EDWINA CORLETTE

02/09/2026

‘Self Portraits’ A Group Show. On now and current until 8 September. Link in our Bio 🔗

Vipoo Srivilasa วิภู ศรีวิลาศ

Image 1
‘Self-Portrait: Inner Harmony’ 2026
ceramic, glaze and mixed media
26 x 15 x 11 cm

Image 2
‘Self-Portrait: Inner Shadow’ 2026
ceramic, glaze and mixed media
20 x 15 x 11 cm

Image 3
‘Self Portrait as the Deity of Helping Hands’ 2022
acrylic on board
50 x 40 cm

Image 4
‘My Friend and Me’ 2026
ceramic, glaze and mixed media
11 x 11 x 5 cm

31/08/2026

‘Self Portraits’ A Group Show. On now and current until 8 September. Link in our Bio 🔗

Wayne Magrin
Sally Anderson
Tim McMonagle
Reuby's Workshop

Image 1
Wayne Magrin
One of Trevor's Favourite Stories 2026
oil on board
152 x 213 cm

Image 2
Sally Anderson
Mother holding child and self (after PP mother and child) with BT's The Tempest 2026
acrylic on canvas
153 x 137 cm

Image 3
Tim McMonagle
Self Portrait 2026
oil stick on velvet
56 x 56 cm

Image 4
Reuben Schafer
Self Portrait 2026
pyrography on timber
22 x 19 cm

28/08/2026

Self Portraits, A Group Show | until 8 September

Vipoo Srivilasa วิภู ศรีวิลาศ
BJS
Jack Rodgers
Jake Walker

Image 1
Vipoo Srivilasa
Self Portrait as a Thai Australian Artist 2021
acrylic on board
50 x 40 cm

Image 2
Benjamin Jay Shand
Array 9 2026
aluminium, acrylic
24.2 x 24.2 x 3.2 cm

Image 3
Jack Rogers
Self Portrait, Sourpuss2026
acrylic on board
100 x 100 cm

Image 4
Jake Walker
Personality Change Bottle 1 2022
ceramic
41 x 19 x 19 cm

Image 5
Kirsten Turner
Kirsten 2014
oil on canvas
51 x 41 cm

26/08/2026

‘Self Portraits’ A Group Show
19 August - 8 September

bridie gillman
Roshni Senapati
julia sirianni
Ces McCully

Image 1
Bride Gillman
‘Self portrait, at thirty-five.’ 2026
stoneware, glaze and oxides
30 x 24 cm

Image 2
Roshni Senapati
‘Lineage’ 2026
porcelain, glaze and repurposed silk thread
10 x 10 x 6 cm, 10 x 9 x 5.5 cm, 11 x 12 x 5 cm

Image 3
Ross Laurie
‘Could Be Me’ 2026
oil on canvas
41 x 51 cm

Image 4
Julia Sirianni
‘Self Portait 1. Flu Season’ 2026
oil on poly cotton
40 x 40 cm

Image 5
Ces McCully
‘Self Portrait (The Reader)’ 2026
graphite and acrylic on acrylic wool and burlap
56 x 71 cm

24/08/2026

‘Self Portraits’ A Group Show
19 August - 8 September

Ari Athans
Belem Lett
Brendan•Huntley
Bundit Puangthong บรรฑิต พวงทอง
Pia Murphy

Image 1
Ari Athans
‘Erosion’ 2026
enamel paint on steel
40 x 40 x 10 cm

Image 2
Belem Lett
‘Headless’ 2026
oil, gesso, marble dust on aluminium composite panel
90 x 74 cm

Image 3
Brendan Huntley
‘Thought pattern, (star mantle)’ 2026
white raku, stoneware, glaze and slip, on powder–coated steel base
42 x 28 x 23 cm

Image 4
Bundit Puangthong
‘Headless’ 2026
acrylic on linen
167 x 152 cm

Image 5
Pia Murphy
‘Showing Up’ 2025
oil on canvas
55 x 46 cm

17/08/2026

16/08/2026

Coming Soon - ‘Self Portraits’ A Group Show | 19 August - 8 September

Join us for opening celebrations on Thursday 20 August from 5:30 - 7:30pm. All are welcome.

James Drinkwater
John Bokor
Jordy
Eliza Gosse
Vipoo Srivilasa วิภู ศรีวิลาศ
Cosima Scales

Image 1: James Drinkwater, ‘I am You’, 2026, oil on linen, 75 x 60 cm

Image 2: John Bokor, ‘The Worried Man (Self Portrait)’, 2026, oil on board, 33.5 x 27 cm

Image 3: Jordy Kerwick, ‘Self Portrait (you should be a monster)’, 2026, oil and acrylic on canvas, 61 x 50 cm

Image 4: Eliza Gosse, ‘Waiting on Apple Crumble (Bilpin)’, 2025, underglaze on ceramic tile, 29 x 16 cm

Image 5: Vipoo Srivilasa, ‘Self-Portrait as the Deity of Friendship’, 2026, ceramic, glaze and mixed media, 24 x 21 x 21 cm

Image 6: Cosima Scales, ‘Decoy (orchid)’, 2026, oil on board, 22.5 x 15 cm

15/08/2026

Vipoo Srivilasa’s sensational exhibition ‘re/JOY’ is on view at the Liverpool Powerhouse until 30 August. This is Vipoo’s most significant body of work to date, and the largest he has ever attempted.

Vipoo Srivilasa วิภู ศรีวิลาศ

re/JOY is an Australian Design Centre (ADC On Tour) national touring exhibition, presented with assistance from the Australian Government Visions of Australia program and Creative Australia, its principal arts investment and advisory body. The Visions of Australia regional exhibition touring program supports audience access to Australian arts and cultural material, with a particular focus on tours to regional and remote Australia.

Installation images courtesy of Silversalt Photography

Image 1: Installation image of ‘re/JOY’ at the Liverpool Powerhouse, 2026

Image 2: ‘The Essence of Ancestry inspired by Cyrus’s story’, 2024, ceramic and mixed media, 157 x 50 x 32 cm

Image 3: ‘Goddess of Independence inspired by Sultana’s story’, 2024, ceramic and mixed media, 157 x 50 x 32 cm

05/08/2026

Congratulations Bridie Gillman and Belem Lett who are finalists in this year’s Mosman Art Prize.

bridie gillman
Belem Lett
Mosman Art Gallery

The Mosman Art Prize is Australia’s premier open painting prize. The prize is open to entrants from all across Australia over the age of 16. Mosman council funds the prize and acquires each year’s winning artwork, forming the basis of the Mosman Art Collection. Now in its 79th year the Mosman Art Prize has provided a historical timeline of contemporary painting practice in Australia.

Images:

Bridie Gillman

Belem Lett

03/08/2026

We are thrilled to announce representation of Melbourne-born, France-based Ces McCully. McCully holds a Bachelor of Contemporary Arts from Deakin University.

Her practice spans painting and sculpture, characterised by a dynamic interplay between abstraction and figuration. Her work explores the psychological and emotional resonances of the human form, often dissolving bodily structures into fluid, gestural fields of colour and line. Through this process, McCully creates compositions that hover between presence and absence, inviting a contemplative engagement with states of vulnerability, intimacy, and transformation.

Working with a distinctive visual language, McCully employs layered mark-making and a nuanced palette to evoke both corporeal and atmospheric sensations. Her paintings frequently suggest fragmented or shifting figures, where boundaries between body and environment become porous. This ambiguity allows for multiple readings, positioning the viewer within a space of emotional and perceptual openness.

Ces McCully