musikprotokoll

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musikprotokoll ORF musikprotokoll 2026 | 3.-11.10.2026 Das 1968 von Emil Breisach gegründete musikprotokoll wird jährlich vom Österreichischen Rundfunk veranstaltet.

Österreichs Festivalplattform für zeitgenössische und experimentelle Musik

Das musikprotokoll fungiert als eine Art Labor, in dem – mit allem künstlerischen Risiko – das kundschafterhafte Aufsuchen der neuen Entwicklungen und Trends gemeinsam mit dem Publikum betrieben wird. Von Orchestermusik – mit dem ORF Radio Symphonieorchester Wien –, Musik für Ensembles und Kammermusik zu Performance und Klanginstallation reicht wie selbstverständlich das herausfordernd heterogene Feld der in seinen Nuancen vorgestellten Genres, in vielen Fällen mit eigens für das Festival entwickelten und produzierten Arbeiten. Inhaltlich ist das Festival der zeitgenössischen und experimentellen Musik und intermedialen Spielformen gewidmet, deren aktuelle künstlerische Tendenzen und ihre herausragenden VertreterInnen vorgestellt werden, wobei sich die Einbindung österreichischer Positionen in internationale Zusammenhänge als ein roter Faden durch die Festivalgeschichte zieht. Es ist eine Koproduktion seiner beiden Programme Radio Österreich 1 und Radio Steiermark, in denen die aufgeführten Werke gesendet werden, in Kooperation mit dem Festival steirischer herbst.

Radio work | The Core 📻Ö1 Blaue Stunde: Mo 12.10.2026 | Radio Österreich 1 Radio Ö1 with Khrystyna Kirik & Mark BainKhr...
07/10/2026

Radio work | The Core

📻Ö1 Blaue Stunde: Mo 12.10.2026 |
Radio Österreich 1 Radio Ö1 with Khrystyna Kirik & Mark Bain

Khrystyna Kirik khrystyna_kirik and Mark Bain explore how the force of war imprints itself into land. Using seismic data recorded during missile strikes and explosions in regions such as Kharkiv and Kherson, recordings from the moment of the destruction of the Kakhovka dam, environmental phenomena such as earthquakes in Chernihiv and Poltava regions, as well as daily baseline readings from Poltava, they translate this violence into vibration and sound — layering inaudible yet physically impactful low-frequency waves, sonic winds and frequency pools, dense drones, voice, and high frequency textures.

Mark works with the architecture of the building, treating the building’s structure as a resonating instrument, while Khrystyna uses her voice with a throat mic and audified seismic recordings to create a vibrasonic experience of being engulfed by the earth.

The Core unfolds as a journey through five acts, descending from the surface into the depths of the ground.
Each act, or layer, evokes not just geological shifts, but emotional ones — asking us to listen with our bodies to the imprints of violence that infuse the soil.
Sound resonates through walls, through bodies, through memory. 

Photo © Nima Taheri Nima Taheri

📑The Core was commissioned as part of the CTM Radio Lab, a collaboration between Deutschlandfunk Kultur Deutschlandfunk Kultur the CTM Festival CTM Festival and ORF

07/10/2026

What is behind the piece? 🎙️ Soyoen Park

In this artist statement, Soyeon Park .beatpark about the piece Chimera X as a part of the ENIGMA project

ENIGMA | Helmut List Halle, Graz
10.10.2026 | 17:00 - 18:30
🎟️ Tagespass 10.10 (link in bio ->)

: Ensembles: Balduin Sulzer Chor, Cantando Admont, Cantanima, Grazer Keplerspatzen und proMODERN
: Dirigent:innen: Cordula Bürgi, Beat Furrer, Ulrich Höhs, Stefan Kaltenböck und Sebastian Meixner 
: Konzept und Dramaturgie: Cordula Bürgi
: Produktion: Cantando Admont und ORF musikprotokoll

📑Ein Auftragsprojekt von Cantando Admont und ORF musikprotokoll.

Mit freundlicher Unterstützung der Ernst von Siemens Musikstiftung sowie der AVL Cultural Foundation Privatstiftung , Stadt Graz, Land Steiermark, BMWKMS, Adam Mickiewicz Institut, Pro Helvetia, SKE, Region Graz, GFÖM und Arbeiterkammer Steiermark.

Mit besonderem Dank an die Art Mentor Foundation Lucerne, deren Unterstützung die Realisierung dieses Projekts erst ermöglicht hat.

06/10/2026

What is behind the piece? 🎙️ Luca Bardelle

In this artist statement, Luca Bardelle about the piece Es gibt ein Wesen - principles of magic (ii) as a part of the ENIGMA project

ENIGMA | Helmut List Halle, Graz
10.10.2026 | 17:00 - 18:30
🎟️ Tagespass 10.10 (link in bio ->)

: Ensembles: Balduin Sulzer Chor, Cantando Admont, Cantanima, Grazer Keplerspatzen und proMODERN
: Dirigent:innen: Cordula Bürgi, Beat Furrer, Ulrich Höhs, Stefan Kaltenböck und Sebastian Meixner 
: Konzept und Dramaturgie: Cordula Bürgi
: Produktion: Cantando Admont und ORF musikprotokoll

📑Ein Auftragsprojekt von Cantando Admont und ORF musikprotokoll.
Mit freundlicher Unterstützung der Ernst von Siemens Musikstiftung sowie der AVL Cultural Foundation Privatstiftung , Stadt Graz, Land Steiermark, BMWKMS, Adam Mickiewicz Institut, Pro Helvetia, SKE, Region Graz, GFÖM und Arbeiterkammer Steiermark.

📄Mit besonderem Dank an die Art Mentor Foundation Lucerne, deren Unterstützung die Realisierung dieses Projekts erst ermöglicht hat.

🌌 THE GREATER NOISE (UA) | Helmut List Halle       Sat 10.10.2026 | 21:15 - 22:15🎟️ Tagespass 10.10.2026Sa 10.10.2026wit...
06/10/2026

🌌 THE GREATER NOISE (UA) | Helmut List Halle
Sat 10.10.2026 | 21:15 - 22:15
🎟️ Tagespass 10.10.2026Sa 10.10.2026

with Jennifer Walshe, Manu Mayr, Jakob Gnigler and Thomas Lehn (swipe -> to read more)

Irish composer and performer Jennifer Walshe has engaged intensively with Mars and outer space.
Her research took her from the Great Equatorial Telescope in Greenwich to sound recordings from Mars.

She now combines her “space archive” with new material. The result is a composition for Walshe’s voice, three musicians, live electronics, and video.

The piece thinks of the concert hall on the scale of the universe: the live electronics track makes solar wind, cosmic background radiation, and chemical reactions audible, recorded on stage with hydrophones.

The video projection traverses vast spaces, from live microscope images to distant stars.

The title plays on what astronomy calls “the great silence” — the fact that telescopes and space probes have so far found no evidence of life beyond Earth.

THE GREATER NOISE revels in the sheer quantity of energy and information surrounding the Earth, which Walshe is able to access through scientific instruments.

: Double bass: Manu Mayr
: Saxophone: Jakob Gnigler Jakob Gnigler
: Analogue synthesiser, sound processing, and piano: Thomas Lehn
: Voice, electronics: Jennifer Walshe

📑THE GREATER NOISE is a commission of Radio Österreich 1 in cooperation with ORF musikprotokoll. Kindly supported by Ernst von Siemens Musikstiftung Ernst von Siemens Music Foundation

🌌Jennifer Walshe

The composer and performer Jennifer Walshe – “The most original compositional voice to emerge from Ireland in the last 20 years” (The Irish Times) – was born in Dublin.

Her music has been commissioned, broadcast and performed all over the world.

Many of her recent projects focus on the planet Mars, using it as a lens to think through the most pressing issues of our time. Notable projects from this series include MARS I, for Klangforum Wien; Some Notes on Martian Sonic Aesthetics, 2034-51 for Ensemble Modern; and MARS (2025) for Irish National Opera.

06/10/2026

What is behind the sound? 🎙️ Chris Henschke

In this artist statement, Chris Henschke .henschke about the performance Beyond the Quantum Horizon as a part of the Dom im Berg .graz programme

📍 Dom im Berg, Graz
🗓️ 8.10.2026 | 21:15 - 22:0
🎟️ Tagespass 8.10 (link in bio ->)
..“This question contains an ontological and ethical dimension,” says Henschke.
“If physical reality is a quantum field, then everything is fundamentally connected and there is no possibility of absolute separability.
Philosopher Karen Barad uses the term ‘intra-active’ to describe our interactions with other entities, whether people or particles.
Human beings, other organisms, technologies and artificial systems, entire ecosystems — they are all energetic processes within shared fields, existing in an ongoing ‘dance of agency’, as the physicist and philosopher Andrew Pickering states.”

📑This project was supported by the Australian Government through Creative Australia, its arts funding and advisory body.

📑In cooperation with ORF musikprotokoll,
art@CMS/ORIGIN,
CERN – European Organization for Nuclear Research (with the experiments ATLAS – A Toroidal LHC ApparatuS, ALICE – A Large Ion Collider Experiment, CMS – Compact Muon Solenoid, LHCb – Large Hadron Collider beauty, and IdeaSquare – Innovation Space at CERN),
University of Graz (Department of Arts and Musicology and interdisciplinary core research area “Perception: Episteme, Aesthetics, Politics” at the Faculty of Humanities),
University of Music and Performing Arts Graz (Institute 11 Stage Design) ,
HEPHY – Institute for High Energy Physics of the Austrian Academy of Sciences (Vienna),
Florida State University, The University of Alabama, RMIT University.

05/10/2026

8.10 | 📍Dom im Berg, Graz

branches & bytes | Sofia Zaiceva & Andreas Trobollowitsch
⏳19:30 - 20:00
🎟️Tagespass 8.10 (link in bio ->)

For this edition of musikprotokoll, the duo extends its practice, treating wood and code as parallel epistemes of resonance — each sphere making audible what the other cannot articulate alone.
Through live spatialisation, generative algorithmic processes, and physical interaction, Sofia Zaiceva and Andreas Trobollowitsch invite listeners to recalibrate their mode of hearing and to reflect on the proximity, density, and topology of materials.

📑The performance by branches & bytes is a commission of ORF musikprotokoll

05/10/2026

🎟️8.-11.10.2026 | Graz

What is behind the installation?

In this artist statement, Joseph Theodor Böhm talks about the ideas, sounds and processes behind the work We Do not Know, We Simply Do Not Know as a part of the Supernova project

📍 Volkskundemuseum, Graz
🗓️ 8.-11.10.2026

Exhibition Supernova (UA) - 🥂Eröffnung
Thu 8.10.2026, 14:00 - 16:00
With Joseph Böhm, Francesco Casanova, Cornelius Grömminger, Lain Iwakura, Joris Kindler, Pablo Knupfer, I - A, Artem Sivashenko, Zlata Zhidkova, Gemma Lambourne

Open Hours
፡ Thu 8.10.2026, 10:00 - 18:00
፡ Fri 9.10.2026, 10:00 - 18:00
፡ Sat 10.10.2026, 10:00 - 18:00
፡ Sun 11.10.2026, 10:00 - 18:00

📍Volkskundemuseum, Graz
🎟️Free admission

Discover the installation during ORF musikprotokoll 2026.

📑Ein Projekt der Kunstuniversität Graz (Institut 11 Bühnengestaltung)

📄In Kooperation mit dem ORF musikprotokoll, dem Volkskundemuseum am Paulustor , art@CMS/ORIGIN, CERN – European Organization for Nuclear Research (mit den Experimenten ATLAS – A Toroidal LHC ApparatuS, ALICE – A Large Ion Collider Experiment CMS – Compact Muon Solenoid, LHCb – Large Hadron Collider beauty, sowie IdeaSquare – Innovation Space am CERN), Universität Graz (Institut für Kunst- und Musikwissenschaft und Interdisziplinärer Schwerpunktbereich „Wahrnehmung: Episteme, Ästhetik, Politik" der Geisteswissenschaftlichen Fakultät), HEPHY – Institut für Hochenergiephysik der Österreichischen Akademie der Wissenschaften (Wien), Florida State University, RMIT University.

PHACE | Helmut List Halle      Sa 10.10.2026 | 19:30 - 20:30🎟️ Tagespass 10.10with Manuela Kerer, Christoph Renhart, Raf...
04/10/2026

PHACE | Helmut List Halle
Sa 10.10.2026 | 19:30 - 20:30
🎟️ Tagespass 10.10
with Manuela Kerer, Christoph Renhart, Rafał Ryterski, Alexander Schubert

In this programme, PHACE explores how memory, perception, and technology condition one another.

📡Alexander Schubert Alexander Schubert is one of the defining voices working with artificial intelligence in music. In AUTO FICTION, the German composer links autobiographical material with AI processes that expand the archive of his memories — functioning, in a sense, as a “collective unconscious” of cultural data.
Injuries transform a tree’s wood into prized figured grain.

📡In the work of the same name, Polish composer Rafał Ryterski Rafał Ryterski asks how traumatic experiences inscribe themselves in the body. Ryterski found significant inspiration during an ORF musikprotokoll excursion to the European research centre CERN.

📡Manuela Kerer from South Tyrol draws on historical models of astronomy and, in epicyclic noise, sets tonal movements circling around an imaginary centre.

📡Christoph Renhart unfolds in Échos éloquents a play of reflections and reverberations.

: Vocals — Helēna Sorokina Helēna Sorokina
: Conductor — Michael Wendeberg

📑In cooperation with art@CMS/ORIGIN, CERN CERN , University of Graz Uni Graz (Department of Arts and Musicology and interdisciplinary core research area “Perception: Episteme, Aesthetics, Politics” at the Faculty of Humanities), Florida State University Florida State University , The University of Alabama, RMIT University, CMS, ALICE ALICE experiment @ CERN , LHCb, ATLAS, HEPHY, IdeaSquare.

04/10/2026

🔭What is behind the piece?

In this artist statement, Anna Sowa talks about the piece Where Did I Wake Up for six female voices as a part of the ENIGMA project with

📍 Helmut List Halle, Graz
🗓️ 10.10.2026 | 17:00 - 18:30
🎟️ Tagespass 10.10 (link in bio->)

📑A cooperation between Cantando Admont and ORF musikprotokoll . The piece was created with financial support from the Adam Mickiewicz Institut

04/10/2026

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