Critical Path

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Critical Path Critical Path is Australia's leading centre for choreographic research and development.

We support independent Australian choreographers to push the boundaries of their practice. WHAT WE DO

Established in 2004, Critical Path is a choreographic research and
development centre based at The Drill Hall, a large rehearsal space on the harbour in central Sydney, Australia. Our principal goal is to support innovative research by NSW choreographers. We deliver a program of research opportunities which promote innovation by creating opportunities for choreographers to explore new ways of working, develop new networks and engage in debate and critical appreciation of dance. Best practice in artistic research is incorporated into a diverse program which features a two strand model of Facilitated and Responsive projects. OUR PROGRAMME


Provides support for experienced choreographers to tailor make research projects addressing their personal needs

Offers group professional development opportunities in workshops and masterclasses, where peer support and sharing is encouraged

Creates a context for mentoring and peer exchange through a program of projects instigated and led by experienced artists

Provides a platform for the sharing of research outcomes to peers, presenters and funders within a supportive critical context

08/10/2026

JOIN US THIS SATURDAY 4PM

The incredible artists Rosalind Crisp (dance) & Deborah May (video) will share seedlings of new DIRt work.

In 2017 Ros returned to Australia after 15 years in Paris to find the majestic forests she grew up in destroyed. She initiated DIRt (Dance In Regional disasTer zones) in Orbost (VIC) to explore how dance and collaborative arts practice might respond to our unfolding extinction crisis. DIRt performances have been given in sites from ruined forest to the Sydney Opera House.

Ros writes: 'DIRt has primarily been an exploration of choreography’s capacity to enter into dialogue with this place, not to re-present it or impose another narrative on it, but to be profoundly ‘undone’ by it.

DIRt has utterly reshaped my Australian choreographic voice.'

A recent shift from the grief-stricken to the absurd is angling Ros away from the abject towards the forgotten, discarded sites left over by man where fragments of nature persist and may even be thriving (and winking at Gilles Clément.)

10 OCTOBER 2026
SATURDAY 4PM

The Drill Hall, Critical Path
1c New Beach Road Darling Point NSW 2027
Gadigal & Birrabirragal Country

Pay what you can $5 – $15 (+ booking fee)

👉 Link in our bio

This sharing is the first in a series of a new Critical Path initiative called SeeDance.

This event is proudly supported by the Woollahra Municipal Council’s Cultural Grants Program Woollahra Council and Omeo Dance Inc.

Video credit: DIRt, Rosalind Crisp, video still by Deborah May, 2026.

Image description: An image of a person dancing amidst the destruction of a recently logged forest in East Gippsland.

Critical Path respectfully acknowledges the Gadigal and Birrabirragal people of the Eora Nation, the traditional owners of the land where the organisation is based.

We're very excited to announce that the extraordinary artists Rosalind Crisp (dance) & Deborah May (video) will share se...
08/10/2026

We're very excited to announce that the extraordinary artists Rosalind Crisp (dance) & Deborah May (video) will share seedlings of new DIRt work: live and virtual performance in conversation.

10 OCTOBER 2026
SATURDAY 4PM

The Drill Hall, Critical Path
1c New Beach Road, Darling Point, NSW 2027
Gadigal & Birrabirragal Country

Pay what you can $5 – $15 (+ booking fee)

Link in our bio

In 2017 Ros returned to Australia after 15 years in Paris to find the majestic forests she grew up in destroyed. She initiated DIRt (Dance In Regional disasTer zones) in Orbost (VIC) to explore how dance and collaborative arts practice might respond to our unfolding extinction crisis. DIRt performances have been given in sites from ruined forest to the Sydney Opera House.

Ros writes: 'DIRt has primarily been an exploration of choreography’s capacity to enter into dialogue with this place, not to re-present it or impose another narrative on it, but to be profoundly ‘undone’ by it.

DIRt has utterly reshaped my Australian choreographic voice.'

A recent shift from the grief-stricken to the absurd is angling Ros away from the abject towards the forgotten, discarded sites left over by man where fragments of nature persist and may even be thriving (and winking at Gilles Clément.)

This sharing is the first in a series of a new Critical Path initiative called SeeDance, so watch this space!

This event is proudly supported by the Woollahra Municipal Council’s Cultural Grants Program Woollahra Council and Omeo Dance Inc.

Image credit: DIRt, Rosalind Crisp, video still by Deborah May, 2026.

Image description: An image of a person standing amidst the destruction of a recently logged forest in East Gippsland.

Critical Path respectfully acknowledges the Gadigal and Birrabirragal people of the Eora Nation, the traditional owners of the land where the organisation is based.

Head to Dancing Sydney to read Joshua Di Mattina-Beven’s beautiful text TOUCHING LANGUAGE in response to two incredible ...
14/08/2026

Head to Dancing Sydney to read Joshua Di Mattina-Beven’s beautiful text TOUCHING LANGUAGE in response to two incredible performances at Critical Path:

Chloe Chignell’s work SUNCUT with Mara Schwerdtfeger, and Ivey Wawn & Rhiannon Newton’s work Premonition: at the end of a dream of a cave, a portal with Del Lumanta presented by Performance Space.

📸 Chloe Chignell by Anna Kučera
Mara Schwerdtfeger by Anna Kučera
Rhiannon Newton & Ivey Wawn by Lucy Parakhina
Del Lumanta by Lucy Parakhina

CALL OUT FOR RESEARCH ROOM RESIDENCIES 2026DEADLINE: SUNDAY 16 AUGUST 2026Critical Path invites independent choreographe...
05/08/2026

CALL OUT FOR RESEARCH ROOM RESIDENCIES 2026

DEADLINE: SUNDAY 16 AUGUST 2026

Critical Path invites independent choreographers and dancers to undertake focused research inside our small research room from September to December 2026.

A Research Room residency gives an artist the opportunity to use the room to undertake research for their choreographic projects. Review archival footage. Meet and consolidate ideas with collaborators. Reflect on a recent project. Each residency can be between 1 week and 4 weeks. Please note the Research Room is a small room with two desks and a small library.

A Research Room residency can be between 1 and 4 weeks. You can request a period between Monday 31 August – 11 December 2026.

Nice views for daydreaming!
Small space for focusing.

Apply! Link in our bio 💚🍃🌳

We are so excited to announce a new workshop with the extraordinary Elizabeth Ryan!!SPACE – for Being and Creation12-13 ...
04/08/2026

We are so excited to announce a new workshop with the extraordinary Elizabeth Ryan!!

SPACE – for Being and Creation

12-13 SEPTEMBER 2026
SATURDAY & SUNDAY
11AM - 3PM (with half hour lunch break)

The Drill Hall, Critical Path
Gadigal & Birrabirragal Country

$150-$250 (+ booking fee)
Sliding scale depending on one's financial means.

This workshop invites participants into a meditative and spacious experience of the rich terrain existing between meditation and creativity.

Through meditative techniques cultivating present moment awareness and a deepening into an undercurrent of stillness, we will expand into a practice of being and creation with space given to movement, writing, discussion, contemplation and connection to the nature of ourselves and each other in deep listening, witnessing and experiencing.

This is an invitation to pause, reset and refill your inner reservoir of energy, ideas, experiences and new perspectives. An opportunity to unfold, expand and nurture creative aliveness in restorative, inspiring SPACE.

Link in bio ❤️

We are thrilled to have Naarm-based artists Sofie McClure and Anika De Ruyter in residence at the Drill Hall this week.S...
21/07/2026

We are thrilled to have Naarm-based artists Sofie McClure and Anika De Ruyter in residence at the Drill Hall this week.

Sofie and Anika are developing their stunning new work ‘Dead Weight of Endless Potential’, a disassemblage of the body as a vehicle of habit. Between the infinite suspension of moments of action and a cradling within inertia, the body is pulled beyond its own momentum.

Photo of Sofie McClure and Anika De Ruyter, 'Dead Weight of Endless Potential', Lake George, Ngambri Country, 2026. Film still by William McClure.

CO/MINGLING 2026Calling performers, dancers, movers, musicians, vocalists and sound artists!You’re invited to CO/MINGLIN...
13/07/2026

CO/MINGLING 2026

Calling performers, dancers, movers, musicians, vocalists and sound artists!

You’re invited to CO/MINGLING — a collaborative space for artists across different, yet connected practices to come together and experiment through improvisation.

Critical Path is delighted to be hosting two special ‘CO/MINGLES’ at the Drill Hall on:

SATURDAY 25 JULY
SATURDAY 24 October

1pm-4pm
* Doors open at 12:30pm for 1pm start

CO/MINGLING is a program supported by Merrigong Theatre in Wollongong for artists to collaborate once a month in the Illawarra. Artists are welcome to join these sessions in Wollongong throughout the year, as well as to the two sessions in Sydney at the Drill Hall. Build your regular practice with the CO/MINGLING artist collective.

🔗 Link to register for 25 July session is in our bio.

CO/MINGLING is facilitated by Linda Luke. Queries: [email protected]

CO/MINGLING is suitable for dancers, performers, movers and musicians, recent graduates and current tertiary level/pre-professional dance and music students.

Photo credit: Ali Gordon, Alexandra Giraldo-Pedroza, Daryl Wallis and Carla Yamine, photo by Linda Luke. Image courtesy of Linda Luke and Merrigong Theatre Company.

We are very excited to announce a workshop led by Australian Dance Theatre (ADT) exploring company repertoire!!TUESDAY 1...
08/07/2026

We are very excited to announce a workshop led by Australian Dance Theatre (ADT) exploring company repertoire!!

TUESDAY 11 AUGUST
4PM-7PM

Internationally renowned and Kaurna Yerta/Adelaide based company, Australian Dance Theatre invites dancers to join the company for a workshop exploring ADT’s work Two Blood.

Presented in association with Kurinji, Two Blood is an intensely physical work that crashes through the narratives that have shaped our nation. Facilitated by company artists, the workshop will guide participants through a series of movement methodologies introducing the themes of the work and the company’s approach to creative process.

The workshop is open to professional and emerging dancers and will provide insight into the company and touring work Two Blood. Workshop activities include repertoire and creative tasking to explore new movement ideas.

REGISTER NOW: Link in bio

We can't wait to see you there!

Photo: Jonathan VDK

A massive thank you to everyone who has generously supported our campaign to raise funds for more artists to undertake o...
06/07/2026

A massive thank you to everyone who has generously supported our campaign to raise funds for more artists to undertake our Responsive Residency program!

There’s still time today to make a tax-deductible donation before the end of this financial year!

With your support, we can nurture more incredible dance artists so they can continue creating exceptional work.

Every gift makes a difference, no matter how small. Donations over $2 are tax deductible.

IMAGE CREDIT: BODY DATA LOOP, at U108, National Taiwan Museum of Fine Arts, 2024, Photos by David Chen, Hank Tsai & Anpis Wang. Artists: Ming-Chieh Lee, Nasim Patel, Roslyn Orlando, Zi-Ping Tian. Curators: Matt Cornell & Cicia Wang.

Calling First Nations dance makers!Do you have a truth-telling project or idea which needs dedicated, supported research...
06/07/2026

Calling First Nations dance makers!

Do you have a truth-telling project or idea which needs dedicated, supported research time, both in and out of the studio?

Through partnering with AIATSIS and connecting you with the Collections Department First Nations at Powerhouse Museum, this residency is designed to support your research and choreographic exploration of a truth telling idea.

Please see LINK IN BIO for more information and how to apply.

This is a funded opportunity.

APPLICATIONS CLOSE: 11pm AEST Wednesday 5 August 2026

Truth Telling residency is a part of Critical Path First Nations program titled HOLDING SPACE curated by Jasmin Sheppard. This project has been assisted by the Australian Government through Creative Australia, its principal arts investment and advisory body, as well as the NSW government through Create NSW.

Image credit: Jasmin Sheppard, ‘The Complication of Lyrebirds’. Photo by Luke Currie Richardson.

Address

The Drill, 1C New Beach Road, Rushcutters Bay
Darling Point, NSW
2027

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm
Saturday 9am - 5pm
Sunday 9am - 5pm

Telephone

+61293624023

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