¡Fifi Gi¡ Storied Collage Art

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¡Fifi Gi¡ Storied Collage Art

¡Fifi Gi! Welcome to ¡Fifi Gi! a place to embrace the more in home decor! ¡Fifi Gi! Armstrong is a mixed media & collage artist who created ¡Fifi Gi!

Storied Collage Art is the work of mixed media artist Natalie Armstrong—femme surreal, narrative collage that explores femininity, myth, and
visual memory. is a maximalist art and furniture store from local Monroe-based artisan, Natalie Armstrong. in 2022 and named it after her two wild and wonderful daughters, Gigi and Phoebe. Armstrong enjoys finding new ways to bring her designs to life via fu

rniture, art, and home decor to bring a sense of playful funk to the home!

¡Fifi Gi! embraces the freedom of the maximalist concept, "more is more", in its joyful exploration with patterns, color, and of course all things fringe!

08/27/2026

✨ Keeper of High Things ✨

The newest piece in my Daughters of Eve series.

Inspired by birds, nests, and wide-open skies, this piece imagines Eve as a quiet guardian of all that is lifted above us. It became a reminder to me that some things aren't meant to be held tightly—they're meant to be protected, trusted, and eventually set free.

💙 Natalie

08/20/2026

🍂 Fall festival season is almost here, and I couldn't be more excited!

This fall I'll be hitting the road with my latest original collage collections, including brand new work from my Crescent WIlds and Daughters of Eve series, along with prints, cards, and a few familiar favorites.

If you're near any of these cities, I'd love for you to stop by my booth, say hello, and see the work in person!

✨ Upcoming Shows
🎨 Bayou City Art Festival – Houston, TX
📅 October 9–11

🎨 Red River Revel – Shreveport, LA
📅 October 15–18

🎨 Three Rivers Art Festival – Covington, LA
📅 November 14–15

Booth numbers will be announced as each festival gets closer.

I hope to see some familiar faces—and meet some new ones along the way! ❤️

07/23/2026

Keeper of Low Things 🤍

I'm excited to share the newest piece in my Daughters of Eve series, Keeper of Low Things.

I've always been drawn to the idea that the things beneath the surface often matter most. Roots, shells, tiny sea creatures, forgotten bones, buried treasures... the quiet things that hold an ecosystem together even when no one notices them.

In this piece, the woman sits above a hidden world that's just as alive as the one we can see. The roots beneath her become home to small creatures and collected fragments.

Like the other works in this series, it's filled with layers of symbolism and little details meant to be discovered slowly. I love making pieces that reveal something new every time you come back to them.

Thank you for following along as Daughters of Eve continues to grow. It has become one of the most meaningful series I've created. 💙

06/11/2026

I'm excited to share the second piece in my new Daughters of Eve series: The Offering. 🌿✨

This series began as a way for me to reimagine Eve—not as a symbol of shame or exile, but as a figure of wisdom, creation, and quiet strength.

In The Offering, she stands surrounded by albino deer, golden eggs, berries, cypress trees, and small votive vessels. As I worked on this piece, I kept thinking about the things we tend in life—our relationships, our families, our dreams—and how much of that care happens quietly, without recognition.

I wanted this piece to feel devotional and peaceful, like a small sacred space. A reminder that there is beauty in nurturing, in giving, and in showing up again and again for the things we love.

Thank you for following along as this series continues to grow. It means so much to share these new stories with you. 💙

05/28/2026

I’m really happy to share the final piece in my Crescent Wilds series — The House That Fed the Rougarou 🤍

This series has been such a special one for me, rooted in my love for New Orleans, the bayou, and the magic, folklore, and everyday beauty that lives there.

In this piece, a Creole mermaid balances atop a giant crawfish, surrounded by oversized florals, wandering chickens, winged alligators, and a hidden shotgun house. It’s a playful but layered world, inspired by the Rougarou legend and the idea of exchange, survival, and community in the bayou — where everything feels connected in its own quiet way.

It feels bittersweet to close out this series, but I’m so grateful for the time I’ve spent in this world and for everyone who’s followed along with me through it.

Thank you for being here and supporting my work — it truly means so much 🤍

05/26/2026

So excited and honored to share that I’m featured in Suboart Magazine (Issues 60 & 61), out now ✨

Feeling incredibly grateful to be included alongside so many talented artists from around the world—truly humbled to be part of this.

This double issue features 67 artists across 254 pages, with work from over 15 countries and all areas of visual art.

You can check it out online here: Suboartmagazine

Thank you so much to Suboart for including my work!

05/12/2026

I’m excited to finally share the beginning of a new series I’ve been quietly working on called Daughters of Eve.

This series grew out of thinking about femininity, nature, devotion, transformation, and the many different ways women learn to carry power, softness, responsibility, beauty, and contradiction all at once. I’ve been especially inspired by prayer cards and devotional imagery, using that visual language to reimagine different versions of Eve not as warnings or fallen figures, but as women worthy of reverence within their own mythologies.

The series is also deeply shaped by Southern landscapes, gardens, bayous, folklore, and the idea of creating a more expansive and self-defined mythology around womanhood.

The first piece in the series is called The Garden Keeper.

In this work, Eve appears as a quiet guardian rooted within these bayou Edens — surrounded by lilies, lemons echoing the fruit of Eve, suspended golden eggs, and watchful white alligators.

This series is very special to me, and I’m excited to slowly share more of these daughters and the worlds they inhabit. 🤍

04/30/2026

Feeling incredibly grateful to share that my artwork Bayou Swing is featured on the May cover of Country Roads Magazine 🌿✨

Truly honored to be included and still a little in disbelief—this piece means so much to me, and it’s such a joy to see it out in the world in this way.

Thank you to everyone who continues to support my work—I am truly grateful . 💛

Country Roads Magazine

Address

West Monroe, LA

Website

http://www.fifigicollageart.com/

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