Bayside Ballet Academy

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Bayside Ballet Academy Bayside Ballet Academy is located in the Melbourne bayside suburb of Beaumaris.

A lovely community focused and welcoming dance school.A Cecchetti ballet registered studio that also provides a range of performing arts training in dance and drama. Bayside Ballet Academy is based in the Melbourne bayside suburbs of Beaumaris and Hampton. At BBA we offer a wide range of both recreational and examination based dance classes, teaching a variety of dance styles. We also train students in both the Cecchetti method of classical ballet and the I.S.T.D Imperial Society Teachers of Dancing (UK) syllabus. We offer a Pre-School and Beginner dance program
‘Fancy Pants Dance’ for children aged 3-6 years of age. Our mission at Bayside Ballet Academy is to instill a love of dance and create a positive and encouraging environment for all involved with the academy. Our professionally qualified staff aspire to teach a high standard of dance to students in a safe and correct technical manner.

23/10/2026

So nice for our Senior Cecchetti BAYSIDE BALLET ACADEMY students to celebrate their recent exam success.
Going to watch the The Australian Ballet rehearsal of The Nutcracker with Ms Lydia Lydia Cagney Morris 🩰

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18/10/2026

Well done to our BAYSIDE BALLET ACADEMY Grade 6 students who took part in the Cecchetti Ballet Australia Gala Concert combined ballet performance today.
Thank you also to our supporting parents,students & BBA Principal Lydia Cagney Morris for watching the show today
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20/09/2026

We farewelled Term 3,2026 on Saturday BAYSIDE BALLET ACADEMY 💜💚🖤

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19/09/2026

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Happy National Dance Day! 🩰

The Met's bronze cast of Edgar Degas's "Little Fourteen-Year-Old Dancer" has captivated generations of visitors at the Museum for almost 100 years.

Originally made with beeswax, human hair, fabric, and ballet slippers, it was the only sculpture Degas exhibited during his lifetime and was praised—and criticized—for its striking realism.

After his death in 1917, the sculpture was reproduced in bronze, preserving remarkable details of the original, including the texture of the hair and bodice and even a crack in the dancer’s arm.

In 2018, a new tutu was created to more closely reflect Degas’s original vision, showing how art conservation continues to shape our experience of this iconic work.
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Edgar Degas (French, Paris 1834–1917 Paris), "The Little Fourteen-Year-Old Dancer," modeled 1881, cast 1922, modern tutu. Partially tinted bronze, cotton tarlatan, silk satin, and wood. On view in Gallery 815.

Today is R U OK Day 💛🖤 we acknowledge this important day BAYSIDE BALLET ACADEMY and encourage everyone to check in on a ...
10/09/2026

Today is R U OK Day 💛🖤 we acknowledge this important day BAYSIDE BALLET ACADEMY and encourage everyone to check in on a friend or family member

Our lovely Mini dancers in class BAYSIDE BALLET ACADEMY 💜💚🖤
25/08/2026

Our lovely Mini dancers in class BAYSIDE BALLET ACADEMY
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06/06/2026

Our Minis worked out hard in class today
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So true 💜💚🖤
04/06/2026

So true 💜💚🖤

I don’t usually post about dance teaching anymore.

Most people here know me through Needle en Pointe and my tutu work, but before that, and alongside it, I’ve spent over twenty years teaching ballet. I trained through the RAD syllabus to Advanced 2 and grew up in a very traditional ballet school under my mum, who was a professional ballet dancer herself.

A conversation with her today made me think about something.

I wonder if, as a dance community, we’ve started confusing early achievement with good training.

Social media, and even our local competitions, are full of six, seven, eight, nine and ten year olds doing incredible things. Multiple pirouettes, batterie, complex allegro and advanced vocabulary that would once have been reserved for much older students.

And they are genuinely incredible.

The hours they put in and the dedication they show should never be underestimated.

But I don’t think the best training is necessarily the training that produces the most impressive young children.

I think it’s the training that lays the foundations for the strongest older dancers.

A young child can be taught to reproduce movement. They can learn the shapes, the steps and even very advanced ballet vocabulary. I’ve seen six year olds perform posé turns, pas de chat and beaten jumps beautifully.

But performing something and truly understanding it are not always the same thing.

Real technique, artistry and musicality are built over years. Children’s bodies mature. Their minds mature. Their understanding matures.

There is absolutely nothing wrong with success at a young age, and I think competitions can be a wonderful experience for children. The question, for me, is whether that success is being built on foundations that will still support the dancer years from now.
After a lifetime in dance, I’ve come to believe that the goal isn’t to create extraordinary children.

It’s to nurture extraordinary adults.

So if your child is in a school where the focus is on solid foundations, good values and longterm development, don’t lose heart when you look at social media or the local competition circuit.

Trust the process - you might be exactly where you’re meant to be 💕

Gorgeous photos of  Grade 6 students taken yesterday before the annual Victorian Cecchetti Ballet Convention.So proud of...
25/05/2026

Gorgeous photos of Grade 6 students taken yesterday before the annual Victorian Cecchetti Ballet Convention.
So proud of all our students who took part these past two weeks 💜💚
Thank you and the Victorian team for a very well run event.

Thank you for the photos 💐

Photo of the day 💜💚🖤
16/05/2026

Photo of the day 💜💚🖤

Address

78 Dalgetty Road
Beaumaris, VIC
3193

Opening Hours

Monday 5:15am - 7:30pm
Tuesday 4:15am - 6:30pm
Saturday 9:15am - 2pm

Telephone

+61431252350

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