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Wednesday 11am - 5pm Thursday 11am - 5pm Friday 11am - 5pm Saturday 11am - 5pm

https://www.correspondences.work/

Correspondences, 39 Sydney Road, Melbourne (2026)

30/05/2026

𝗙𝗶𝗻𝗮𝗹 𝗱𝗮𝘆 𝘁𝗼 𝘀𝗲𝗲 𝗔𝗻𝗻𝗮 𝗗𝘂𝗻𝗻𝗶𝗹𝗹’𝘀 (@𝗼𝗸𝗮𝘆𝗮𝗺𝗽𝗲𝗿𝘀𝗮𝗻𝗱) 𝗲𝘅𝗵𝗶𝗯𝗶𝘁 𝗳𝗼𝗿 𝙇𝙚𝙩 𝙢𝙚 𝙗𝙚 𝙩𝙚𝙣𝙙𝙚𝙧.

We’re here until 5 pm. Please feel welcome to join us.

We have a couple of places that have become free for this afternoon’s community-making session, 2- 4 pm. If you’d like to join us, please RSVP via the event page (🔗 on Linktree under profile). First-in, best-dressed!
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Images
1-2 Anna Dunnill, 𝘚𝘵𝘳𝘪𝘯𝘨 𝘴𝘩𝘢𝘱𝘦, 2025-2026 (details), string hand-twined from unpicked seams and studio scraps; beads made from aluminium foil and studio scraps; unknown plant from my parents’ garden, black wattle resin, shell, broken jewellery found at Perth Airport, radish seed pod, dimensions variable NFS

3-4 Anna Dunnill, 𝘉𝘰𝘣𝘣𝘭𝘺 𝘸𝘦𝘢𝘷𝘪𝘯𝘨, 2025, h**p, hand-twined string made from quilt remnants, beads made from studio scraps and cotton thread, h**p warp, 7.9 x 10 cm (dimensions variable) $650

5-6 Anna Dunnill, 𝘓𝘪𝘯𝘦 𝘸𝘰𝘳𝘬, 2024 (details), string twined from silk thread, studio scraps, 1 x 250 cm (dimensions variable) $550

All artworks copyright Anna Dunnill

Photos by 🖤🙏

29/05/2026

Thank you for joining us for a tender night of music with singer-songwriter and her collaborator Phillip Cortes () last Saturday, presented as part of our residency project, 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳.

Thank you, Imogen, for this moving performance and for the new songs shared under development - one inspired by and featuring words from Anna’s poem currently on display, and the other an ode to tenderness and our project, working title ‘Let me be tender’. Words cannot express the gratitude we feel for these offerings. We warmly thank you for your tender, generous-hearted act. Thank you, Phil, for your beautiful vocals and guitar-playing.

We are always astonished by the immense talent, generosity, openness and collaborative power of the musicians that we have the great pleasure and honour of working with here in the space. This was another memorable occasion that will stay with us for a long time to come.

Small arts organisations like ours, galleries and live music venues, are struggling to continue programming at present. We rely heavily on finite public funds and the generosity of our patrons to continue. We thank you for buying a ticket and supporting this special evening. Long may it continue.

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Images
1-2 Imogen and Phil performing 📷 Mi-Chieh Chen
3 Video (abridged) of Imogen performing her song, ‘Come and get your mind’, the song that inspired her involvement in the project.📷 Mi-Chieh Chen
4 Video (abridged) of Imogen and Phil performing her new song inspired by and featuring Anna’s words. Yet to be titled.
5 Video (abridged) of Imogen and Phil performing her new song inspired by her deeper thinking about tenderness and our project, Let me be tender.

28/05/2026

𝗙𝗶𝗻𝗮𝗹 𝗱𝗮𝘆𝘀 to see Anna Dunnill’s () second solo exhibit for 𝙇𝙚𝙩 𝙢𝙚 𝙩𝙚𝙣𝙙𝙚𝙧, closing at the end of the day 𝗦𝗮𝘁𝘂𝗿𝗱𝗮𝘆, 30/5. This is also our final weekend of events. We’d love you to join us. 🖤

To inquire about purchasing one of Anna’s beautiful works, please email [email protected].

𝗧𝗵𝗶𝘀 𝘄𝗲𝗲𝗸𝗲𝗻𝗱’𝘀 𝘀𝗽𝗲𝗰𝗶𝗮𝗹 𝗲𝘃𝗲𝗻𝘁𝘀
⏰ Multilingual poetry circle (Fri 29 May, 6:30-9:00 pm)
⏰ Community-making with Anna (Sat 30 May, 2-4:00 pm)

𝗕𝗼𝗼𝗸𝗶𝗻𝗴𝘀 𝘃𝗶𝗮 𝘁𝗵𝗲 𝗲𝘃𝗲𝗻𝘁 𝗽𝗮𝗴𝗲𝘀 (🔗 𝗼𝗻 𝗟𝗶𝗻𝗸𝘁𝗿𝗲𝗲 𝘂𝗻𝗱𝗲𝗿 𝗽𝗿𝗼𝗳𝗶𝗹𝗲).
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Images
1-3 Anna Dunnill, 𝘚𝘤𝘳𝘪𝘣𝘣𝘭𝘦 𝘸𝘦𝘢𝘷𝘪𝘯𝘨, 2022, tapestry woven from silk and studio scraps, cotton warp, 8.7 x 6.5 cm (dimensions variable) $450
4 - A tender installation detail by Anna (poppy petals).
5 - Anna Dunnill, 𝘍𝘳𝘢𝘮𝘦 𝘥𝘳𝘢𝘸𝘪𝘯𝘨, 2026, graphite on mat-board offcut, 22.1 x 16.7 cm $200
Inside the drawing is an installation of studio objects. NFS
6-7 Installation view, correspondences, May 2026, 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳/𝘗𝘢𝘳𝘵 2 picturing Anna’s poem and installation inside her “frame drawing”
8-9 Anna Dunnill, 𝘌𝘮𝘣𝘰𝘴𝘴𝘦𝘥 𝘥𝘳𝘢𝘸𝘪𝘯𝘨 (𝘨𝘳𝘢𝘱𝘩𝘪𝘵𝘦), 2025, graphite on embossed archival paper, 14.8 x 21.0 cm $200
10 Anna Dunnill, 𝘌𝘮𝘣𝘰𝘴𝘴𝘦𝘥 𝘥𝘳𝘢𝘸𝘪𝘯𝘨 (𝘤𝘰𝘭𝘰𝘶𝘳), 2025, coloured pencil on embossed archival paper, 14.8 x 21.0 cm. $200

All artworks copyright Anna Dunnill Photograph:

20/05/2026

𝗧𝗼𝘂𝗰𝗵𝗶𝗻𝗴. 𝗛𝗼𝗹𝗱𝗶𝗻𝗴. 𝗧𝗲𝗻𝗱𝗶𝗻𝗴. 𝗰𝗼𝗻𝘁𝗶𝗻𝘂𝗲𝗱

“A book holds words. Words hold things. They bear meanings.”

— Ursula Le Guin, 𝘛𝘩𝘦 𝘊𝘢𝘳𝘳𝘪𝘦𝘳 𝘉𝘢𝘨 𝘛𝘩𝘦𝘰𝘳𝘺 𝘰𝘧 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, p. 153

Last month, we were fortunate to have book conservator Emily Keppel with us as we explored how tenderness, tactile sensibility, and the simple gestures of gathering and holding objects shape our work and enrich our lives.

The starting point was a tender act.

Emily undertook a rare freelance project for me to conserve a little book belonging to my darling Dad.

I’ve begun to collect some thoughts on what this generous act has meant to me, and how it has inspired me to reflect more deeply on the tenderness I feel in Anna’s practice and in the world around me. Some words to follow.

In the meantime, some treasured images of Dad’s book, beautifully captured by Steph, also picturing selected details of Anna’s tender artworks.

With tender thanks to Emily, Steph and Anna, and much love to my beloved parents.
Emma
❤️
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Images
—Emma’s Dad’s book is pictured on the front table at correspondences - held by Emma. Emma wears her beloved Grandmother’s ring and one given to her by her love, talismans for the current moment.
—Artworks pictured are those presently on display as part of Anna’s solo exhibit for part two of 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳.
—In the final image, there is a little object Anna made for Emma to hold.

Photography: Steph Duncan

18/05/2026

𝗧𝗼𝘂𝗰𝗵𝗶𝗻𝗴. 𝗛𝗼𝗹𝗱𝗶𝗻𝗴. 𝗧𝗲𝗻𝗱𝗶𝗻𝗴.

Selected images from 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳 / 𝘗𝘢𝘳𝘵 2 featuring the work of visual artist and writer Anna Dunnill . More tender photos by to follow. Do pop in this week and explore Anna’s exhibit.

Gallery hours: Wed (12-5 pm when Anna will also be in the gallery sitting, so a perfect time to chat with her), Thurs (11 am-5 pm), Fri (11 am-5 pm), Sat (11 am-3 pm after which time we close for our performance with Imogen Pemberton).

Sales inquiries: [email protected]

𝘈 𝘸𝘰𝘳𝘥 𝘰𝘧 𝘵𝘩𝘢𝘯𝘬𝘴: To dear for her stunning photos, in themselves an exquisite act of tending, and for her kindness and flexibility in working with us to juggle all things scheduling, weather and life. And to dear for supporting our shoot. X

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Images
1-2—Anna Dunnill, 𝘉𝘦𝘢𝘥𝘴 𝘮𝘢𝘥𝘦 𝘧𝘳𝘰𝘮 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨, 2026 $250
3—Anna Dunnill, 𝘗𝘦𝘯𝘥𝘢𝘯𝘵, 2025 Not for sale
4-9—Installation views, 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳/𝘗𝘢𝘳𝘵 2, picturing a selection of Anna’s new textile works (detailed below).
10-11—Anna Dunnill, 𝘍𝘦𝘭𝘵 𝘱𝘪𝘦𝘤𝘦 𝘸𝘪𝘵𝘩 𝘵𝘳𝘦𝘢𝘴𝘶𝘳𝘦, 2026 $1,350
12—Anna Dunnill, 𝘓𝘰𝘰𝘱𝘴 𝘢𝘯𝘥 𝘴𝘵𝘳𝘪𝘯𝘨𝘴, 2024 $500
13—Held by Chieh is Anna Dunnill, 𝘗𝘦𝘭𝘵, 2021-ongoing. Not for sale
14-20—Installation views, 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳/𝘗𝘢𝘳𝘵 2, picturing Chieh engaging with Anna’s quilt, 𝘈 𝘲𝘶𝘪𝘭𝘵 𝘮𝘢𝘥𝘦 𝘵𝘰 𝘩𝘰𝘭𝘥 𝘮𝘦, 2021-2025. More details to follow.

Photography by Steph Duncan

To explore the materials Anna has used, which are central to understanding and ‘feeling’ her work, please visit us in person. X

18/05/2026

𝗧𝗼𝘂𝗰𝗵𝗶𝗻𝗴. 𝗛𝗼𝗹𝗱𝗶𝗻𝗴. 𝗧𝗲𝗻𝗱𝗶𝗻𝗴.

Selected images from 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳 / 𝘗𝘢𝘳𝘵 2 featuring the work of visual artist and writer Anna Dunnill . More tender photos to follow. Do pop in this week and explore Anna’s exhibit.

Gallery hours: Wed (12-5 pm when Anna will also be in the gallery sitting, so a perfect time to chat with her), Thurs (11 am-5 pm), Fri (11 am-5 pm), Sat (11 am-3 pm after which time we close for our performance with Imogen Pemberton).

Sales inquiries: [email protected]

𝘈 𝘸𝘰𝘳𝘥 𝘰𝘳 𝘵𝘸𝘰 𝘰𝘧 𝘵𝘩𝘢𝘯𝘬𝘴 𝘧𝘳𝘰𝘮 𝘌𝘮𝘮𝘢: To dear for her stunning photos, in themselves an exquisite act of tending, and for her kindness and flexibility in working with us to juggle all things scheduling, weather and life. And to dear for supporting our shoot. X

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Images
1-2—Anna Dunnill, 𝘉𝘦𝘢𝘥𝘴 𝘮𝘢𝘥𝘦 𝘧𝘳𝘰𝘮 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨, 2026 $250
3—Anna Dunnill, 𝘗𝘦𝘯𝘥𝘢𝘯𝘵, 2025 Not for sale
4-9—Installation views, 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳/𝘗𝘢𝘳𝘵 2, picturing a selection of Anna’s new textile works (detailed below).
10-11—Anna Dunnill, 𝘍𝘦𝘭𝘵 𝘱𝘪𝘦𝘤𝘦 𝘸𝘪𝘵𝘩 𝘵𝘳𝘦𝘢𝘴𝘶𝘳𝘦, 2026 $1,350
12—Anna Dunnill, 𝘓𝘰𝘰𝘱𝘴 𝘢𝘯𝘥 𝘴𝘵𝘳𝘪𝘯𝘨𝘴, 2024 $500
13—Held by Chieh is Anna Dunnill, 𝘗𝘦𝘭𝘵, 2021-ongoing. Not for sale
14-20—Installation views, 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳/𝘗𝘢𝘳𝘵 2, picturing Chieh engaging with Anna’s quilt, 𝘈 𝘲𝘶𝘪𝘭𝘵 𝘮𝘢𝘥𝘦 𝘵𝘰 𝘩𝘰𝘭𝘥 𝘮𝘦, 2021-2025. More details to follow.

To explore the materials Anna has used, which are central to understanding and ‘feeling’ her work, please visit us in person. X

14/05/2026

𝗥𝗲𝗺𝗶𝗻𝗱𝗲𝗿 - 𝗨𝗽𝗰𝗼𝗺𝗶𝗻𝗴 𝘀𝗽𝗲𝗰𝗶𝗮𝗹 𝗲𝘃𝗲𝗻𝘁—
𝘓𝘪𝘷𝘦 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦 𝘸𝘪𝘵𝘩 𝘴𝘪𝘯𝘨𝘦𝘳-𝘴𝘰𝘯𝘨𝘸𝘳𝘪𝘵𝘦𝘳 𝘐𝘮𝘰𝘨𝘦𝘯 𝘗𝘦𝘮𝘣𝘦𝘳𝘵𝘰𝘯 / 𝘗𝘢𝘳𝘵 𝘰𝘧 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳
Sat 23 May 2026 4:00 PM - 6:30 PM AEST
Tickets via the event page (🔗 on Linktree under Bio)

Join us for a tender afternoon performance with singer-songwriter Imogen Pemberton and her collaborator Phillip Cortes (). Linger at the end for a drink and explore the final exhibit by co-resident visual artist Anna Dunnill ().

Note: On 23/5, the gallery will be closed from 3pm for sound check and this special event. Ticket holders will have access to the space from 4-6:30 pm. Please refer to the event page for details. ❤️

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Image of Imogen by William Richardson
Video of Imogen performing at correspondences in March 2026 as part of BMF by Ron

12/05/2026

Thank you to all who dropped in on Saturday morning or joined us for the evening gathering with resident artist 𝗔𝗻𝗻𝗮 𝗗𝘂𝗻𝗻𝗶𝗹𝗹 (). Anna’s second exhibit for 𝙇𝙚𝙩 𝙢𝙚 𝙗𝙚 𝙩𝙚𝙣𝙙𝙚𝙧 / 𝙋𝙖𝙧𝙩 2 will be open until 30 May. Please pop in and say hi to Anna and our beautiful Volunteer team during the next week or so while Emma tends to her beloved ones.

𝗚𝗮𝗹𝗹𝗲𝗿𝘆 𝗵𝗼𝘂𝗿𝘀: Wed to Sat, 11 am - 5 pm. Please note: On selected days in May, our usual hours will change slightly. Please refer to the 𝗖𝗼𝗻𝘁𝗮𝗰𝘁𝘀 & 𝗛𝗼𝘂𝗿𝘀 𝗽𝗮𝗴𝗲 𝗼𝗳 𝗼𝘂𝗿 𝘄𝗲𝗯𝘀𝗶𝘁𝗲 for details.

𝗧𝗵𝗿𝗲𝗲 𝘀𝗽𝗲𝗰𝗶𝗮𝗹 𝗲𝘃𝗲𝗻𝘁𝘀/𝗮𝗰𝘁𝗶𝘃𝗶𝘁𝗶𝗲𝘀 𝗮𝗿𝗲 𝗳𝗮𝘀𝘁 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵𝗶𝗻𝗴.
⏰ Performance with (23/5, 4:00-6:30 pm)
⏰ Multilingual poetry circle (29/5, 6:30-9:00 pm)
⏰ Community-making with Anna (30/5, 2-4:00 pm)
Head to our event page 🔗 on the Linktree to book.
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Images
Event photos
1-3 (picturing Anna’s 𝘈 𝘲𝘶𝘪𝘭𝘵 𝘮𝘢𝘥𝘦 𝘵𝘰 𝘩𝘰𝘭𝘥 𝘮𝘦 2021-2025), 5, 7, 9, 11 (picturing 𝘍𝘦𝘭𝘵 𝘱𝘪𝘦𝘤𝘦 𝘸𝘪𝘵𝘩 𝘵𝘳𝘦𝘢𝘴𝘶𝘳𝘦 2026), 12 📷 Zic Liu
4 (picturing 𝘓𝘰𝘰𝘱𝘴 𝘢𝘯𝘥 𝘴𝘵𝘳𝘪𝘯𝘨𝘴 2024 & 𝘗𝘦𝘭𝘵 2021-ongoing), 6, 8 (picturing 𝘚𝘤𝘳𝘪𝘣𝘣𝘭𝘦 𝘸𝘦𝘢𝘷𝘪𝘯𝘨 2022), 10 📷 Jodi Kashani

08/05/2026

Please join us tomorrow afternoon (9/5), 4-6 pm, to celebrate the opening of Anna Dunnill’s () second and final solo exhibit presented as part of 𝘓𝘦𝘵 𝘮𝘦 𝘣𝘦 𝘵𝘦𝘯𝘥𝘦𝘳.

Congratulations, Anna. X

RSVP via the event page (https://www.tickettailor.com/events/correspondences1/2182901)

For now, we leave you with a few little intimate details of Anna’s exhibit.

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Images
1-2 Anna Dunnill, 𝘍𝘳𝘢𝘮𝘦 𝘥𝘳𝘢𝘸𝘪𝘯𝘨, 2026 (detail), graphite on mat-board offcut, 22.1 x 16.7 cm. The drawing “holds” a little still-life arrangement of objects from Anna’s studio.
3 Anna Dunnill, 𝘗𝘦𝘭𝘵, 2021-ongoing (detail), linen, cotton, cotton thread, dimensions variable.
4 Anna Dunnill, 𝘚𝘵𝘳𝘪𝘯𝘨 𝘴𝘩𝘢𝘱𝘦, 2025-2026 (detail), string hand-twined from unpicked seams and studio scraps; beads made from aluminium foil and studio scraps; unknown plant from my parents’ garden, black wattle resin, shell, broken jewellery found at Perth Airport, radish seed pod. dimensions variable
5 Anna Dunnill, 𝘋𝘳𝘢𝘸𝘯 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 (3), 2026 (detail), tapestry woven from h**p, silk, studio scraps, found chain, corn poppy petals from my parents’ garden, thread pulled from an old mend on my aunt’s childhood blanket, cotton warp. 18.3 x 14.5 cm
6 Anna Dunnill, 𝘌𝘮𝘣𝘰𝘴𝘴𝘦𝘥 𝘥𝘳𝘢𝘸𝘪𝘯𝘨 (𝘨𝘳𝘢𝘱𝘩𝘪𝘵𝘦), 2025 (detail), graphite on embossed archival paper. 14.8 x 21.0 cm

All artworks © Anna Dunnill

Correspondences

30/05/2026

29/05/2026

28/05/2026

20/05/2026

18/05/2026

18/05/2026

14/05/2026

12/05/2026

08/05/2026

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Wednesday	11am - 5pm
Thursday	11am - 5pm
Friday	11am - 5pm
Saturday	11am - 5pm