Victoria Petkopoulos

Victoria Petkopoulos Scoring and composition for film and documentaries. Music is the one language that speaks to all of us, regardless of gender, culture, or background. An idea.

Who isn’t stirred by a rousing theme? Or moved by an emotional composition? Or lulled into pensiveness by a brooding score? Music has the power to inspire, to thrill, to seduce, to unite, to harmonise, to dismay, and so many other things. It is a companion, a manipulator, and a lover, something that can be all things to us at once, and remain with us long after everything else is gone. Think about

your favourite movies. Would we have cheered for Rocky without Bill Conti’s galvanising and uplifting theme? Or would we be reduced to tears when E.T. says goodbye to Elliott, if not for John Williams’s somber but heartwarming accompaniment? Or would we experience the thrill and danger of the attack in Aliens without James Horner’s stirring backdrop? Marrying into any great story is a soundtrack that fits tonally, complements seamlessly, and elevates emotionally. It transcends its medium and embeds in our consciousness forever more. Who hasn’t left a movie or switched off a television show, but still hummed a tune they heard? Or used it in some element of life, such as for important occasion? Or even for something simple but everyday, such as for a ringtone? Music can do what no other medium can: communicate universally. But the question always is, “What is the RIGHT music?”
You’re diffident. You’re not a musician. But you do have something. Victoria Petkopoulos

Music has been Victoria’s life since she was a child. She has been a singer and songwriter for over twenty years, and has performed throughout Australia, Holland and Greece. Her channel, Victoria’s Playground, is replete with a string of hits that have been downloaded by fans from all over the world. A qualified Audio Producer and Engineer, she has had over fifteen years’ experience in composing for film and documentaries, including credits such as Ripples, Little Diva Rising, The Abnorms, The Other Side of Paradise and The Perfect Spin
Her goal is to find the voice in any narrative, and compose a score that embodies what your story is trying to achieve, speaks tonally to each scene, and engages and moves the audience, taking them on a journey that is emotional spiritual, and intellectual, and evolves into the sublime. You might be unsure what you want. Or you might know, but struggle to articulate it. Or your mind might be a blank tape. Whatever the case, talk to Victoria and let her help you identify your needs, explore them, and then articulate them through music. A storyteller herself with her own songwriting, Victoria identifies and recognises the nuance in story beats, characters, and events, appreciates drama and tonal shifts, pinpoints key narrative shifts, and is able to find the voice that will sing for you and your project, and leave an indelible impression upon your audience.

https://www.facebook.com/470171603110724/posts/4983565781771261/?sfnsn=mo
06/06/2022

https://www.facebook.com/470171603110724/posts/4983565781771261/?sfnsn=mo

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Here's how she describes listening to 's "Ninth Symphony" over the radio, Helen Keller wrote the following letter to the New York Symphony Orchestra in March 1924.

Dear Friends:

I have the joy of being able to tell you that, though deaf and blind, I spent a glorious hour last night listening over the radio to Beethoven’s “Ninth Symphony.” I do not mean to say that I “heard” the music in the sense that other people heard it; and I do not know whether I can make you understand how it was possible for me to derive pleasure from the symphony. It was a great surprise to myself. I had been reading in my magazine for the blind of the happiness that the radio was bringing to the sightless everywhere. I was delighted to know that the blind had gained a new source of enjoyment; but I did not dream that I could have any part in their joy. Last night, when the family was listening to your wonderful rendering of the immortal symphony someone suggested that I put my hand on the receiver and see if I could get any of the vibrations. He unscrewed the cap, and I lightly touched the sensitive diaphragm. What was my amazement to discover that I could feel, not only the vibration, but also the impassioned rhythm, the throb and the urge of the music! The intertwined and intermingling vibrations from different instruments enchanted me. I could actually distinguish the cornets, the roil of the drums, deep-toned violas and violins singing in exquisite unison. How the lovely speech of the violins flowed and plowed over the deepest tones of the other instruments! When the human voices leaped up thrilling from the surge of harmony, I recognized them instantly as voices more ecstatic, upcurving swift and flame-like, until my heart almost stood still. The women’s voices seemed an embodiment of all the angelic voices rushing in a harmonious flood of beautiful and inspiring sound. The great chorus throbbed against my fingers with poignant pause and flow. Then all the instruments and voices together burst forth – an ocean of heavenly vibration – and died away like winds when the atom is spent, ending in a delicate shower of sweet notes.

Of course this was not “hearing,” but I do know that the tones and harmonies conveyed to me moods of great beauty and majesty. I also sense, or thought I did, the tender sounds of nature that sing into my hand-swaying reeds and winds and the murmur of streams. I have never been so enraptured before by a multitude of tone-vibrations.

As I listened, with darkness and melody, shadow and sound filling all the room, I could not help remembering that the great composer who poured forth such a flood of sweetness into the world was deaf like myself. I marveled at the power of his quenchless spirit by which out of his pain he wrought such joy for others – and there I sat, feeling with my hand the magnificent symphony which broke like a sea upon the silent shores of his soul and mine.

The Auricle, Vol. II, No. 6, March 1924. American Foundation for the Blind, Helen Keller Archives.

Very grateful to have been chosen for this short film🙏
05/03/2022

Very grateful to have been chosen for this short film🙏

❤ Happy New Year! ❤
31/12/2021

❤ Happy New Year! ❤

20/12/2021

'Wendy & Vee.' Very excited for this one! I have a feeling that it's going to be challenging, but lots of fun!

https://fb.watch/9-WRW-7DcO/

14/12/2021

❤Ripples❤

The Soundtrack from Ripples is on YouTube🙂

https://youtube.com/playlist?list=PLDQm6W1K90p0wEjSFoqNuJe9RlQOM_EnX

Absolutely loved & thoroughly enjoyed working on this film! A great team to work along side, and a great film to watch!

Very thankful for the opportunity!❤

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Ripples - the short film that keeps giving, and so deservingly might I add!So grateful to have scored this little beauty...
18/11/2021

Ripples - the short film that keeps giving, and so deservingly might I add!

So grateful to have scored this little beauty🙏❤

Sound healing🙏❤🎵
18/11/2021

Sound healing🙏❤🎵

❤🎵
18/11/2021

❤🎵

Excited to see Ripples being accepted into another Film festival! Go team🙏
11/11/2021

Excited to see Ripples being accepted into another Film festival! Go team🙏

The only true way of making music - connecting deeply with it ❤🎵
10/11/2021

The only true way of making music - connecting deeply with it ❤🎵

Poetry is music without sound❤
04/11/2021

Poetry is music without sound❤

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