Collateral Journal

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Collateral Journal Collateral is an online journal publishing literary and visual art concerned with the impact of violent conflict and military service beyond the combat zone.

Abby E Murray here, and I just want to say, I don’t remember the last time I accepted two poems so quickly after reading...
10/05/2026

Abby E Murray here, and I just want to say, I don’t remember the last time I accepted two poems so quickly after reading them. Panika M.C. Dillon’s “make way for the apostles—the sad little centers of the universe” and “exit through the front teeth” are sharp and dark, with an ancient truth that’s as familiar as the poems themselves are surprising. They pull a thread from Collateral’s mission and run with it, handling the ongoing impact of conflict in new ways. I loved them at first read. Do your Monday a favor and read them today. I’ll put the link in our bio.

“‘make way for the apostles—the sad little centers of the universe’ was inspired by the tarot card ‘The World’ which is depicted as a woman with red ribbons. While it has gone through many revisions including a concrete poem and a play before settling into its current form, it was always a conversation between the world as a woman and those who seek to control or obliterate her. About ‘exit through the front teeth’: I strongly recommend everyone read the UNHRC’s February 2024 report.” —Panika M. C. Dillon

Panika M. C. Dillon’s upcoming publications include Prairie Schooner, One Page Poetry, Casting Aspersions and others. She won the 2024 Bedford Competition for Poetry and placed second for the 2024 Vivian Shipley Poetry Prize. She received her MFA in creative-writing poetry from Sarah Lawrence College. She is a legislative reporter at the Texas Capitol, major medical foster for Austin Pets Alive!, and volunteer staff crew leader at the Kerrville Folk Festival.

[image credit: “Cybele, Goddess of Civilization” (1889) from the Goddesses of the Greeks and Romans series (N188) issued by Wm. S. Kimball & Co. Available to view online through the MET. Design by B.A. Van Sise.]

If you’re new to our socials, welcome. We’re glad you’re here. Maybe we’ll read your work soon.Let’s make every week Lit...
10/02/2026

If you’re new to our socials, welcome. We’re glad you’re here. Maybe we’ll read your work soon.

Let’s make every week LitMagWeek by supporting the communities we need most. Be pro litmag, pro human, pro writer, pro artist! Collateral’s new issue drops 1 November, and we have some remarkable new poetry, fiction, nonfiction, and art to share with you, so stay tuned.

So, what journals are you missing these days?   day 4 is for throwbacks, and we are bemoaning the loss of a couple journ...
10/01/2026

So, what journals are you missing these days? day 4 is for throwbacks, and we are bemoaning the loss of a couple journals in particular. Anyone else ever find out about a journal’s passing by trying to submit work to a ghost? It’s happened to more than one of us.

We love a poem that is simultaneously anchored by its last line AND rising on its shoulders. Read both of Andrea Damic’s...
09/30/2026

We love a poem that is simultaneously anchored by its last line AND rising on its shoulders. Read both of Andrea Damic’s new poems (“Born, Not Born Here” and “Survivors”) in our current issue at the link in our bio.

‘Born, Not Born Here’ was inspired by stories I’ve heard over the years. As a former refugee, you inevitably encounter people who feel entitled to discuss you and your identity, often not realising the underlying microaggressions. As someone who migrated to an English-speaking country, I’ve come to understand that even those born here face similar microaggressions, simply because they don’t fit the ‘expected’ mould for one reason or another. This made me realise the challenges they might be going through—perhaps even more so—having felt what I feel but for different reasons. At least, the moment I open my mouth, my heavy accent reveals everything. Besides, my migration was voluntary, with all the backstories following suit. But when you are born somewhere and feel like you don’t belong, that is shattering. Flipping the coin, woven with my own experiences, was my way of connecting with them, telling them I see them.” —Andrea Damic

Andrea Damic, born in Sarajevo, Bosnia & Herzegovina, is an artist/writer living in Sydney, Australia. Her debut hybrid collection of art, poetry, and prose, All the Losses, was published in Feb 2026 by Alien Buddha Press and is available on Amazon. Andrea is also a senior editor at Pictura Journal. Her words appear or are forthcoming in Bending Genres, Blood+Honey, Does It Have Pockets, Ghost Parachute, Lothlorien Poetry Journal, Other Side of Hope, MasticadoresUSA, SoFloPoJo, The Ekphrastic Review, etc. Andrea won SmokeLong Quarterly’s Trainwreck Micro Competition (Sep 2025). Her CNF, “Another Version of Her,” has been nominated for Best of the Net 2026 by Does It Have Pockets. In her imaginary free time, Andrea can be found fiddling with her website, www.damicandrea.wordpress.com, and other social media.

[Image credit: “The Five Points” 1827, unknown artist, not currently on view at the Met, design by B.A. Van Sise]

What lit mags are YOU reading? (No really, what are you reading? Comment and let us know.) Here’s a wee list of what you...
09/30/2026

What lit mags are YOU reading? (No really, what are you reading? Comment and let us know.) Here’s a wee list of what your friendly Collateral Journal editors are into lately, to celebrate Day 3!

Lisa (arts) is reading HonestUlsterman Banshee Press and Channel Press
Abby (poetry) is reading DIALOGIST ONE ART The Pinch and The Adroit Journal
Libby (associate editor) is reading The Sun and Bellevue Literary Review
Mariette (fiction) is reading Pleiades Magazine: Literature in Context One Story and the Inch froOne Storyty Press
Jaqi (nonfBull City Pressing Narratively Brevity and HuNarrativelyzBrevityis isHuizache Magazine to support your fave lit mags. If you can’t donate or make purchases to help them out right now, follow them on socials and give their posts a thumbs up or an encouraging comment—we definitely appreciate the ones we receive! Share their publications and let the writers and artists know how their work impacted you. Say hi at AWP and local book and lit fests, recommend them to friends, submit your work for consideration, and talk about them in writing groups. Support isn’t JUST financial, friends.

Till tomorrow...

09/29/2026

Hey there. We’re Collateral. We’re a bunch of editors impacted by war and military service. Nice to meet you.

Have you used the discount code LitMagWeek at our Shop to get some merch and support our anti-war, pro-human mission?

09/28/2026

Welcome to LitMagWeek, folks! Your friends at Collateral are participating by kicking off the week with the discount code LitMagWeek, which gets you 15% off your order in our Shop. We have hoodies with images by Iranian artist Reza Baharvand, shirts, and a few decent stickers. Since Collateral Journal is run entirely by volunteers, 100% of our proceeds go toward keeping us online, free to read, and free to submit. We have yet to cover all our costs in a single year, but we’re obviously not in this for the money. We’re so grateful for your generosity!

Be sure to follow and enjoy finding your brand new favorite places to submit. With thanks to Brett Van Emst at Midnight Mind Magazine for the inspiration to bring the litmag community together, and [ c l m p ]] for the support!

[Short on $$? Support us by submitting your work free of charge! We read year round and are always looking for poetry, fiction, nonfiction, and visual art that examines the impact of violent conflict beyond the combat zone.]

In which food is the bridge we tend between ourselves and our identities, our memories, and our futures. Linh Flores is ...
09/17/2026

In which food is the bridge we tend between ourselves and our identities, our memories, and our futures. Linh Flores is both a gifted poet and incredible chalk artist based in Hilo. Check out Linh (Sarah) Flores to see more, and read her two new poems in Collateral’s current issue at the link in our bio.

“After my oldest daughter turned ten, I sank into grief. At night, I cried for her as she struggled with suicidal thoughts, and I cried for Bà (my Vietnamese grandmother) who lost her daughter at the same age. It took many months until this could be expressed in Decade Daughters. The weight isn’t gone, but it’s lighter. As a mother in my thirties, my curiosity about my grandmother has amplified, despite our language barrier. Bà’s stories sound different to me now. They land in my body like an ancestor, blessing me with the insight of past pain, the wisdom of grit, and the light of triumph. It’s an honor to feel this connection.” —Linh Flores

Linh Flores is an artist, ex-NASA engineer, mother to three daughters, wife to an Iraq War combat veteran, and descendant of refugees. She strives to illuminate the personal impacts of war and the challenges of caregiving. Writing is part of her healing process, to relieve heaviness of the heart and renew its tranquility. She believes in shining light on what is dark and allowing pain to be expressed, honored, and understood with gentle compassion. This allows her to transmute suffering into beauty, power, and meaning. She has published in The War Horse, Collateral, and Altadena Poetry Review. Besides painting with words, she delights in painting on paper, canvas, and on the street. She lives in Hilo, Hawai‘i and you can find her artwork on instagram Linh (Sarah) Flores.

Collateral’s fall reading deadline is TOMORROW, 1 September 2026! Make sure you review our submission guidelines (link i...
08/31/2026

Collateral’s fall reading deadline is TOMORROW, 1 September 2026! Make sure you review our submission guidelines (link in bio) and send your work over via Submittable. We cannot read and respond to submissions over email. But hey, we never charge submission fees, and our editors read everything!

Read you soon,
Collateral Journal

What do you know: another Collateral Journal family member is teaching a Minority Veterans of America workshop! Register...
08/26/2026

What do you know: another Collateral Journal family member is teaching a Minority Veterans of America workshop! Register now for Thursday’s conversation on erasure poems as acts of resistance with issue 10.1’s veteran Enrique Gautier through the link in our bio.

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