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CultTech Association

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CultTech Association

Supporting ambitious initiatives aimed at exploring new, sustainable approaches to culture growth

14/05/2026

🎟️ Last year we had all kinds of tickets. It was easy to get lost. This year we wanted to simplify everything to make CultTech Summit as accessible and open as possible.

That's why we have just one ticket. And before we announce the program, it costs just €50 — or until we sell out, because the number of first release tickets is limited to 100, and a third of them are already gone.

🏛️ The Summit kicks off on November 3 with a Pre-Day — curated networking events across Vienna's cultural and business institutions. And the first 100 ticket buyers get priority access to book them.

💎 And if you believe in what CultTech is building and want to support it more directly, the Patron Ticket for €1,000 is for you. Everything in the General Ticket, as well as specials from private dinners to an optional listing on the CultTech website. Because we are truly grateful for those who believe in us.

So don't wait — trust us, we have a lot up our sleeve. Tickets here: https://www.culttechsummit.com/tickets/?utm_source=facebook&utm_medium=organic_social&utm_campaign=summit2026_tickets&utm_content=feed_post_20250514

12/05/2026

Is AI limiting us — or are we limiting ourselves in how we use it? How does creativity work in times of overwhelming AI usage? And how can we stay original?

Aaron Windfield, founder of Morning Sloth, admitted on the CultTech 2025 stage that he uses AI for marketing — but when it comes to making music, he wants his hands on every part of the process.

The panel "The Aesthetic Trap — Has Democratizing Creativity Made Everything Look the Same?" also featured critical futurist Johannes Kleske and head of Wavelab Silvia Taschner, and was moderated by Erik Herrström, founder & creative director at Studio Herrström.

This is the kind of conversation we have every year at CultTech Summit.

📍 Vienna, November 4–5 at Stage 3.
🎟 First release tickets are available now for €50.
📎 https://www.culttechsummit.com/tickets/

07/05/2026

CultTech Summit is back! For the third year, the Summit brings together artists, founders, technologists, funders, and policymakers in the same room. This is where cultural ambition meets real infrastructure: capital, technology, and expertise.

Vienna, November 4–5, at Stage 3. First release tickets are live at the lowest price of the year — just €50!

Last year we had 900+ participants from 35+ countries — from Nobel Laureates and museum directors to leaders from Canva and SoundCloud. Almost 40 events across two days: panels, roundtables, startup pitches, showcases — as well as various performances and a closing concert.

So what's new this year?

Pre-Day, November 3: Field-specific workshops across Vienna — museum & music tech, digital archives, education, investment, and more. Site visits, studio sessions, and conversations before the main program. The first 100 ticket buyers get priority access to apply!

CultTech Global Awards: a new international recognition initiative for organisations, startups, and educators shaping the future of culture through technology. Open call launching in May!

One ticket for all: full access, no tiers or separate pricing. Because culture is everyone's business. And right now, before the full programme is announced, you can get it for just €50 — only 100 available at this price.

The full programme of the Summit is coming soon: speakers, panels, pitch sessions, roundtable formats, and, of course, a few things we haven't done before. When it drops, ticket prices go up.

Get your ticket now — before the programme announcement.

https://www.culttechsummit.com/

15/04/2026

Today is the last day to apply for the CultTech Lab — if you haven’t yet, there are still a couple of hours left!

Irina Tokareva, the Lab’s producer, invites all creative teams to apply.

2 tracks.
8 full participation grants per track.

2 months of structured development of your project.

9 sessions with curators and experts + plus individual consultations.

Apply at culttech.at/lab

12/04/2026

The art curators of both CultTech Lab tracks are waiting for you — and they know how to challenge you!

Nina Todres — art curator of the Memory track. She works at the intersection of collective memory, erasure, and technology: whose memories get preserved, whose get lost, and how VR, AI, and sensory tools change what we’re even able to hold onto.

Evgenia Lianskaya-Lininger — art curator of the Music track. Musicologist and music journalist. Looking for ideas that give audiences a new way into contemporary classical music — through interaction, play, or a frame no one’s tried yet.

4 days left until the new deadline! Apply by April 15 at culttech.at/lab, link in bio.

08/04/2026

CultTech Lab deadline is now April 15! Six more days to develop your idea, find collaborators, and put together a proper application. And remember — 8 full participation grants are available.

Two tracks are open:

🎵 Contemporary Classical Music. Understanding Through Gamification

🧠 Memory and Identity. Reconnection Through AI

Apply at culttech.at/lab

06/04/2026

Meet Florin and Sofia — the Learning Lead and Artistic Advisor of the Music Track of CultTech Lab 2026!

Florin Gorgos is a post-genre composer whose work spans film, theater, concert music, and interactive media. He developed GrooveDeck — a music game created with Sony CSL within CultTech Lab 2025, presented at the CultTech Summit.

Sofia Surgutschowa is a creative producer and cultural manager who has worked with leading artists at IMG Artists and now collaborates with the Zafraan Ensemble and Verbier Festival.

They could be guiding your project on making contemporary classical music accessible through play!

Apply by April 9 at culttech.at/lab

05/04/2026

CultTech Lab takes a project idea and gives it structure, funding, and an audience. Two months online, four days in person, one stage at CultTech Summit.

Two tracks: Contemporary Classical Music х Gamification and Memory & Identity х AI.

8 full grants available for the School phase.

Deadline: April 9

Apply here: https://culttech.at/lab

02/04/2026

Gabriella Chihan Stanley — Artistic Advisor of the Memory Track at CultTech Lab 2026 — is working with artists and technologists on how AI can help us make sense of memories scattered across pictures, places, and languages.

She co-founded XR studio vrisch and created Shrine — an initiative exploring memory and identity across cultures through immersive media and AI.

If you have an idea tackling the collision of AI and memory, apply to CultTech Lab 2026 to work with Gabriella and other experts in the field!

Deadline: April 9.

Apply here: https://culttech.at/lab/memory-track

31/03/2026

Bistra and Alexey are the Learning Lead and Tech Curator of the Memory Track of CultTech Lab 2026.

Bistra Kumbaroska is a social innovator and poet who has designed 150+ learning journeys at the intersection of culture, belonging, and civic engagement.

Alexey Parkhomenko is a new media artist and creative technologist whose work translates philosophical ideas into immersive digital-physical formats, shown across Berlin, Munich, and Vienna.

They could be guiding your project on memory, identity, and cultural displacement! Apply by April 9 at culttech.at/lab

26/03/2026

13 specialists. 2 tracks. 1 CultTech Lab 2026. These are the specialists to develop your music and memory projects with.

Open call deadline: April 9 → culttech.at/lab

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Vienna

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http://culttech.at/

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