14/04/2026
MAXIMILIAN BEER IS CONCERTMASTER OF THE GUSTAV MAHLER JUGENDORCHESTER
MAXIMILIAN BEER, born in Berlin in 2003, has won the audition for the concertmaster position of the GUSTAV MAHLER JUGENDORCHESTER.
A prominent jury chaired by Prof. HELMUT ZEHETNER, Head of Strings of the GMJO and former member of the Vienna Philharmonic / Wiener Philharmoniker, and with Prof. HUBERT KROISAMER, also Vienna Philharmonic / Wiener Philharmoniker, and FRANZ-MARKUS SIEGERT, rso.wien, has chosen Maximilian Beer from a total of 14 admitted candidates in the first round and 6 candidates in the second round, during an intense audition day at our partner university MDW - Universitรคt fรผr Musik und darstellende Kunst Wien.
Previously a member of the GMJO himself (2023), Maximilian Beer was educated at the Musikgymnasium Carl Philipp Emanuel Bach, where he studied as a pre-college student under Prof. Stephan Picard and Prof. Tomasz Tomaszewski. He began his bachelorโs studies with Prof. Sarah Christian and Prof. Friederike Starklo๏ฌ at the hmdk_stuttgart.
Since 2025, he has been studying at the hannseislerberlin with Byol Kang. He is a multiple first-prize winner at jugend_musiziert and the winner of the Stockholm International Music Competition.
He gained orchestral experience with, among others, the bjo.deutschland (German National Youth Orchestra), the Schleswig-Holstein Festival Orchestra, and the Gustav Mahler Jugendorchester.
In the 2023/24 season, Maximilian Beer was an intern with the SWR Symphonieorchester and performed with the hr-Sinfonieorchester - Frankfurt Radio Symphony and the staatsorchesterstuttgart under conductors such as Sir Simon Rattle and Kirill Petrenko. Since 2025, he has been an Academist at the Deutsches Symphonie-Orchester Berlin (DSO Berlin).
Maximilian Beer plays a violin by Tomaso Eberle (1770).
Bravo and welcome (back) to the GMJO, dear Maximilian! We are very much looking forward to working with you.
And a great bravo to all other candidates and finalists, too! The level of this concertmaster audition was very high.
Photo credits:
Deutsche Stiftung Musikleben, Jann Wilken; Archiv GMJO