A Women’s Thing

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A Women’s Thing

We are a publication dedicated to reshaping society’s ideas of “women’s things” within arts & culture. Join us!

At present, gender and racial parity have not been reached when it comes to publishing, museum acquisitions, gallery showings, and film & theater works. We are a publication dedicated to reshaping society’s ideas of “women’s things” within arts and culture. At present, gender and racial parity have not been reached when it comes to publishing, museum acquisitions, gallery showings, and film and theater works. We want to change that trajectory and tell the stories of women that never get told. We are finding and highlighting the women who have influenced our present and women who are making history today.

30/06/2026

How the light moves; it palpitates, like a heart.

“PERFECT TIMING,” Printemps, New York. Green, yellow, red, the rhythm of the street turned into light. The final feature in our series with Grimanesa Amorós.

In conversation with GRIMANESA AMOROS for A WOMEN’S THING. Full interview on awomensthing.com.

26/06/2026

In 1976, Tracy Weisman watched the Tall Ships sail into Newport Harbor and felt a shared sense of great national pride. Fifty years later? “That’s a different story.”
“Some Birthday, America” is her candid, hopeful reckoning with a country turning 250: flags sliced open and stitched back together with zippers, quilts and textiles in red, white, blue, and black. A former speechwriter, she now tells the story in materials instead of words. On view at CUSP Gallery, Newport, June 27 to July 19. Full interview on awomensthing.com.

Tracy Brownell Weisman · CUSP Gallery in Newport

02/06/2026

I do not fight the unknown; I let it inspire me instead.

“PASSAGE” and “MARITIME,” Istanbul.

In conversation with for

05/05/2026

Flexibility and creativity are the keys to success when on-site.
You have to surrender to the romance with the unknown.

“RADIANCE,” created with the LA Philharmonic at Walt Disney Concert Hall.

In conversation with .

16/03/2026

At Essex Flowers, “Expired” asked who gets called irrelevant and who decides.

Curated by Roxanne Wolanczyk as part of apexart’s Open Call, the exhibition featured work by Wolanczyk, Carol Saft, and Kenneth Zoran Curwood. From ceramic vessels inscribed with “I RESERVE THE RIGHT TO AGE WITHOUT APOLOGY” to red mask portraits and a rain-soaked sound work, the show held space between irony and inevitability.
Writer Lydia Nobles spoke with Wolanczyk about aging, agency, technology, beauty culture, and the refusal to disappear.

The exhibition closed March 7. Read the full interview on A Women’s Thing.

26/01/2026

In “Doors into the Present: Dorothea Tanning and the Art of Becoming,” writes through Dorothea Tanning’s “Birthday” as a moment of becoming rather than a fixed image. A self-portrait made while things were still unsettled, with doors opening behind her and no clear resolution in sight.

The essay moves between Tanning, Virginia Woolf’s idea of a room of one’s own, and the experience of trying to think and make work inside spaces that don’t always support it. It considers solitude, autonomy, and what happens when a room stops being enough.

Now live on A Women’s Thing.

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