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some thoughts on the Virgin / W***e dichotomy
15/09/2026

some thoughts on the Virgin / W***e dichotomy

Horned Man (work in progress)A figure taking shape somewhere between reality and the dreamscape. Exploring masculinity, ...
31/08/2026

Horned Man (work in progress)
A figure taking shape somewhere between reality and the dreamscape. Exploring masculinity, desire, power and performance through archetype and theatricality. Like Jester and Shashalaza, I’m interested in characters who exist between what is performed, what is perceived and what is real. The character is still revealing himself as the painting develops.

Some books don’t give you answers.They give you better questions.
02/08/2026

Some books don’t give you answers.
They give you better questions.

What began as sketches on paper and conversations over fabric rolls became something bigger — our first published editor...
01/11/2025

What began as sketches on paper and conversations over fabric rolls became something bigger — our first published editorial under Asis Studios.
This project with my mom isn’t just about clothes; it’s about legacy, softness, and the art of remembering where we come from.

Now published on

This piece emerges from a place of quiet authority. After my accident and time in hospital gowns—symbols of vulnerabilit...
09/07/2025

This piece emerges from a place of quiet authority. After my accident and time in hospital gowns—symbols of vulnerability—I wanted something that wasn’t given to me, but claimed by me.

This gown isn’t about desire for another. It’s about choosing my body, my story, and my presence. I sculpted a lavender slip dress with resin-dipped organza. The sheer mesh acts as armor: translucent but unyielding. Red ribbon knots punctuate the fabric, each a deliberate bead of confidence, boundary, and self-possession.

In crafting her form—warm brown skin, honest posture—I wanted her to embody a woman who isn’t asking for acknowledgment, she’s demanding it. Painting her felt like breathing life into a vow: I own my shape. I define my skin. I choose my visibility.

No longer hidden under sterile blues, she stands (well—sits) in her own terms. This gown isn’t soft for survival—it’s strong for emergence.

In my thought process, this painting is the bridge between two selves: the one who lay exposed and helpless in a hospital gown, and the one who is taking up space, choosing what she wears, what she reveals, and how she loves her rescued body again.

Thank you for witnessing my next chapter.

The Gown I chose, 2025
84.1 x 118.9 cm
Mixed Medium (Acrylic, organza and resin on canvas)

Working with tulle lately.There’s something about its softness, its sheerness—how it holds shape but still feels like ai...
27/06/2025

Working with tulle lately.
There’s something about its softness, its sheerness—how it holds shape but still feels like air.
It reminds me of the kind of femininity I’ve been thinking about…
gentle, layered, a little transparent.

A little throwback to when I was still working on this painting… I actually did finish it — I just never got the chance ...
25/06/2025

A little throwback to when I was still working on this painting… I actually did finish it — I just never got the chance to take a proper photo of the final piece.

Why? Because at the time, I was so broke I couldn’t pay rent, and my landlord took this painting as payment. A modern-day barter system if you will.

When I finally asked for it back, he told me he sold it because he “wasn’t sure I’d ever pay.” 😭

So now, the finished version of this painting lives somewhere out there… probably hanging above someone’s couch or collecting dust in a storage unit. I’ll never know. But at least it paid the bills.

Here’s to art that saves us in more ways than one.

I’m gathering the colours that will shape the next painting in the series. These colors hold the emotional temperature o...
23/06/2025

I’m gathering the colours that will shape the next painting in the series. These colors hold the emotional temperature of the series I’m working on. The soft baby pinks and lilacs speak to tenderness — but not innocence. They reference recovery, vulnerability, and the blurred edges between pain and sensuality.

The baby pinks are reminiscent of hospital gowns and girlhood blush, folding memory and femininity into the background. The lilacs and lavenders are a continuation of that sterile, surreal hospital blue from the earlier painting — but warmer now, more human, more dream.

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