Play Development Lab

Play Development Lab The Play Development Lab offers play- development experience for women playwrights to advance process, craft, and career.

To say I'm stoked is an understatement! My one-on-one sessions with cohort members of the 2025/26 Play Development Lab c...
03/04/2026

To say I'm stoked is an understatement! My one-on-one sessions with cohort members of the 2025/26 Play Development Lab cohort have begun and these women are on FIRE!

Play Development Lab (PDL) is a development incubator offering comprehensive play development support to professional Black women playwrights. I created PDL as part of my commitment to my academic creative research and to collaborate with the Howard University Department of Theatre Art's New Works Initiative.

Through this initiative my goal is to help professional Black women playwrights advance creative process, enhance craft, and foster long-term careers.

Meet me there!
02/25/2026

Meet me there!

In theatre we’re fond of saying the show MUST go on.” Starting today, let’s get in the habit of asking “but at what cost...
02/11/2026

In theatre we’re fond of saying the show MUST go on.” Starting today, let’s get in the habit of asking “but at what cost”.

NEW Article alert…”Theatre Performers Wellbeing: why it’s just as important as yours”

—>

In theatre we’re fond of saying the show MUST go on.” Starting today, let’s get in the habit of asking “but at what cost”.

It’s official… “Building bridges between arts, culture and science.” Founded in 2024 by Professor Denise J. Hart, Restor...
01/22/2026

It’s official…

“Building bridges between arts, culture and science.”

Founded in 2024 by Professor Denise J. Hart, Restorative Theatre Performance Project (RTPP), is a collaborative arts-based research initiative that employs restorative practices to build bridges between arts, culture and science to engender social change.

Restorative practices have ancient roots in Indigenous cultures worldwide that focus on repairing harm. It employs the idea that a thriving community is interconnected and when harm occurs it does not simply affect those involved, but the entire community.

The arts are inherently multi-disciplinary and have always been used to incite change, thus, RTPP develops arts centric multi-disciplinary programming and provides performing arts training reimagined that uses restorative practices to offer the arts community new paradigms for ways of thinking, knowing and being.

Denise is experienced in creating transformational trainings that support arts leaders, educators and practitioners, helping them learn from the past, create meaningful change and elevate organizational narrative and image.

Through its programming and training RTPP seeks to disrupt and intervene to create social change for the betterment of humanity.

Learn more about my initiative Restorative Theatre Performance Project here 👇🏾
01/07/2026

Learn more about my initiative Restorative Theatre Performance Project here 👇🏾

Restorative Theatre Performance Project (RTPP), is an applied methodology intervention centric training model designed to work in tandem with existing collegiate theatre performance (playwriting, directing and actor) training philosophies. Academic theatre training programs play a critical role in

01/07/2026

Completed my reading and citation note taking for the day. My co-author and I are writing an article exploring the use of restorative practices to address harm in theatre training programs!

01/06/2026

We are thrilled to announce Syracuse Stage as the 2025 recipient of the Lucille Lortel Foundation Indigenous Theatermaker Award for their work to showcase the importance of Indigenous storytelling and help develop a space for Native performers and theater artists at all levels in their careers.

Syracuse Stage has long championed and elevated stories from the Indigenous community. In 1994, the theatre premiered “The Indolent Boys” from Pulitzer Prize-winning Kiowa novelist N. Scott Momaday; in 2008, alongside celebrated theatre artist Ping Chong, Syracuse Stage created “Tales From the Salt City,” an interview-based examination of the history of Syracuse which included Jeanne Shenandoah, environmental leader of the Onondaga Nation; and in 2018, born of a desire to further learn from and engage with the Indigenous people of Central New York, Syracuse Stage launched “Our Words are Seeds,” a collaborative performance project under the creative guidance of lead artist Ty Defoe. “Our Words are Seeds” has evolved into a multi-year, multi-disciplinary experience encompassing a wide range of activities, including community-based educational programming, storytelling and, most recently, an evolving partnership among Indigenous artists. In the summer of 2025, Syracuse Stage and Netherlands-based choreographer Nicole Beutler collaborated with Oneida/Haudenosaunee thought leader Michelle Schenandoah on “A Room in Our House” — a dance piece that interrogates the relationship between Dutch colonists and the Indigenous peoples of North America — as a multi-year effort to further the theatre's commitment to telling the stories of the Indigenous community. Such projects not only enrich the local artistic landscape — they continue to inform and deepen the artistic vocabulary of Syracuse Stage as a people-first organization.

Such an important endeavor!
01/06/2026

Such an important endeavor!

See the world premiere theatrical adaptation of Born on the Water during this special family event, sponsored by Beyond the Book.. Event starts at January 17, 2026 12:00 PM EST

Address

Washington D.C., DC

Alerts

Be the first to know and let us send you an email when Play Development Lab posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to Play Development Lab:

Share