Kauae Raro Research Collective

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Kauae Raro Research Collective our pursuits are made possible through the fruits of Papatūānuku, Hinetūparimaunga, Hineukurangi and

How are we going to fall in love with the world if we don’t pick berries?” — Robin Wall KimmererWe agree. Conservation, ...
08/10/2026

How are we going to fall in love with the world if we don’t pick berries?” — Robin Wall Kimmerer

We agree. Conservation, is a Western philosophy, that has separated people from land both physically and spiritually.

One way this happened was through the creation of “reserves” and “national parks” in the name of ecological protection and restoration. This comes with rules and regulations around harvesting our native species. And did you know under the Wildlife Act 1953, the Crown claims ownership of all wildlife except unprotected species? Funny that lol.

We remember hearing Dayle Takitimu say at a conference:

“Scenic reserves are the Crown saying if we want to preserve the look of something we have the right to take it. It’s the empire acquiring territory.”

Conservation doesn’t account for the relationship Indigenous peoples have with the land. For us, we need her just as much as she needs us.

If we are going to uphold our responsibilities and obligations to nature, we have to first have a relationship with her, we have to fall in love.

So go outside.

Feel the mud between your toes.
Pick some kawakawa for a cup of tea.
Go for a swim in the awa.
Gather some uku
Make something with your hands.

Lanae x

💪🏾🌅🥉🥥🤎
21/08/2026

💪🏾🌅🥉🥥🤎

“The future of pigment may lie less in groundbreaking technologies and more in fostering a sustainable, mindful relation...
14/08/2026

“The future of pigment may lie less in groundbreaking technologies and more in fostering a sustainable, mindful relationship with our environment. This approach doesn’t offer a single approach or formula. For ecologically conscious artists, it might mean rethinking traditional manufacturing methods, accepting more limited palettes, or even working with simpler, less intense colours” - Lucy Mayes, author of The Natural Pigment Handbook.

Re-reading LONDON PIGMENT beautiful book and thinking about The Luddites. Feeling grateful for muddy friends as they are the antidote to my AI poster induced nausea.

Carla Ruka for Te Tuhi took the 1st pic and Te Aho Jordan for He Kākano Ahau Podcast took the 3rd.

A handful of earth from a well beaten path.He ara oneone on cotton canvas.Earth pigment paintings by Sarah Hudson - prac...
12/08/2026

A handful of earth from a well beaten path.
He ara oneone on cotton canvas.
Earth pigment paintings by Sarah Hudson - practicing keeping it simple.

A Kauae Raro Research Collective Manifesto brought forth after a cup of tea with cousins
24/07/2026

A Kauae Raro Research Collective Manifesto brought forth after a cup of tea with cousins

Kenepuru | Muddied Thing
17/07/2026

Kenepuru | Muddied Thing

Lanae has kicked off her rangahau today at Iramoko Marae with Dr. Pouroto Ngaropo.Pouroto shared about the importance of...
07/07/2026

Lanae has kicked off her rangahau today at Iramoko Marae with Dr. Pouroto Ngaropo.

Pouroto shared about the importance of the kauae runga and cosmologies when talking about kōkōwai, and his experiences with kōiwi tīpuna. Ngā mihi NUI.

This rangahau is supported through a Royal Society Te Apārangi Skinner Fund grant awarded to Lanae for her project, The Painted Dead: Ka Pania ngā Kōiwi, Ka Hoki ki te Whenua. With support from Dr. Charlotte King from the University of Otago, the research brings together mātauranga shared by Māori practitioners alongside archaeological evidence to explore the use of kōkōwai in Māori death practices.

Lanae is currently connecting with practitioners and pūkenga who may wish to contribute to this kaupapa. If you are open to having a kōrero, please send us a DM or email [email protected].

Kauae Raro be like, “we really needed this” - and it’s literally just prehistoric painting techniques 4 leisure in the w...
11/04/2026

Kauae Raro be like, “we really needed this” - and it’s literally just prehistoric painting techniques 4 leisure in the wharekai.

Hope your Pātaka is stocked for the cyclone x

 lives Yállabirrang Naarm, (Melbourne) is an artist of mixed Koorie and European descent. His recent paintings bring tog...
05/04/2026

lives Yállabirrang Naarm, (Melbourne) is an artist of mixed Koorie and European descent.

His recent paintings bring together minimal serial abstraction with familial narrative and institutional critique especially as are conveyed by materials and material histories.

We loved the use of ochre in these pieces, the colours (lilac earth?!) and textures on unconventional materials they lay upon. These works are currently being exhibited at as a part of ‘Essential Oils’ with Tyrone Te Waa.

Only You 2025
ochre and acrylic binder on removalist felt
610 x 820mm

Kissy 2025
ochre and acrylic binder on Brucks Wangaratta jellybean camouflage
1020 x 1980mm

Untitled 2025
ochre and acrylic binder on riot shield
660mm diameter

Lehuauakea is a Native Hawaiian (Kanaka ʻŌiwi) interdisciplinary artist and barkcloth-maker who works with ancestral org...
17/02/2026

Lehuauakea is a Native Hawaiian (Kanaka ʻŌiwi) interdisciplinary artist and barkcloth-maker who works with ancestral organic materials in contemporary ways to highlight narratives of Indigenous environmental stewardship, an evolving Kanaka ʻŌiwi identity, and the teachings held in cultural mythologies and cosmologies. By building a personal relationship with traditional techniques and materiality, Lehuauakea breathes new life into pattern symbolism used for generations and preserves cultural memory rooted in place-based practices.

Grounded by ancestral modality while advancing the medium to unconventional, innovative, and tactile forms, including hand-stitched mixed-media textiles, large-scale installation, and earth pigment paintings on kapa, Lehuauakea builds on these cultural knowledge systems, ensuring the perpetuation of these modes of Indigenous storytelling.

Since 2018, Lehuauakea has apprenticed under well-known barkcloth maker Wesley Sen, who trained in barkcloth-making alongside practitioners including Puanani Van Dorpe, Beatrice Krauss, Malia Solomon, Carla Freitas, Dennis Kanaʻe, and Mary Pritchard.

Adresse

Maria-Theresien-Platz (barrierefreier Zugang: Burgring 7, Seiteneingang)
Wien
1010

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