13/05/2026
An audience choice has made the program this year 😉 ❤️
The incredible Haydn ‘Guitar’ Quartet was discovered in Brussels in a collection that contained chamber works attributed to Joseph Haydn for lute and strings. However, scholars later realized these pieces were actually versions of existing Haydn string quartets: the so-called “Lute Quartet in D” corresponds to String Quartet Op. 2 No. 2, and the “Cassation” matches Quartet Op. 1 No. 6.
This edition is arranged by Karl Scheit who argues that Haydn probably did not originally compose these works for lute. Instead, they were most likely arranged by musicians of the time, following a common 18th-century practice of adapting popular chamber music for different instruments. The surviving lute parts appear to have been created by combining material from the violin and bass lines, which caused awkward voice leading and technical problems because the lute sounds an octave lower than written.
For his edition, Scheit returned to Haydn’s authentic string quartet scores and rewrote the lute part so it could be performed effectively on the modern guitar while preserving the structure of the original music. He also notes historical references suggesting Haydn may indeed have written some music involving lute, though no autograph manuscripts have survived.
Ultimately, Scheit believes that since Haydn’s music was performed with lute during the composer’s lifetime, these arrangements deserve continued life in modern performance, including with guitar as the lute’s natural successor. This work will be performed on 18/07 at 3:30pm with our festival ensemble and Danish classical guitarist Simon Thielke!