Galerie Krinzinger

Galerie Krinzinger Galerie Krinzinger - Contemporary Art Gallery Galerie Krinzinger (Instagram: ) was founded in 1971 by art-historian Dr. Ursula Krinzinger.

Since then, she has organized at least 500 exhibitions of national and international artists, mounting solo, group and thematic shows. The main interest and source of the gallery program stems, on the one hand, from international performance and body related art (Marina Abramovic since 1975, Chris Burden since 1992), on the other hand, from Viennese actionism (Rudolf Schwarzkogler, Günter Brus, He

rmann Nitsch, Otto Muehl since 1975). Additionally, the gallery has been working with national and international artists such as Jonathan Meese, Gavin Turk, Eva Schlegel, Mark Wallinger, Thomas Zipp and others for over forty-five years. The latest additions to the gallery program result from Ursula Krinzinger’s research in Asia and the Middle East (Kader Attia, Waqas Khan, Maha Malluh, Sudarshan Shetty, Zhang Ding). This thematic focus has been consequently present since 12 years. Besides the gallery program, Ursula Krinzinger organizes and curates exhibitions in various spaces outside the gallery, including the gallery's second space: Krinzinger Schottenfeld, which was founded in 2002 as Krinzinger Projekte. Internationally orientated, group and topic exhibitions define the program, which quickly earned an international reputation. Housed in a separate building, Krinzinger Schottenfeld joins Galerie Krinzinger in inviting young national and international artists to take part in the gallery’s artist-in-residence program, which currently includes destinations in Austria, Croatia, Hungary and Sri Lanka. For more than forty-five years, Galerie Krinzinger has regularly participated in the world's most important art fairs, among them: Art Basel, Arco Madrid, The Armory Show New York, Art Dubai, FIAC, Frieze London, Art Basel Hong Kong, Art Düsseldorf, Art Basel Miami.

GALERIE KRINZINGER at ASTORIA ART SHOWMONIC BONVICINISeptember 10 – 13, 2026at Astoria GarageTrautsongasse 4, 1080 Vienn...
01/09/2026

GALERIE KRINZINGER at ASTORIA ART SHOW

MONIC BONVICINI

September 10 – 13, 2026

at Astoria Garage
Trautsongasse 4, 1080 Vienna

The Astoria Artshow will open for the first time in Vienna from September 10 to 13, 2026. This new format is a blend of exhibition and art fair and will take place in the historic Astoria Garage.

The Artshow is organized by the VAU - Vienna Art United association and features 70 galleries. The program is divided into four sections across 8,000 square meters: The „Main Positions“ section features 32 galleries, each presenting an artistic position with a maximum of 5 works. „New Positions“ showcases younger artists from Austria born in 1986 or later. This section is curated by Casandra Hermann. The third section is reserved for editions and publications, and the fourth section provides a forum for institutions.

Credits: Monica Bonvicini, All the Pretty Horses, 2020; My Most Wanted #4, 2023; So Male, 2022.

01/09/2026
We are happy to inform you about the following exhibition: BERND OPPLIn Protest and In Care: Group Exhibitionat O-Overga...
28/08/2026

We are happy to inform you about the following exhibition: 

BERND OPPL
In Protest and In Care: Group Exhibition

at O-Overgaden
Overgaden neden Vandet 17
1414 Copenhagen

Opening: August 28, 2026

Duration: August 29 - October 25, 2026

IN PROTEST AND IN CARE takes place in O—Overgaden’s ground floor galleries as well as, among other locations, Arnestedet at Enghaveparken. The group exhibition features works by several Danish and international artists who engage with bodily complexity, temporary and permanent impairment, and the physical as well as linguistic barriers that disable.

By challenging existing ideas of vulnerability and care, and proposing new perspectives on what constitutes artistic productivity and value, the works raise questions such as: What alternative identities and communities emerge through variations from the normative body and mind? How can one bend the body to meet expectations and demands—or, conversely, bend time and the external world to meet a body with functional variations? What potentials and possible forms of protest lie in withdrawal? Where is the line between the treatment-ready patient and the impatient subject who rebels against diagnostic methods and the objectification embedded in medical language?

Several of the works present material investigations of bodily and mental collapse—how they can be both conditions and resources in artistic practice. At the same time, they turn a critical gaze toward the institution itself and the expectations we place on art and the artist.

Credits: Bernd Oppl, in collaboration with Mara Mills and Georgina Kleege, with special thanks to Klaus Filip – Eye Tracker, 2026, 2-channel video, audio loop. Iron, CNC-engraved; MDF; 2 single-board computers; 2 LCD screens; 2 headphones H 45 × D 83 × L 138 cm.

SAVE THE DATEMy Whole Being Is a Dark Versecurated by Chus MartínezOpening Weekend: Sept 11 – 13, 2026Friday 12 - 9 PM, ...
28/08/2026

SAVE THE DATE

My Whole Being Is a Dark Verse
curated by Chus Martínez

Opening Weekend: Sept 11 – 13, 2026
Friday 12 - 9 PM, Saturday & Sunday 11 AM - 6 PM

Chus Mártinez, curator and head of the Institute Art Gender Nature, HGK, Basel will speak at the opening.

This exhibition is part of the gallery festival , with this year‘s theme being LOVE. Find out more about participating galleries, curators, guided tours via curatedby.at.

Duration: Sept 15 – October 17, 2026

Opening hours: Tue - Fri 12 - 6 PM, Sat 11 AM - 4 PM

Credits: Alexa Karolinski & Ingo Niermann, Oceano de amor, HD, 93 min., 2019 (still)

We are looking forward to the following exhibition:Angela de la CruzBarricade / Dresdencurated by Bettina M. BusseOpenin...
28/08/2026

We are looking forward to the following exhibition:

Angela de la Cruz
Barricade / Dresden

curated by Bettina M. Busse

Opening August 28, 2026, 7 PM

Duration: August 29 – October 10, 2026

at Kunstverein Dresden e.V.,
Neustädter Markt 8, 01097 Dresden

BARRICADE DRESDEN fits in particularly well with the Kunstverein’s annual theme, ‚The Body...‘. Angela de la Cruz does not treat the body merely as a motif, but as a lived reality that is directly inscribed in material, form and space. Her works revolve around fragility, resistance and transformation, and make physical experience visibly tangible in a powerful way.

This artistic practice is shaped by the artist’s own life story: following a severe stroke, Angela de la Cruz lives with significant physical limitations. This experience is not recounted illustratively in her works, but is made structurally tangible. Against the backdrop of current debates on visibility and participation, the exhibition offers a multi-layered perspective on the body as a site of vulnerability, change and perseverance. The result is an exploration of the conditions of human existence that is as personal as it is universal.

Credit: Angela de la Cruz, Barricade Hurdle (Persian Red), 2023, oil and acrylic on canvas, wood, 122.5 x 60 x 21 cm. Courtesy Galerie Krinzinger and the artist / Photo Carmen Alber.

SAVE THE DATEERIK SCHMIDTBlue ZoneOpening September 8, 2026 7 PMat Galerie Krinzinger Main Gallery (Seilerstätte 16, 101...
28/08/2026

SAVE THE DATE

ERIK SCHMIDT
Blue Zone

Opening September 8, 2026 7 PM
at Galerie Krinzinger Main Gallery (Seilerstätte 16, 1010 Vienna)

Duration: September 9 – October 15, 2026

THE ARTIST WILL BE PRESENT

Philipp Lange, curator and art historian will speak at the opening.

Opening hours: 
Tue - Fri 12 - 6 PM, Sat 11 AM - 4 PM

Credits: Erik Schmidt, Untitled, 2026, oil on fine art print on canvas, 130 x 230 cm. Courtesy Galerie Krinzinger and the artist.

ROSMARIE LUKASSERAnnäherungen an „…bin im Netz i5.0“Still on view until this week at Galerie Krinzinger Showroom (Seiler...
25/08/2026

ROSMARIE LUKASSER
Annäherungen an „…bin im Netz i5.0“

Still on view until this week at Galerie Krinzinger Showroom (Seilerstätte 16, 1010 Vienna).

An „Echoraum“ opens the exhibition „Approaches to ...bin im Netz i5.0“, Rosmarie Lukasser’s third solo exhibition at Galerie Krinzinger.

Here, „echo“ is not understood as an acoustic phenomenon, but rather as a resonant space for the representation of an artificial neural network. A large-scale map of the global energy network illustrates the physical interconnectedness of the world. Rosmarie Lukasser uses the drawing for field research. She observes people in public spaces and adds notes on network structures to these observations.

For many years, the artist has been observing the gestures and postures of digitally connected people.
Her sculptures depict states of simultaneous presence and absence: bodies that remain in one place while attention, thoughts and relationships extend into other spaces. The devices themselves remain invisible, their existence has long since become inscribed in the bodies.

Opening hours: Tue - Fri 12 - 6 PM, Sat 11 - 4 PM

Credits: Courtesy Galerie Krinzinger and the artist / Photo 2026 Carmen Alber.

Dear visitors!Please note, that we will be on summer break from August 4 until August 18 ☉We are looking forward to welc...
01/08/2026

Dear visitors!
Please note, that we will be on summer break from August 4 until August 18 ☉

We are looking forward to welcoming you afterwards at Galerie Krinzinger, Seilerstätte 16 to the exhibitions of:

ROSMARIE LUKASSER and
SELVA DE CARVALHO/ BIANCA KENNEDY/ MARTIN SOMMER
(Until August 29)

and at Krinzinger Schottenfeld, Schottenfeldgasse 45:

CLASS OF DANIEL RICHTER - A DELICATE MATTER
(Until August 28)

SELVA DE CARVALHO The works in the Hysteria series stem from the artist’s observation of her own internal flows. They ar...
31/07/2026

SELVA DE CARVALHO

The works in the Hysteria series stem from the artist’s observation of her own internal flows. They are works made with the artist’s menstrual blood, collected in different cycles, starting in 2020.

The word „hysteria“ carries in its etymology (hystera, the uterus) centuries of silencing and control over the female body. Historically, medicine treated the uterus as a wandering organ, an agent of imbalance that justified the diagnosis of „female madness.“ By using menstrual blood as pigment and embroidery as scar and contour, this work subverts the logic of pathology. Blood, so often hidden and read as „dirt“ or „taboo,“ is presented here as the fluidity of a vital and political cycle.

Here, the internal flow is not a symptom of disease or lack of control, but evidence of presence and of a life that overflows. Each stitch embroidered in these works is an attempt to give contour, but also give way and expression, to what is immense: our inner waters, our emotions, our unconscious.

The work invites the gaze to confront what has been considered „obscene“ or „unstable,“ revealing that the woman’s body, in its various aspects, is not a problem to be solved, but a geography to be respected, a vast, deep, and pulsating ocean of life.

See the show until August 29, 2026 at Galerie Krinzinger Main Gallery (Seilerstätte 16, 1010 Vienna).

Opening hours: Tue - Fr 12 - 6 PM, Sat 11 AM - 4 PM

MARTIN SOMMERMartin Sommer explores in his works how materials can lose their function without losing their origin. Thro...
31/07/2026

MARTIN SOMMER

Martin Sommer explores in his works how materials can lose their function without losing their origin. Through chemical, technical, and physical transformations, familiar objects are transferred into new constellations where their histories remain present while their functions shift.

L.C. shows two containers filled with a liquid based on lithium carbonate. Through a multi-stage process the lithium was chemically isolated from the batteries and transformed into a medically usable lithium carbonate solution.

The series B.S.S.C. consists of different storage units, made from aluminium and plexiglass panels of several dismantled bus shelters, which are coated with street dust and sugar Its basis is a calculation system that translates the experienced intensity of time into volume. In this way, volumes of days, weeks, and months emerge illustrating the dimensions of individually perceived time.

The series F.S.L.K. consists of large black textiles that are mounted on the wall. The source materials are wooden school desks and lost keys collected from the Lost & Found Office. The desks are chemically processed into paper. The result is a fabric roll that deliberately remains in a state of suspension: it refers to the possibility of further use without enacting it.

The work S.D.P.S. consists of a personal weighing scale made entirely from reclaimed doors of a slaughterhouse. It recalls a conventional scale, yet it does not measure weight. The analogue display has been modified so that the pointer moves continuously counterclockwise unless a person steps into the scale, then the direction of movement reverses and the pointer begins to move clockwise.

The exhibition is still on view at Galerie Krinzinger Main Gallery until August 29, 2026.

Please note that Galerie Krinzinger and Krinzinger Schottenfeld will be closed starting August 4 and will reopen on August 18, 2026.

Adresse

Seilerstätte 16
Vienna
1010

Öffnungszeiten

Dienstag 12:00 - 18:00
Mittwoch 12:00 - 18:00
Donnerstag 12:00 - 18:00
Freitag 12:00 - 18:00
Samstag 11:00 - 16:00

Telefon

+43 1 5133006

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