Rancom St Studios

Rancom St Studios Rancom St Studios are traditional style recording studios, combining large open acoustic spaces and Come by for a coffee and check us out.

Rancom Street Studios is a traditional style recording studio combining large open acoustic spaces and vintage analogue equipment with the latest in digital recording technology. Whether it's tracking live bands, mixing or mastering, we tailor the recording approach to the requirements of the artist. The decision to use 24 track analogue tape or Pro Tools is in the hands of the client. We work in

a relaxed, comfortable and private environment with artist facilities including spacious chill zone with a pool table, kitchen and internet access. Founded in 1998, Rancom St Studios was built with equipment from Owner/Producer Garth Porter's impressive collection of vintage tube gear in specially designed rooms in Sydney’s Botany. Just 10 minutes from the airport and ten minutes from the CBD, we have our own secure carpark and easy no-steps load in for you and all your gear.

 in at Rancom St for an epic week of recording! With none other than the very sweet Freddie keeping the team calm and we...
24/05/2026

in at Rancom St for an epic week of recording! With none other than the very sweet Freddie keeping the team calm and well cuddled!

Are you looking for somewhere to record your music? Contact us via email to book in your next recording session and get access to a range of vintage recording gear!
📧: [email protected]

17/05/2026

Back with for day 3, adding the finishing touches to the recording of the new EP! A day spent recording strings and horns in the live room.
Follow to stay up to date with his release

Want to be part of the many artists who have recorded their music at Rancom St Studio? Contact us via email to make your album come to life
📧: [email protected]

03/05/2026

With a mesmerising voice, joins us in the studio to lay down some new tracks for an upcoming album, engineered by and assisted by

Making use of the Neumann M49 on Liam's vocals, and the AEA 44 on saxophone to reject drum spill with the off axis.
If you are wanting your own music recorded in a professional space contact us to make a booking via email
📧: [email protected]

24/04/2026

ANZAC DAY and Rancom St Studios

Herein lies the reason behind the DH 82 Tigermoth propeller that is mounted on the front wall in the Rancom St Studios control room.
It is a tribute to my father, Ivan Alfred Porter.

My dad was born in Hamilton, New Zealand on September 27, 1921. Born and raised in the Waikato, the son of a farmer, just out of Hamilton in Te Kowhai, a dairy farming town.
Dad was accepted into the Royal New Zealand Air Force in 1942. He was 21 years old. He began his training in Ashburton , near Christchurch in the South Island.
He took his first training flight on May 3, in 1943, in a DH 82 Tigermoth, and flew his first solo flight on May 13.

In August, his training continued in Canada in a single engined North American Harvard aircraft.. then in December, trained in the multi engined Avro Anson at Summerside at Prince Edward Island.
From there, across the Atlantic to the UK where he trained at Southrop in May 1944 in Airspeed Oxfords.
In August 1944, he began training in PBY Catalinas, at Killadeas in Northen Ireland…
And finally, he joined RAF 210 Coastal Command Squadron at Sullom Voe on Nov 24, in the Shetland Islands, far north of Scotland, in the bleak North Atlantic ocean.

His first flight on active duty occurred on Jan 6, 1945, as 2nd Pilot on an anti U Boat patrol. Dad eventually flew on more than 36 active duty flights out across the North Atlantic, on long Uboat patrols and convoy escorts until the end of May.
Following the German surrender, dad volunteered to fly Liberator repatriation flights bringing UK troops back home after the war until Aug 30. Dad arrived back in NZ about 20, Dec, 1945, and resumed his diary farming life.

Along with my father, on ANZAC DAY, while watching the sun rise over Bondi Beach RSL Club, I also take pause to remember, my Grandfathers Porter and Bregman who served in the army on The Western Front, and India in WW1, and my Uncle Dick who served in the army in the Pacific in WW2.

A note on the RSS Tigermoth propellor ….
As inscribed on the centre hub…
DH 82, RAAF.1, Gypsy Major.1, LH Tractor, Mar. 1942

What an incredible session with .jazz such brilliant musical minds. It was such an honour to have these beautiful people...
05/02/2026

What an incredible session with .jazz such brilliant musical minds. It was such an honour to have these beautiful people at Rancom St.
Much love ❤️🦕🌻🐤
Recorded by

A couple of years ago I rode a very special wave at RSS... In 2022 the Oils decided to record their final 2 albums here....
21/01/2026

A couple of years ago I rode a very special wave at RSS... In 2022 the Oils decided to record their final 2 albums here. And yes, it was special, very special. I knew the band, but not closely, and the connection of them choosing, and recording at RSS was a big moment for RSS, and me.

I was deeply saddened today when I heard the sad news about Rob.
He was truly a very special drummer, a very special writer, a very special human… Wow... They don’t come any better than Rob.

It was an honour to know him, feel his music, and even though his music shone so strongly, his humility was breathtaking..

This is a sad day for music. And in this cycle of global ego/evil buffoons shaming the human race, Rob’s passing is a sad loss for humanity.

Rob clearly stood for respect, for justice and kindness.
But his memory will shine on, and on, and on, and on, and on.
Thank you, and bless you wonderful man.

An original tube Neumann U47, regarded as one of the best microphones ever. And Rancom St Studios is proud to have one i...
12/01/2026

An original tube Neumann U47, regarded as one of the best microphones ever. And Rancom St Studios is proud to have one in perfect working condition. As microphone manufacturer John Pelham one said, “it’s hard to find an album recorded in the 1950s or 1960s that didn’t have a U 47 on it; the Beatles used the mic’ for almost every track they sang from 1962 through 1970”.

HAPPY NEW YEAR TO THE WORLDWe were all hoping 2025 would deliver a better, kinder, gentler, more peaceful world than it ...
01/01/2026

HAPPY NEW YEAR TO THE WORLD

We were all hoping 2025 would deliver a better, kinder, gentler, more peaceful world than it turned out to be. It was not a happy year for far too many... Even here in Sydney.

And here in 2026 I am sending my best wishes for a more peaceful, kinder and happier world.
And to all our RSS clients, singers, musicians, audio engineers, producers and assistants... Bring on the music, bring on the songs!

Hell yeah.

Garth Porter - Jan 1st, 2026

📸 Bill Risby

 brought  to Rancom St Studios recently. Menchai are described as makers of loud, instrumental mood-prog music that uses...
29/12/2025

brought to Rancom St Studios recently. Menchai are described as makers of loud, instrumental mood-prog music that uses repetition and contrast to build emotional soundscapes.

This year we had a very busy studio. I am blessed to have Blain Cunneen, Dom Corso, Hugh Kirkwood doing their thing, and...
24/12/2025

This year we had a very busy studio. I am blessed to have Blain Cunneen, Dom Corso, Hugh Kirkwood doing their thing, and a special welcome to Amelia Hill to RSS. They do great work to keep the wheels turning.

And to all the clients, and visiting engineers who make so much mighty music at RSS. Thank you.

But this year the Christmas message is not just about making music… This year it goes stronger and deeper than usual.
Bondi Beach is a close neighbour to the studio.
This message goes especially to every soul that paid such a terrible price, and their families and friends.
This message is full of love, of hope and purpose - to everyone...
For a better world, a kinder world, and a gentler world.
Garth Porter 24 Dec, 2025.

Address

Rancom Street
Botany, NSW
2019

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