Artist Christopher Vidal

Artist Christopher Vidal Christopher Vidal is an artist and tutor living in Sydney, Australia. As an artist he expresses hims My love for arts started from when I was very young.

My Story
Born in Malta and migrated to Australia in 2009, currently living in Sydney. For two years I attended The School of Arts at Palazzo de La Salle in Valletta, Malta. After finishing my academic studies I worked as a medical researcher in Malta and Australia. However my innate love for painting remained in me and I used to experiment with various media and techniques, while developing my sty

le. More then ten years ago I started painting in oils and I fell in love with this versatile and dynamic medium. Moving to Australia and traveling around this beautiful country gave me more inspiration and motivated me to start painting more regularly. Since 2012, I've been painting almost every day and exhibiting my work in various art shows in Sydney and surroundings. Artist Statement
The creative process starts with a spark of inspiration about a subject which could be a physical object or else driven by an emotional feeling. My love for the environment and nature through what I see around, inspires me. Trees, mountains and light especially the warm afternoon lights and sunsets are among the most inspiring. The same applies for the sounds of the wind on the oceans and singing birds as well as by the continuous changing in light and weather. My current work mostly consists of Australian landscapes in oils and acrylics. As a style I tend to shift more towards realism however I love to include an element of impressionism in my work. The common perception is that science and art are so different, however from my experience I found out that in reality they have a lot in common. Both share the basic steps of first getting inspired, making a creative plan and finally executing it. For myself painting landscapes bridged my love for science and arts. I find peace in my inner self while immersing myself in the painting process. It is the same kind of feeling I get when I will be visiting remote places and I immerse myself in nature. With my artwork I want to give a message that life in beautiful and we should appreciate every moment. Every second that passes should be precious as we cannot get it back. Unfortunately there is a lot of negativity around us being mostly spread through the media. However in reality a lot more positive things happen in everyday life. People living in cities are so detached from the natural environment and are too busy with everyday life that unfortunately leaves no time for them to think about a deeper meaning of life. I wish that through my artwork people find the opportunity to stop and think while appreciating nature through art.

23/06/2026

The finished painting of the rock formation known as “The Bread Knife “ at Warrumbungles NP
60 x 45cm
Oil on Aluminium Composite Panel

15/06/2026

Painting the rock formation known as The Bread Knife and Warrumbungle NP. Building texture and coloured glazes.

My latest painting of Uluru was staff picked by Bluethumb Gallery.Oil on canvas board 72 x 60 cm      fans
11/06/2026

My latest painting of Uluru was staff picked by Bluethumb Gallery.

Oil on canvas board
72 x 60 cm



fans

A series of photographs depicting the painting process of an aerial perspective of Uluru, commencing with a monochromati...
07/06/2026

A series of photographs depicting the painting process of an aerial perspective of Uluru, commencing with a monochromatic undercoat and progressing to the application of basic colours.

Throughout the artwork's development, adjustments to colour, shape refinement, addition of details, and texturing are made while maintaining an abstract quality.

The painting is in oil on canvas panel 60 x 72cm

Painting rainbows is always a wonderful challenge, and in this latest piece I wanted to simplify the method as much as p...
28/05/2026

Painting rainbows is always a wonderful challenge, and in this latest piece I wanted to simplify the method as much as possible. I focused on reducing both the palette and the number of glazes while still achieving that luminous, glowing effect.

I began with a monochromatic underpainting to establish the overall values and composition. Once dry, I moved on to a coloured block-in. After painting the sky, I applied a thin foundation layer of Cremnitz (lead) white where the rainbows would sit. This transparent white acts as a perfect luminous base.
For the rainbow colours, I limited myself to just three pigments from Old Holland: Manganese Blue, Scheveningen Red Light, and Arylide Yellow. I mixed each colour individually with a small amount of Cremnitz white, then glazed them over the white foundation (which had dried for several days). Using a soft, clean brush, I gently blended the colours from top to bottom with light sweeping strokes.

The final and most important stage was carefully adjusting the sky around the rainbows. By gradually darkening and refining the surrounding clouds and atmosphere through multiple subtle glazes, the rainbows began to glow and appear brighter than everything around them — exactly the magical, transparent effect I was after.

27/05/2026

Started developing the light and later on building texture in the foreground rocks. I build texture over a number of passages using impasto medium and later on glazing, while developing light and shadow.

13/05/2026

One of my latest landscape painting was selected as one of the finalists for Darcy Doyles Art Awards 2026.
The expo will be held at Mudgeeraba, QLD from 19th to 28th June 2026

11/05/2026

Working on this painting of the rock formation know as “bread knife” at Warrunbungle NP. Creating the fist coloured block in, very thin application of paint and rubbing off paint to expose the underpaint.

04/05/2026

Balancing light and shadows, developing form, creating light and detail.

Address

Baulkham Hills, NSW
2153

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