Munchies art club

03/06/2026

Ader - copper wires as colonial residue. Kaja Clara Joo’s installation at traces what happens when family heirlooms, rare earth politics, and a 90s gold-collection campaign run through the same conductive substrate.

The title references Aderleitung, concealed electrical cables, vein lines buried beneath urban surfaces. What Joo builds from this is not a metaphor but an infrastructure: a broadcasting station where past and present transmit through the same material.

Last days. 다시 : DASI closes 5 June. Full article → link in bio.

📸 Kaja Clara Joo, 2026

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02/06/2026

01/06/2026

Can a painting prove it has hands? Super Future Kid says yes and she’s been correcting the record for years. The paintings are made by hand. The drips stay. The brushmarks stay. The raw canvas stays. Nothing is smoothed away.

Super Future Kid moved from New York back to rural Germany, found a ceramics class, bought a kiln, and stopped painting for an entire year. What came out of that year: Dirt Spirits, a body of ceramic work and a clearer understanding of why the painting matters. „I am a human being and I want that to be apparent in my work.“

The full interview is live on Catapult Contemporary. Link in bio.

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28/05/2026

A small reed house floats on the lake at Skt. Hans Psychiatry in Roskilde.

Inside: a yellow foam cocoon, drawn first on paper during a hospital visit for a friend who had lost the use of speech.

It is the only work in the exhibition visible around the clock. It will be burned when the show closes.

Curated by:

Olivia Rode Hvass , She listens but she can’t speak
Museet for Samtidskunst, Roskilde
15 March — 07 June 2026

Full piece on Catapult: link in bio.

📍 Kurhusvænge 3, 4000 Roskilde
📸 courtesy the artist and the museum

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26/05/2026

A form doesn’t die. It comes back different.

At Bildraum 07 Vienna, Ernst Koslitsch’s Cosmic Trigger – Respawn turns used formwork timber into a system of return, displacement, and altered survival.

The material has already had a life before entering the studio: poured against, marked, removed, discarded. In Koslitsch’s hands, it does not become nostalgic residue. It becomes active again. Cut, recombined, suspended between sculpture, figure, fragment, and sign.

The exhibition borrows its logic from gaming: the respawn, the moment something returns after elimination, slightly changed, still in motion. Here, that idea becomes sculptural. Nothing asks to be final.

Curated by Katharina Hoffmann, Cosmic Trigger – Respawn is on view at Bildraum 07, Vienna, through 27 May 2026. Curated by Katharina Hoffmann

Artist: Ernst Koslitsch
Exhibition: Cosmic Trigger – Respawn
Venue: Bildraum 07, Vienna
Curator: Katharina Hoffmann
Photography: Eva Kelety | © Bildrecht, Wien 2026 -

Read the full feature on Catapult. Link in bio.

25/05/2026

Munchies Art Club is now Catapult Contemporary.

Same archive, same people, new name.

Everything else stays. → catapult-platform.art

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20/05/2026

One of the most mysterious themes in classical Greek theatre is that children are predestined to pay for the sins of their parents.”

Pier Paolo Pasolini, *Unhappy Youth*, 1975

In *Els joves infeliços / Unhappy Youth*, Joan Pallé transforms goth aesthetics, black metal gestures, burnt-out symbols, and fragile bodies into a portrait of a generation fully aware of the systems surrounding it, yet unable to fully escape them.

Curated by at , the exhibition can be visited until 24.05.2026 in Lleida, Spain.

Photography by Roberto Ruiz
Images courtesy of Centre d’Art La Panera
Additional images via

Read the full feature on Catapult, the new Munchies Art Club.

19/05/2026

Recognition is not the same as understanding.
At TAXISPALAIS Kunsthalle Tirol, Ramesch Daha transforms historical postcards, archival fragments, and erased narratives into a precise confrontation with Austria’s constructed self-image.

“Mein Österreich” moves through blueprint murals, concentration camp mappings, archival paintings, and video installation, tracing the distance between collective memory and what remains unspoken. What first appears familiar slowly reveals itself as fragile, selective, and deeply political.

Curated by Nina Tabassomi, the exhibition unfolds inside a former Habsburg post office in Innsbruck, a space once built to circulate images across an empire, now reactivated as a site of reflection, repetition, and historical return.

If you are around Innsbruck, this is a show that stays with you long after leaving the space.

“Mein Österreich”
March 14 – June 7, 2026
TAXISPALAIS Kunsthalle Tirol, Innsbruck

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Catapult – the new Munchies Art Club

Courtesy the artist and TAXISPALAIS Kunsthalle Tirol
Photos: Vincent Entekhabi, Günter Kresser

18/05/2026

Aziya , Artist in Focus, by Catapult Contemporary

Between reflection and displacement, Aziya’s paintings move through figuration, still life, and interior landscapes where identity never fully settles into place. Working across airbrush, acrylic, and oil on linen, her works hold a quiet psychological tension: smooth surfaces, restrained gestures, and figures that seem caught between self-image and projection.

Born in Almaty, Kazakhstan and based in Prague, Aziya’s practice explores femininity, memory, perception, and the instability of reflection through carefully constructed painterly worlds.

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15/05/2026

Two words from two places that shouldn’t share a vocabulary. One carries war memory and collective shame. The other describes what wind and water leave behind on a coastline.

Dino Cama and Rune Lambrecht .lambrecht made a whole exhibition from that collision, paintings on raw wood, sculptures in clay and found material, a wall covered floor to ceiling with accumulated image. Curated by Jonas Ojczyk .ojczyk

GRIHODDA Gallery Fusion , Vejle. Through May 17.

📷 Jonas Ojczyk + Sofus Graae

Review by Catapult Contemporary

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