growing desire for things that carry the mark of the human hand.

Ceramics.

Textiles.

Vintage furniture.

Contemporary craft.

Slow, tactile objects that ask us to pause for a moment.

Research is beginning to support what many of us have felt instinctively for years: we’re craving authenticity, texture and physical presence in a world that often feels increasingly digital.

As a fibre artist, I think about this often.

Every piece I create is built slowly, through thousands of repeated gestures. No shortcuts, no automation, just time, material and a lot of patience.

And maybe that’s why handmade work resonates.

Not because it’s perfect.

But because it feels human.

Because behind every knot, every irregular line and every shadow is evidence that somebody was here.

And perhaps that’s what we’re all looking for.

Not more things.

But things that mean something.

I’d love to know—

Have you found yourself drawn to handmade objects more than ever lately?

You can explore more of my hand-knotted fibre artworks and contemporary textile pieces via the link in bio.

16/06/2026

Not all art is created for everyone.

And I think that’s a good thing.

My hand-knotted textile artworks are created for collectors, interior designers and homeowners who believe a space should feel as beautiful as it looks.

Every bespoke fibre artwork is made slowly, by hand, using thousands of individual knots and weeks (sometimes months) of work. No two pieces are ever the same.

Because for me, art isn’t simply decoration.

It’s atmosphere.

It’s texture.

It’s the quiet presence that transforms a room and becomes part of the story unfolding within it.

If you’re drawn to craftsmanship, tactile materials and collecting pieces that carry the evidence of the human hand, we might just speak the same language.

I create bespoke textile wall sculptures and welcome commission enquiries for residential, hospitality and commercial interiors.

—

📍Handcrafted in Australia

Bespoke fibre art commissions

Working with collectors, interior designers and stylists

Available works and commission enquiries via the link in bio

⸻

13/06/2026

NOW YOU SEE ME

Some pieces arrive quickly.

This wasn’t one of them.

Now You See Me emerged slowly, knot by knot, over countless hours in the studio. What began as hundreds of loose strands gradually found their rhythm, transforming into a sculptural textile artwork that reveals itself layer by layer.

For me, making has always been more than a process. It is where I find stillness. A way of quieting the mind and making sense of the world through my hands.

Perhaps that’s why I believe handcrafted work carries something difficult to explain, but easy to feel.

In a time defined by speed and screens, we’re increasingly drawn to texture, craftsmanship and objects that invite us to slow down and look closer. Not because we’re searching for perfection, but because we’re seeking connection.

Now You See Me is part of that ongoing exploration.

A contemporary textile artwork that celebrates process, materiality and the beauty that reveals itself slowly.

For interior designers, stylists and collectors seeking bespoke textile art, I welcome commissions and collaborative projects.

Explore more work through the link in my bio or send me a message to discuss a custom piece.

—

13/06/2026

I have a feeling we’re in the middle of a cultural shift. And I don’t think it’s really about trends.

The more digital our lives become, the more drawn we seem to be to things that feel unmistakably human.

Not just in art.

Everywhere.

Handmade ceramics. Worn timber. Linen. Gardens. Vinyl records. Thoughtfully layered interiors. Objects that carry the marks of another person’s hands.

And perhaps that’s why craftsmanship is having such a renaissance.

Not because we’re looking backwards.

But because we’re looking for something deeper.

Presence.

Texture.

Connection.

Things that help us slow down and feel.

It’s something I’ve been noticing through my own practice, too. People rarely speak about what a piece represents. Instead, they talk about how it makes them feel.

Calm.

Grounded.

Comforted.

Present.

Which makes me wonder…

Maybe we’re not seeking more. Maybe we’re simply seeking what makes us feel human again.

These are the kinds of thoughts I’ve been exploring in my weekly letters — alongside stories from the studio, art, interiors and beautiful observations about the world around us.

If that sounds like your kind of rabbit hole, you’ll find the invitation waiting in my bio.

I’d love to know — Have you noticed this too?

— Photography

13/06/2026

Lately, I’ve been fascinated by something I can’t seem to stop noticing.

The more digital our lives become, the more drawn we seem to be to things that feel unmistakably human.

Not just in art, but everywhere.

Handmade ceramics. Linen. Worn timber. Thoughtfully layered interiors. Objects with texture. Slow meals. Vinyl records. Gardens. The visible traces of another person’s hands.

Perhaps the resurgence of craftsmanship isn’t nostalgic at all.

Perhaps it’s our response to increasingly digital lives.

It’s a thought that’s been quietly weaving itself through my own practice and the conversations I have with collectors, designers and people who encounter the work. Rarely do they talk about what a piece “means”. More often, they speak about how it makes them feel — calm, grounded, present.

And honestly, I find that fascinating.

I have a feeling there’s a much bigger story here, and it’s one I’d love to keep exploring.

If conversations around art, interiors, craftsmanship and the things that make life feel more human are your kind of rabbit hole, I’ve started sharing weekly letters filled with observations, studio notes and the stories behind the work.

The invitation is waiting in the link in my bio.

I’d love to know — have you noticed this too?

—

11/06/2026

There comes a point with every piece where obsession quietly takes over.

Hours disappear.

The outside world gets quieter.

And what begins as rope, repetition and loose ideas slowly becomes something else.

Now You See Me took shape through thousands of loops and countless repeated gestures. Hundreds of metres of rope passed through my hands. What you don’t see are the conversations that happened alongside it — the doubts, the memories, the thoughts that surfaced and disappeared somewhere between one knot and the next.

Making like this puts me in a different state.

Part meditation.

Part problem-solving.

Part conversation with myself.

I think that’s why I’m so fascinated by the conversation currently taking place in the art world and beyond. We’re seeing a growing appreciation for contemporary craft, tactile art and objects that carry visible evidence of time and the human hand.

Perhaps after years of speed and endless screens, we’re craving something slower.

Something we can feel.

Something that reminds us another person was here.

Every line in this hand-knotted fibre artwork holds a small moment of attention. Together, they become a record of time passing — revealing and concealing, appearing and disappearing.

Which feels fitting for a piece called Now You See Me.

I’d love to know —

What do you see when you look at it?

Explore more of my contemporary fibre art and sculptural textile works via the link in bio.

11/06/2026

Things Our Bodies Already Knew #1

One of the most common things I hear when people see my work in person is:

“I just want to touch it.”

(Closely followed by “Sorry, am I allowed?”)

And honestly, I get it.

For a long time, I thought this was just curiosity. But more and more research is showing that our attraction to texture and handmade objects runs much deeper than that.

Touch is our first language.

Before words, before screens, before we learned to analyse everything, we experienced the world through texture, warmth and physical connection.

Maybe that’s why so many of us are craving tactile, handcrafted objects again.

Not because they’re trendy.

But because they remind us of something we already know.

That beauty isn’t only visual.

Sometimes it’s something we feel.

As someone who spends countless hours creating hand-knotted fibre art, I love knowing that the instinct people have to move closer, to look longer, and yes… to want to touch, might actually be deeply human.

I’d love to know—

Have you ever had that reaction to a piece of art or an object?

Explore more of my work via the link in bio.

AustralianArtist

08/06/2026

A while ago, I was having a conversation with a family member about memory.

How two people can live through the same moment and carry away entirely different versions of it.

The longer we talked, the more I realised that memory isn’t fixed. It shifts. It softens. Certain details fade while others become sharper. What felt significant at one point in time can take on an entirely different meaning years later.

That conversation stayed with me while I was creating this series.

The Echo Series explores the way experiences return to us over time. Not as exact repetitions, but as fragments, impressions and emotional traces that continue to evolve. The stitched lines move through the work like recurring thoughts, while the hand-knotted forms fold, compress and expand, reflecting the way memory reshapes itself with distance and perspective.

Each piece is constructed through thousands of individual knots, creating sculptural textile forms that invite a slower kind of looking. From a distance, the works appear structured and contained. Up close, subtle shifts, irregularities and layers begin to emerge.

For me, these works are about the quiet transformation that happens beneath the surface — the way we revisit people, places and experiences throughout our lives, and how each return changes the story we tell ourselves.

Part of my ongoing exploration of contemporary fibre art, memory, and emotional resonance through material form.

The Echo Series is available to view and collect via my website.

Link in bio.
Photography

31/05/2026

A little introduction for those who are new here.

I’m Kasia, a contemporary textile artist creating sculptural fibre works from my studio in regional Victoria, Australia.

Using thousands of hand-formed loops, I create one-of-a-kind artworks that explore connection, memory, resilience and the stories we carry. What began as a personal creative practice has grown into a body of work collected for homes, galleries and interior spaces across Australia.

At the heart of my practice is a fascination with tactility and the way art can influence how a space feels. In a world that is increasingly digital and fast-paced, I believe there is something powerful about living with objects that invite us to slow down, look closer and reconnect with ourselves and our surroundings.

Whether you’re a collector, interior designer, architect, or simply someone who appreciates handmade work, I hope this gives you a deeper insight into the why behind what I create.

For available artworks, commissions, exhibitions and more about my practice, you’ll find everything via the website linked in my bio.

Thank you for being here and following along.

Knotted by Hand Macrame

18/06/2026

16/06/2026

13/06/2026

13/06/2026

13/06/2026

11/06/2026

11/06/2026

08/06/2026

31/05/2026

Address

Website

Alerts

Shortcuts

Share

Category