Christine Koenig Galerie

Christine Koenig Galerie Christine König Galerie was founded in 1989 in Vienna. In the last decades art has become a dominant field of action and discourse.

The gallery represents a variety of internationally recognized artists and works simultaneously with a decidedly younger generation of upcoming artists. The gallery's program and its selection of the artists reflects the central concerns of Christine König: Politics and activism, feminism, literature, as well as post-conceptual approaches. Visual arts can help develop an understanding for socio-po

litical and cultural processes of change. In a highly stimulating and productive climate, galleries have assumed the role of intermediaries, making a preliminary selection and using their intellectual resources in a responsible way to back and promote certain positions and artists vis-à-vis collectors. An important focus of the gallery is entering into a dialogue with the public and engaging in art discourse: Until 2006 artists, curators, architects and philosophers talked about their work in weekly Lunch Lectures, since 2008 this tradition has been continued in the CONVERSATION series, taking place in irregular intervals. Together with three other galleries, Christine König changed its location to Schleifmühlgasse in 1999. Along with Eschenbachgasse and Seilerstätte, Schleifmühlgasse has become one of the central sites for contemporary art in Vienna. The gallery is located in the immediate vicinity of the Secession, Kunsthalle Karlsplatz, Wien Museum, Museumsquartier and Naschmarkt. KOENIG2 by_robbygreif opened in 2017 as the Christine König Galerie's project space just around the corner of the main space. It focuses on young and experimental positions. KOENIG2 follows the criterion of only inviting artists who have never before exhibited in Vienna or to whom it would like to provide a special platform to create a site-specific installation for its nearly cubical room. Ever since its founding, the gallery has participated in the leading international art fairs (e.g. ARCOmadrid, artgenève, Artissima, artmonte-carlo, Art Basel, art berlin, Art Brussels, ART COLOGNE, Art Dubai, Art Rotterdam, Code Art Fair, cosmoscow, Independent Brussels, PARALLEL VIENNA, SPARK Art Fair Vienna, The Armory Show, viennacontemporary). Artists of the gallery are regularly featured in exhibitions such as documenta, Manifesta or the Biennials in Venice, Berlin or Moscow. The gallery has placed works in the collections of the most important Austrian museums (mumok, Albertina, Belvedere, Wien Museum or Museum der Moderne Salzburg), the collections of prestigious international institutions (such as MoMA, Tate Modern, Reina Sofia, Centre Pompidou, Moderna Museet), as well as in numerous private collections all over the world.

Christine König Galerie is pleased to announce that Martin Gabriel are the winners of the prestigious paper unlimited. ...
24/06/2026

Christine König Galerie is pleased to announce that Martin Gabriel are the winners of the prestigious paper unlimited. for Contemporary Graphic Art in 2026!

With their work O.T./Tableau Nr. 10 from the series On Inscriptions the artist duo explores the representability of knowledge and the role of drawing in scientific contexts. The starting point is Bruno Latour’s text “Visualization and Cognition: Drawing Things Together,” which describes “immutable mobiles” as central visualization strategies. The work combines a relief of the Parthenon frieze with abstracted forms derived from traced plaster casts of plastic packaging, which can be interpreted as everyday ornaments.

PAYER GABRIEL consists of Austrian artists Micha PAYER, born in 1979 in Wolfsberg, and Martin GABRIEL, born in 1976 in Linz. They studied at the School for Artistic Photography, at the Academy of Fine Arts Vienna under Renée Green and Marina Gržinić, and at the University of Applied Arts Vienna under Brigitte Kowanz. They live and work in Vienna.

The works created collaboratively by the artist duo PAYER GABRIEL are based on scientific publications—often antiquarian books—as well as images from the internet, photographs, and private archival material. Their particular interests lie in the natural sciences, as well as philosophy and psychology. Executed with meticulous precision in coloured pencil and graphite, their drawings bring together different realities in complex visual structures that unfold as kaleidoscopic networks of images. (quoted after Antonia Hoerschelmann, ALBERTINA Museum Vienna)
Images:
PAYER GABRIEL, 2026
&
PAYER GABRIEL
O.T./ Tableau No 10 from the series On Inscriptions, 2024
&
PAYER GABRIEL
The Absence of Nothingness, 2025
107 x 151 cm
pastel, coloured pencil and pencil




Exhibition views are online and our show Andreas DUSCHA | Eigengrau is open Wednesday - Friday 11 am - 6 pm and Saturday...
17/06/2026

Exhibition views are online and our show Andreas DUSCHA | Eigengrau is open Wednesday - Friday 11 am - 6 pm and Saturday 11 am - 4 pm Christine König Galerie 🐱🩵🐒💛

In the exhibition Eigengrau, explores the sensitive boundary between physiological stimulus and cultural construction. The title refers to the shade of gray the eye perceives in complete darkness, which for DUSCHA is a model for our contemporary visual cultures: images not only document the world, they create the epistemic orders through which reality becomes visible in the first place.
This is Andreas DUSCHA’s fourth solo exhibition at the Christine König Gallery and, as is often the case in his artistic practice, operates as a complex apparatus of perception. In three thematic rooms, the artist questions the disintegration of photographic evidence, the erosion of authorship, the fragility of social orders, and the ambivalence of algorithmic image production. From the demolition of modernist architecture to AI-generated synthetic auras and the historical weavers‘ revolts, which are interpreted as precursors to our technological present, DUSCHA creates a panorama of loss of control and visual instability.
A new permanent facade installation KOENIG2 by_robbygreif translates historical thieves‘ cant into a narrative sign system of the art market, thereby condensing questions of visibility and economic power on an architectural level.
Eigengrau is an exploration of the afterimages of cultural realities and the liminal moments where documentation tips into myth, visibility into blindness, and control into dissolution.
(Valentina Schatzer, 2026)
Images: Exhibition views Andreas DUSCHA | Eigengrau, Christine König Galerie, Vienna 2026, Photos:


valentinaschatzer


We are deeply saddened by the passing of Elfie SEMOTAN 🖤 A visionary photographer, a keen observer of beauty, and one of...
07/06/2026

We are deeply saddened by the passing of Elfie SEMOTAN 🖤

A visionary photographer, a keen observer of beauty, and one of the most influential artistic voices of her generation, she shaped the visual language of contemporary photography with remarkable sensitivity and intelligence.
We feel especially grateful to have only recently shared her work as part of the duo exhibition Rebecca BRODSKIS & Elfie SEMOTAN | somewhere we were (4 Dec 2025 - 7 Feb 2026).

Our thoughts are with her family, friends, and all who admired her remarkable work.

Images: and Elfie SEMOTAN, December 2025
&
Exhibition views Rebecca BRODSKIS & Elfie SEMOTAN | somewhere we were, Christine König Galerie, Vienna 2025, Photo:

VERY much looking forward to our upcoming openings and excited to announce the expansion of  🗝️🪏🐣🪜👨🏻‍🚒🪚👷🏼‍♂️🛠️Thursday, ...
03/06/2026

VERY much looking forward to our upcoming openings and excited to announce the expansion of 🗝️🪏🐣🪜👨🏻‍🚒🪚👷🏼‍♂️🛠️

Thursday, June 11, 2026
6 - 9 pm

Andreas DUSCHA | Eigengrau
In the exhibition Andreas DUSCHA | Eigengrau, the artist explores the sensitive boundary between physiological stimulus and cultural construction. The title refers to the shade of gray the eye perceives in complete darkness, which for is a model for our contemporary visual cultures: images not only document the world, they create the epistemic orders through which reality becomes visible in the first place. (…) (Text: , 2026)
+
Erwin KNEIHSL | almost
(…) Kneihsl, born in Vienna in 1952 and educated there as a photographer in the late 1960s at “Höhere Graphische Lehr- und Versuchsanstalt” (Higher Federal Institution for Graphic Education and Research), moved in the 1970s to Berlin where he was active as a performer, painter and film-maker, collaborated with authors and other artists, and co-founded the legendary Club SO36 in Kreuzberg. At the latest at the end of the 1990s, he dedicated himself to photography again, and on the basis of thorough research produced extensive series, which in part were presented in handcrafted artist’s books. Against this background, the essentials of Kneihsl’s work developed: a virtuoso deployment of classical craftsmanship and a connection to particular avant-garde movements, from Constructivism and Surrealism up to Punk. (Text: , 2026)

joint evening together with , ,

Images:
Andreas DUSCHA
Red Road, 2026
b/w photography on baryta paper
210 x 240 cm
+
Erwin KNEIHSL, 2026





Thomas Hartmann’s library Untitled (2023, oil on canvas, 130 x 150 cm) is still on view tomorrow from 11 am - 6 pm withi...
02/06/2026

Thomas Hartmann’s library Untitled (2023, oil on canvas, 130 x 150 cm) is still on view tomorrow from 11 am - 6 pm within the artist’s solo show ‚Die Republik der Bücher‘ 📚!

’s paintings revolve around books and archives. A “zoo of literacy.” A hymn to the transmission of narratives, reports, and texts. The colours he uses, the blurring effects, the painterly means themselves surpass the books as they are actually stored in libraries and repositories.
Again and again, new perspectives emerge. The world of books appears both as towering architecture and as a flattened, sprawling Tower of Babel. The deeper the viewer immerses themselves in HARTMANN’s collection of images, the more the books reveal a life of their own: “because books are sufficient unto themselves.” They do not grow lonely when they have no readers. (quoted from an as yet unpublished text on Thomas HARTMANN by Alexander KLUGE, 2021)




HEUTE - Samstag, 30. Mai, 13 UhrMusikperformance, Artist Talk und Gesang 🌸🫶🏼🧊Im Rahmen der Ausstellung Mojé ASSEFJAH | B...
30/05/2026

HEUTE - Samstag, 30. Mai, 13 Uhr
Musikperformance, Artist Talk und Gesang 🌸🫶🏼🧊

Im Rahmen der Ausstellung
Mojé ASSEFJAH | BLÜTE UND NACHTIGALL گل و بلبل

Lieder, die .assefjah seit ihrer Kindheit begleiten, bilden den Ausgangspunkt dieser musikalischen Darbietung. Texte, inspiriert von den Gedichten der persischen Dichter Vahshi Bafqi (16.Jhdt) und Omar Khayyam (11.Jhdt) und traditionelle Folklore Klänge.

Poetische Erzählungen - Helmut Geier an der Gitarre, Mojé ASSEFJAH Gesang - über die Geliebte, deren Anmut einer Blüte gleicht, über Weggefährten, über Hochmut und Fall sowie über mystische Orte innerer und äußerer Reisen.

Christine KÖNIG | CHAPTER III: DAS BILD UND SEIN BUCH
Schleifmühlgasse 1 | 1040 Wien
Ausstellungsansichten Mojé ASSEFJAH | BLÜTE UND NACHTIGALL, Christine KÖNIG | CHAPTER III, Fotos: .havranek





Join us this afternoon for the VIENNA PREMIERE of CORE DUMP by , taking place within  🎥CORE DUMP records the state of a ...
27/05/2026

Join us this afternoon for the VIENNA PREMIERE of CORE DUMP by , taking place within 🎥

CORE DUMP records the state of a computer’s working memory at the moment of a system crash. Alona Rodeh translates this digital act of revelation to a CGI desert where swarms of drones hunt for electronic waste. As part of her CITY DUMMIES series, she uses a game engine to stage a hyperreal climate fiction. Between e-waste politics and modern warfare, the work reflects on siege, ruins and a system that has already failed.

WEDNESDAY
27/5
17:30
METRO Historic Auditorium, Johannesgasse 4, 1010 Vienna
&
THURSDAY
28/5
14:00
mumok cinema
Alona RODEH
CORE DUMP
Germany 2025, 6 min
Animation: Rachid Moro Cinematography: Rachid Moro Other: Eagle Wu Production: Alona Rodeh Sound: Daphna Keenan





Donnerstag, 28. Mai, 18 Uhr 🥳Aus der Serie CONVERSATIONS:Johanna & Helmut KANDL, Maruša SAGADIN und Cornelia OFFERGELD i...
26/05/2026

Donnerstag, 28. Mai, 18 Uhr 🥳

Aus der Serie CONVERSATIONS:
Johanna & Helmut KANDL, Maruša SAGADIN und Cornelia OFFERGELD im Gespräch über Kunst im öffentlichen Raum

Im Gespräch widmen sich Johanna & Helmut KANDL, Maruša SAGADIN und Cornelia OFFERGELD den vielfältigen Möglichkeiten und Herausforderungen von Kunst im öffentlichen Raum. Ausgehend von ihren jeweiligen künstlerischen Praktiken diskutieren sie Fragen von Sichtbarkeit, gesellschaftlicher Teilhabe sowie dem Verhältnis von Architektur, Urbanität und künstlerischer Intervention.
Images:
Johanna KANDL, „Be a mensch“, 2024
Wandgestaltung für den 2024 fertiggestellten und nach Willi Resetarits benannten Gemeindebau in der Laxenburger Straße, 1100 Wien, Fotos: Michael Michlmayr, Hertha Hurnaus
&
Maruša SAGADIN, Speak More Truth, Eat More Fruit, 2025, Foto: /
&
Cornelia OFFERGELD, Foto: Thomas Kreuz





We are happy to welcome you at this year’s  💛🍐💙Villa RóżAleja Róż 100–556 Warsaw, PolandThursday, May 21: 4 - 7 pmFriday...
21/05/2026

We are happy to welcome you at this year’s 💛🍐💙

Villa Róż
Aleja Róż 1
00–556 Warsaw, Poland

Thursday, May 21: 4 - 7 pm
Friday, May 22 until Sunday, May 24: noon - 7 pm

Marion BARUCH | Olaf HOLZAPFEL | Tobias IZSÓ | Nikita KADAN | Radenko MILAK | Alona RODEH | Maruša SAGADIN
Views Christine König Galerie @ Art Warsaw Villa Róż, Photos: Joanna Wilk





kadan


Excited about the upcoming edition of .at and happy to announce our curator  🥳: 👏🏻 Max DAX, born in 1969, explores the c...
20/05/2026

Excited about the upcoming edition of .at and happy to announce our curator 🥳:

👏🏻 Max DAX, born in 1969, explores the complex relationship between art, music, and pop culture as a curator and writer. His group exhibitions, including HYPER! - A Journey into Art and Music (2019) at the Deichtorhallen Hamburg and Black Album / White Cube (2021) at the Kunsthal Rotterdam, as well as numerous solo exhibitions featuring artists such as Thomas Scheibitz, Radenko Milak, Bettina Scholz, Max Frintrop, Armin Linke, Alexander Kluge, Emil Schult, Caroline von Grone, and Lucia Margarita Bauer, are characterized by a deep-seated desire for understanding and reflection. Artist dialogue plays a central role in his work, serving as a dialogical tool for both research and communication.

Under the theme »LOVE« .at festival will open in Vienna on 11. - 13. September and continue until 17. October 2026.

Founded in 2009 as a platform for artistic exchange, funded by the city of Vienna and led by its galleries, curated by is a unique initiative celebrating artists while fostering international critical discourse. Rooted in collaboration among galleries and taking the form of a city-wide festival, curated by provides exceptional exhibitions and an encompassing experience of Vienna and its galleries, welcoming numerous visitors from around the world to the city.

Learn more about this year’s topic, the participating galleries, and curators on the official curatedby.at website.
fotocredit: © 2025 lucia margarita bauer und nicholas mockridge





Adresse

Schleifmuehlgasse 1a
Wien
1040

Öffnungszeiten

Dienstag 11:00 - 18:00
Mittwoch 11:00 - 18:00
Donnerstag 11:00 - 18:00
Freitag 11:00 - 18:00
Samstag 11:00 - 16:00

Telefon

+43 1 585 74 74

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Christine Koenig Galerie erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

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