Strange Pulp Relic Archive

Strange Pulp Relic Archive Vintage sci-fi, fantasy, action & horror relics resurrected from the void. A Kaiju Nebula affiliate. Australia.

The photographer behind this Corgi Demon Seed is still unconfirmed—and Alan Pappe stays a lead, not a credit.Here’s the ...
03/09/2026

The photographer behind this Corgi Demon Seed is still unconfirmed—and Alan Pappe stays a lead, not a credit.

Here’s the trail. The parallel 1977 Bantam movie tie-in explicitly states “Cover Photos © 1977 Metro-Goldwyn-Mayer, Inc.” Meanwhile, an archive of seven Demon Seed production photographs survives bearing the stamp of Alan Pappe, MGM’s special photographer on the film; Pappe spent roughly three decades shooting film and music publicity work. What we have not found is a Corgi production record, photo verso or other primary document connecting Pappe to this exact UK paperback package. Until that turns up, our archive credits the film source to MGM and leaves the individual photographer unresolved.

The book is Corgi’s 1977 British paperback, ISBN 0-552-10567-8. The Open British National Bibliography confirms publisher, year and ISBN, while specialist Koontz bibliography identifies the Corgi as the novel’s first UK paperback issue.

And this is the original Demon Seed, not the heavily rewritten version Koontz issued in 1997. He had originally called the manuscript House of Night before Bantam published it as Demon Seed in June 1973. For collectors, that textual split matters: owning the 1970s paperback and the later revision means owning substantially different versions of the novel, not merely different jackets.

The premise is pure early-techno-horror: an artificial intelligence takes control of Susan Harris’s automated home and turns technological convenience into captivity, pursuing a biological future for itself. Four years later Donald Cammell directed MGM’s film adaptation starring Julie Christie and Fritz Weaver, with Robert Jaffe and Roger O. Hirson scripting.

For our files: Corgi → MGM tie-in → unidentified photographer → 1973 original text → 1997 rewrite.

Anybody holding a copyright page or Corgi artwork ledger that cracks the photo credit?

Tim Jacobus wins credit here—and Deep Trouble II catches the Goosebumps machine near the end of its original 62-book run...
30/08/2026

Tim Jacobus wins credit here—and Deep Trouble II catches the Goosebumps machine near the end of its original 62-book run.
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Jacobus had already been working for Scholastic when the publisher handed him the new horror series GOOSEBUMPS in 1991; he often worked from an art director’s synopsis while Stine was still writing, with each assignment moving from rough concepts to finished painting in only a few days.
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R. L. Stine had already spent years in humour publishing before turning hard toward young-reader horror with Fear Street in 1989 and Goosebumps in 1992. The formula became monstrous business: Scholastic records more than 400 million English-language Goosebumps books in print.
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Who else is filing the original Jacobus Goosebumps covers by number?

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David November gets the jacket credit here—a graphic designer whose Asimov trail runs deep through Doubleday♾️His name a...
16/08/2026

David November gets the jacket credit here—a graphic designer whose Asimov trail runs deep through Doubleday
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His name also turns up on Doubleday’s Asimov on Astronomy and Asimov on Chemistry, while The Gods Themselves gives us another documented Asimov/November pairing. Beyond books, designer Dan Miller later remembered working under November when he was an art director in CBS promotions.
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Asimov built the book from seventeen science essays originally published in The Magazine of Fantasy and Science Fiction between September 1959 and June 1966. He reorganized material from four earlier collections, updated outdated details and added explanatory footnotes. The subjects move through counting, number theory, measurement, calendars, biology, astronomy and the Earth.
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Chris Achilleos gets the cover credit here—and this Tandem paperback reaches right back to the beginning of his professi...
15/08/2026

Chris Achilleos gets the cover credit here—and this Tandem paperback reaches right back to the beginning of his professional cover career.

Tandem Books was the publisher that first invited him to show his portfolio to Brian Boyle Associates. After those first commissions he joined the studio full-time, spending two years producing book covers across SF, westerns, horror and other paperback lines.

D. G. Compton—David Guy Compton—was one of British SF’s great chroniclers of human beings trapped inside systems they barely understand. He also published crime fiction as Guy Compton and Gothic novels as Frances Lynch; later recognition included SFWA’s Author Emeritus honour and the 2021 Cordwainer Smith Rediscovery Award.

Farewell, Earth’s Bliss sends convicts and social outcasts to a one-way penal colony on Mars, then turns the machinery of exile toward conformity, prejudice, religion and survival. SFE calls it an unsparing prison-colony novel

Robert E. Schulz gets our cover artist credit here✨Robert Emil Schulz (1928–1978) was an American illustrator whose pape...
14/08/2026

Robert E. Schulz gets our cover artist credit here

Robert Emil Schulz (1928–1978) was an American illustrator whose paperback career ran deep into the postwar racks. He earned an architecture degree from Princeton and studied at New York’s Art Students League; surviving original-art records trace his commissions across science fiction, crime, westerns and magazine illustration from the 1950s into the 1970s. His documented SF credits include Signet’s The Caves of Steel and Ace’s The World Jones Made;

Robert Moore Williams was already a veteran magazine writer, ultimately producing more than 150 stories and later the Jongor and Zanthar sequences. Here, secret agent John Haldane is ordered to discover why people are vanishing into space—and shut down whatever machinery sits behind the disappearances.

H. R. Van Dongen is our cover artist this evening —and this Ballantine original lands in the very year he returned to SF...
13/08/2026

H. R. Van Dongen is our cover artist this evening —and this Ballantine original lands in the very year he returned to SF.
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Henry Richard van Dongen (1920–2010) had already built one formidable career before this book existed. Beginning in 1950, he became a mainstay of Astounding Science-Fiction, producing more than forty covers plus extensive interior work. He left genre publishing in the early 1960s, then returned in 1976 after a conversation with Lester del Rey, beginning another decade of commissions for Ballantine/Del Rey and DAW before retiring in 1987.
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Jack Chalker (1944–2005) produced the fanzine Mirage, founded Mirage Press, and co-created major reference work on specialist SF publishing. A Jungle of Stars was his debut novel, arriving one year before Midnight at the Well of Souls launched the series that would dominate his career.
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The novel begins with Vietnam casualty Paul Carlton Savage, recruited after death into an interstellar war between the Hunter and the Bromgrev, with immortality offered as part of the bargain
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Who has another Van Dongen cover to share?

NO COVER ARTIST credit for Pl***oy Paperbacks’ 1982 Siren🐍Does anyone have any information?🐍Linda Crockett Gray had alre...
12/08/2026

NO COVER ARTIST credit for Pl***oy Paperbacks’ 1982 Siren
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Does anyone have any information?
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Linda Crockett Gray had already entered Pl***oy’s horror racks with Satyr in 1981. Her later bibliography moves through Scryer, Tangerine, Mama’s Boy and Safelight, with Christina Crockett also documented as another publishing name.
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Siren centers on Chris Martin and an extended female family carrying an ancient secret, with Michael Fuller drawn into something considerably older and stranger than the relationship he thinks he understands. The novel mixes supernatural horror with romance.
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Gerald Brom gets the cover credit here—Pocket Star’s 1995 Doom: Hell on Earth💀Brom joined TSR in 1989, becoming closely ...
11/08/2026

Gerald Brom gets the cover credit here—Pocket Star’s 1995 Doom: Hell on Earth
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Brom joined TSR in 1989, becoming closely associated with Dungeons & Dragons and Dark Sun, before returning to freelance work in the mid-1990s. His career then spread through publishing, games, comics and film; he recieved both the Spectrum Fantastic Art Grand Master and Chesley Lifetime Achievement honours.
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Dafydd ab Hugh and Brad Linaweaver wrote four Doom tie-ins together across 1995–96. Ab Hugh—born David M. Friedman—also worked extensively in Star Trek fiction; Linaweaver came to prominence through alternate-history SF before moving through further media tie-ins.
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Who’s got all four original Pocket editions?

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Dean Ellis gets the cover credit here—bibliographic records tie his work to this 1972 Fawcett Crest Naked Sun🌞Ellis (192...
10/08/2026

Dean Ellis gets the cover credit here—bibliographic records tie his work to this 1972 Fawcett Crest Naked Sun
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Ellis (1920–2009) was a Detroit-born American illustrator trained at the Cleveland Institute of Art and Boston Museum School of Fine Art. After Bantam commissioned him for its Ray Bradbury reissues, he became a regular SF-cover presence from the early 1960s into the early ’80s, alongside advertising, magazine and postage-stamp work.
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The Naked Sun was serialized in Astounding from October–December 1956 and published by Doubleday in 1957. It is the second Elijah Baley/R. Daneel Olivaw novel, following The Caves of Steel.
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Peter Elson created this Arrow relic's artwork👽Peter George Elson (1947–1998) trained at Ealing Art College before a sci...
09/08/2026

Peter Elson created this Arrow relic's artwork
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Peter George Elson (1947–1998) trained at Ealing Art College before a science-fiction art competition win kicked his genre career into gear. His name became embedded in British SF publishing through an enormous run of paperback commissions, and his archive now preserves hundreds of surviving works and title connections
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Clarke’s novel emerged from his collaboration with Stanley Kubrick and appeared in 1968, developing ideas from their screenplay work into its own version of humanity’s encounter with an ancient extraterrestrial intelligence, the HAL 9000 crisis and David Bowman’s voyage beyond ordinary human experience.
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