Loren Kronemyer

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Applecross, WA
Loren Kronemyer

Australian based anti-disciplinary contemporary artist.

27/10/2025

The Q***r Woodchop by Pony Express

Liveworks 2025

Freedom to chop for the love of chopping.

: and

Photos by Peter Darnley-Stuart

Conceptual choppers:
EJ Son
Solly Frank
Cheryn Frost

Commentators:
Rose KB
Ruby Teys .tropicalversion.mp3

Referee: imbi .complexity

Metatechnician: hosting .aiff

Showground Scenography: Rachael Guinness

Axe head of set, uniform, and showbags: Chris Davis

Showground manager: Estelle Gomersall

Curatorial and Producorial saints Kate Britton and Katie Winten

Supported and assisted by .australia and

28/08/2025

The Q***r Woodchop at Liveworks 2025
Sharpen your conceptual art axeheads

Opening Cut Wed 22 Oct, 8pm | Arvo Heat Sat 25 Oct 1pm | Final Chop Sun 26 Oct, 6pm
Carriageworks Foyer | Free

Image:
Originally commissioned by
Assisted by .australia & supported by

Showrunners & Co-creators: Pony Express — Ian Sinclair & Loren Kronemyer (watching from afar)
Conceptual Choppers: Solomon Frank • EJ Son • Cheryn Frost
Commentators: Rose KB • Ruby Teys .tropicalversion.mp3
Referee: imbi .complexity
Showground Scenography: Rachael Guinness
Axe head of set & uniform: Chris Davis
Metatechnician: Hosting .aiff
Showground Manager: Estelle Gomersall

18/06/2025

Materiel World at 🪞

Step 1: Audiences arrive with an offering for our e-waste buyback.
Step 2: We collectively mine 13 grams of copper from the objects.
Step 3: Using available tools, we melt the copper and recast it into a single sculpture of a bullet.

It was a beautiful hour. My first time demonstrating this process from start to finish, operating my own switching while metatechnician worked the forge.

Thank you to everyone who was helped.

Metatechnician: .aiff
E-Waste Scrutineer:
FOLA Co-Artistic Directors: and
Photos from David St George

Tāmaki Makaurau / Auckland for your beautiful hearts.

Lutruwita development collaborators:
Armourer: Wes Miles
Co-Conspirator:
Videographer:
Legal Department:

With support from:

australia

25/09/2024

is a one of a kind arts organisation the supports year-round creative explorations and a biennale festival on the west coast of lutruwita Tasmania.

As an artist exploring the power of experimentation, worldbuilding, and artistic agency, I have a passionate and visceral connection to this project.

I have grown up creatively alongside , having the privilege of working with the team, , and other West Coast collaborators in many configurations over the years.

These people have been my role models as I’ve developed my practice, so it’s my honour to be invited into the role of Artistic Director of The Unconformity.

This is the culmination of many years and immense teamwork in my world, and is the start of many adventures to come. Thanks for everyone who has helped me learn and encouraged me 🪨 Let’s continue to see what art can do.

24/09/2024

My fifth year as coordinator, director, garden intern, pollinator curator, snail mail carrier, and ute install technician

Slide 1: and White Field, photo by
Slide 4: E.O. Greensticks
Slide 5:
Slide 6:
Slide 7:
Slide 8: , photo by ._
Slide 9: .mr.friend, photo by
Slide 10: , photo by .amybrown
Slide 11: and Yumemi Hiraki open studio, photo by ._

23/09/2024

Even the most vivid photos can’t capture the memories of my time curating the Field Trip project for The Forest Congress with this year.

This was a wild test of my fundamental belief in art’s power to negotiate ecological diplomacy. We shepherded a small group of forest-thinking leaders across the state to encounter the earth, each other, and a wild array of experiences across 72 hours.

Across sites of old growth, harvest, and regrowth, this road trip included pine plantation archery, a tall-tree collective time capsule with and , a bonsai bunker with , the healing steams of , the stochastic poetics of , and many more details and emergent iterations across every morsel and moment. A pleasure always to act as amenuensis for and collaborate with the Mona and Forest Congress team including Marissa Tremain and Magdalena Lane. I can’t tag every delegate, but thank you especially to Uncle Jim Everett for your role in this conversation (and for this incredible photo).

Images courtesy of Museum of Old and New Art and Forest Congress, photography by .

18/09/2024

E-WASTE BUY-BACK

OPEN studio with Loren Kronemyer and

1. You are invited to exchange your e-waste for inclusion in a contemporary conceptual artwork:

SCREENS - PHONES - COMPUTERS
POWER CABLES – SOUND CABLES COMPUTER SPEAKERS – REMOTE CONTROLS

2. ALL MATERIAL SUITABLE FOR RECYCLING WILL BE EXCHANGED FOR (1) PIZZA PER PERSON. RECYCLING SESSIONS OCCUR VIA APPOINTMENTS TEN MINUTES IN DURATION, WITH BOOKINGS ESSENTIAL.

CANNERY ARTS CENTRE, bookings available from 4.00 p.m. ON FRIDAY, 27th. SEPTEMBER.

Late entries will not be included.

DM for RSVP link 🍕 🔗 🛰️

16/09/2024

“The case was heard at the Tasmanian Civil and Administrative Tribunal (TASCAT) in April. On the day of the hearing, Kirsha arrived at the grim civic building in central Hobart with a bevy of women in navy skirt-suit sets. They’d prepared a little performance. Inside, one woman, Loren Kronemyer, in the role of “Art Historic Counsel,” consulted from an enormous, teetering stack of feminist art historical texts during the proceedings. And every ten minutes or so, the group would move very slowly, in complete synchronicity—lean forwards, shift backwards, apply lipstick, cross legs, uncross legs. “It was very physically challenging,” Kirsha told me. Each time they moved, the swishing sound of pantyhose touching pantyhose would fill the room.”

in the profile of the fearless , “Tasmanian Angel” for

It’s been a privilege to serve as Art Historic Council on this groundbreaking case. Art is subjective, complicated, fraught, fallible, and uncomfortable, but I have mostly sought to answer one question: is it legally defensible?

Q+A below, but in the style of a live-art post-trial press-conference 💄

Photos by courtesy of

14/09/2024

Started off the year with legends .is.serious.mum at the irreplaceable 👽

These masters of chaos never perform unless there is other nonsense to share the stage with. In their wisdom, invited me to direct this nonsense. So I designed , delivering a conference on stage at a rock gig for my captive audience.

Comment 🪽 if you’re an angel investor.

Slides from foremost .ppt conceptual artist

Incredibly stoic fake audience including
Wes Milesmaria.foster

aiff

Edwina Blush

Producing assist from Assembly 197.

Image courtesy of Mona Foma, Museum of Old and New Art. Photographer

21/11/2023

⭐️ welcome to granada ⭐️

maria.foster aiff

Emeka Ogboh

price.music

musician

The Two Cathies _

18/10/2023

This week I’m in Queenstown delivering new work for the remarkable festival.

It’s been a pleasure to mentor artist during the creation of her work Paradise, where she has made over 1000 pressed flowers using centuries-old couture technology.

“The artist is inviting you to take what you want. This can be taking a piece of the work using these scissors, or taking your time in another way. The interpretation is up to you.”

Thank you .197 for being a home for visionary works in development, which has supported Clara and I, and for producing and gardening with us.

Thank you to our supporting partner for this event

Come along to see the show if you’re on the west coast before it gets snipped away:

Thursday 19th Oct- Saturday 21st
10am-7pm
Sunday 22nd
10am-2pm

11/07/2023

Last week to catch my work in ‘Oblique Politics’ at 👼

Curated by alongside .chappell

📸:

Address

58-60 Duncraig Road
Applecross, WA
6153

Website

http://lorenkronemyer.com/

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