Catapult Contemporary

18/06/2026

Camouflage curtains tied to pine trees. Ear-shaped sculptures on metal trusses. Silicone faces pressing through a draped table from underneath.

𝓚𝓪𝓽𝓱𝓪𝓻𝓲𝓷𝓪 𝓑𝓾𝓼𝓵 𝓚𝓪𝓽𝓱𝓪𝓻𝓲𝓷𝓪 𝓑𝓾𝓼𝓵 site-specific installation Nothing Up My Sleeve (2026) at PaltzBiënnale transforms a clearing on Landgoed De Paltz into a theater nobody commissioned , built from agricultural plastic, polyurethane foam, silicone, acrylic spray, pollen, and wood.

A play between military camouflage and theatrical staging, between the history of this landscape and the uncanny present. PaltzBiënnale 2026 Landgoed De Paltz, Paltz 3, Soest (NL) Through June 21 — Sat & Sun 11:00–18:00

Curated by Cecilia Rebergen & Veronique Hoedemakers

Photo: Robin Meyer
Courtesy the artist and PaltzBiënnale

Full article at catapult-platform.art link in bio. Catapult Contemporary

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03/06/2026

Ader - copper wires as colonial residue. Kaja Clara Joo’s installation at traces what happens when family heirlooms, rare earth politics, and a 90s gold-collection campaign run through the same conductive substrate.

The title references Aderleitung, concealed electrical cables, vein lines buried beneath urban surfaces. What Joo builds from this is not a metaphor but an infrastructure: a broadcasting station where past and present transmit through the same material.

Last days. 다시 : DASI closes 5 June. Full article → link in bio.

📸 Kaja Clara Joo, 2026

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02/06/2026

01/06/2026

Can a painting prove it has hands? Super Future Kid says yes and she’s been correcting the record for years. The paintings are made by hand. The drips stay. The brushmarks stay. The raw canvas stays. Nothing is smoothed away.

Super Future Kid moved from New York back to rural Germany, found a ceramics class, bought a kiln, and stopped painting for an entire year. What came out of that year: Dirt Spirits, a body of ceramic work and a clearer understanding of why the painting matters. „I am a human being and I want that to be apparent in my work.“

The full interview is live on Catapult Contemporary. Link in bio.

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28/05/2026

A small reed house floats on the lake at Skt. Hans Psychiatry in Roskilde.

Inside: a yellow foam cocoon, drawn first on paper during a hospital visit for a friend who had lost the use of speech.

It is the only work in the exhibition visible around the clock. It will be burned when the show closes.

Curated by:

Olivia Rode Hvass , She listens but she can’t speak
Museet for Samtidskunst, Roskilde
15 March — 07 June 2026

Full piece on Catapult: link in bio.

📍 Kurhusvænge 3, 4000 Roskilde
📸 courtesy the artist and the museum

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26/05/2026

A form doesn’t die. It comes back different.

At Bildraum 07 Vienna, Ernst Koslitsch’s Cosmic Trigger – Respawn turns used formwork timber into a system of return, displacement, and altered survival.

The material has already had a life before entering the studio: poured against, marked, removed, discarded. In Koslitsch’s hands, it does not become nostalgic residue. It becomes active again. Cut, recombined, suspended between sculpture, figure, fragment, and sign.

The exhibition borrows its logic from gaming: the respawn, the moment something returns after elimination, slightly changed, still in motion. Here, that idea becomes sculptural. Nothing asks to be final.

Curated by Katharina Hoffmann, Cosmic Trigger – Respawn is on view at Bildraum 07, Vienna, through 27 May 2026. Curated by Katharina Hoffmann

Artist: Ernst Koslitsch
Exhibition: Cosmic Trigger – Respawn
Venue: Bildraum 07, Vienna
Curator: Katharina Hoffmann
Photography: Eva Kelety | © Bildrecht, Wien 2026 -

Read the full feature on Catapult. Link in bio.

25/05/2026

Munchies Art Club is now Catapult Contemporary.

Same archive, same people, new name.

Everything else stays. → catapult-platform.art

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