09/02/2019
Theatrical Review: The Crucible by Arthur Miller
Beenleigh Theatre Group Inc
Directed by Roslyn Johnson
The Crucible. A title that carries prestige. A story that, like most Shakespeare, speaks volumes to this day. A tale of hysteria, propaganda and defending your name. It’s a bold choice to go with this piece, and that’s exactly what Beenleigh Theatre Group Inc. has done in their first season of 2019.
This is a dream project for Director Roslyn Johnston, it shows. Her enthusiasm for the work has translated to a force of nature. Her perfection to the piece shines brightly throughout. This has indeed motivated both her cast and crew to do the same.
The set design was perfect, shorting the stage to make the actors huddle together added to the tension, and the lightening, projections and music also added another level of intensity. A huge thumbs up!
The acting was phenomenal. William Boyd as John Proctor took himself and us on a emotional journey that had you invested from the moment he entered till his final harrowing moments. Louella Baldwin as Abigail Williams played the role in a subtle but brilliant manner. She had the gift of telling her characters story by her actions, more so than her words.
Candice Smee was a marvel to watch, the manner in which she played the conflicted, role of Elizabeth Proctor with such strength was a true highlight for me. Bradley Chapman’s John Hale was a wise performance, his conflict really engaged the audience every time he was on.
Richard Murphy played a brilliant version of Giles Corey. Bringing much needed laughs, then heartbreak. Richard was the perfect choice for the role. John Stibbard as Danforth was a defiant man of the law, playing the role in such a way that the audience couldn’t believe some of the things he said. Whenever you do that, you’ve done your role well. While Jan Nary’s Rebecca Nurse was a touching role portrayed wonderfully.
Every single cast member brought strength to this piece. No matter how long they were onstage, they brought nuisances that helped make them all noticeable. Congratulations to Mel Bobbermien, Dominic Bradley, Leo Bradley, Nicole Duncan, Ken Dutt, Adunni Ekundayo, Maddi Formosa, Simone Healey, Lily and Poppy Mimica, Jason Nash, Levi Rayner, Meg Snieder, Michael Ware and Sarah Wrigley.
When a weighted classic is done well, it lifts the story and commands a new meaning to the play. This production has done just that. I strongly recommend seeing this one. It was better than the professional production I saw years ago. So do yourself a favour, see it. If you love theatre, it’s a must. As I can say it’s been one of the purest and most enjoyable productions I’ve seen in quite some time.