02/28/2026
"Celebrating the 250th Anniversary of The American Revolution:
Creating a performance from diving into a diary and other detailed research" - a note by Gayle Stahlhuth, Artistic Director
There is always something new to discover when plowing into history. I enjoyed putting my first solo play together based on the diaries and letters of Louisa May Alcott. Touring this production led to commissions from The Smithsonian Institution to create a two-person play about Dorothea Lynde Dix, from Pennsylvania Stage Company to write a musical about Walt Whitman, and from the Illinois and Missouri Chautauqua circuit to create a one-person play on Edna Ferber. There were other commissions and plays as I worked as an actor with various theaters.
In 2021, Sara Cureton, Executive Director of the NJ Historical Commission, asked if I could create a play about the American Revolution. I’d met Sara when John McEwen, Executive Director of the NJ Theatre Alliance introduced us when she was looking for someone to create a play to honor the 100th Anniversary of the United States entering WWI. I hired James Rana to write the play, “A Year in the Trenches,” while I served as dramaturg, producer, and director. An hour-long-reading version toured NJ in 2017, directed by Eric Hafen, and I directed the full-length premiere at The First Presbyterian Church of Cape May in the fall of that year. It was such a hit, that I brought it back in 2018. Below is the cast of the 2017 production: Jennie Bissell, Ryan Genualdi, Tara Reuter, Matt Baxter Luceno, Mike Newman, and Osborn Focht.
In 2023, I started searching for a person who was in New Jersey during the American Revolution. I discovered historic personalities, but couldn’t find enough about them to create much of anything. Then Margaret Morris's name began to appear, and I learned she had written a diary, which I found at the New York Public Library at 42nd Street.
Margaret’s grandson, John J. Smith, Jr., edited and published 50 copies of her diary for private distribution in 1836. In 1949, 350 copies of “Margaret Morris, Her Journal: With Biographical Sketch and Notes by John W. Jackson” was published. I read both. The more I dove into papers about the American Revolution in December 1776, the more I discovered scholars using quotes from Margaret’s diary to highlight a point. By 2025, Margaret was much easier to find via Google, but I was already well on my way with a script.
How fortunate Margaret’s diary exists because her grandson thought it important. Another lucky stroke, she wrote it to be read by one of her sisters, so she included dialogue and clever phrases to enhance her storytelling. Another wonder is, Margaret started these entries on the day before General Washington crossed the Delaware River into Pennsylvania. While many fled from Burlington, the gateway to Philadelphia, Margaret stayed. The daily lives of townsfolk were upended by the comings and goings of patriot militias and Hessians. The Pennsylvania Navy that guarded the Delaware River, occasionally searched homes for Tories, including Margaret’s home, where she was, in fact, hiding a Tory at the time.
For “Margaret’s Diary During a Revolution” I set the scene in a lecture hall in 1795 so that I am able to use her diary along with facts that Margaret would have learned later. The focus is from December 6, 1776 through January 3, 1777, which includes General Washington’s triumph at the Battle of Trenton. I made a few tweaks to her diary when pronouns and some sentence structures were confusing, but other than that, it is her diary.
First performance of "Margaret's Diary During a Revolution" is on March 18 in Cape May. To learn more about this performance, other places where "Margaret" will be in NJ, and Classic American Tales' 2026 Season, visit http://ClassicAmericanTales.org