Tom Erb - Playwright

Tom Erb - Playwright Tom Erb's saga in the performing arts is a rich tapestry woven with the threads of an actor, director, producer, and now, playwright.

Well, it’s been a while since I posted anything on here, but that’s because I stepped away from the keyboard and back in...
05/13/2026

Well, it’s been a while since I posted anything on here, but that’s because I stepped away from the keyboard and back into the real world of theatre. I just finished directing Born Yesterday at Lemon Bay Playhouse in Englewood, Florida.

What an experience.

I had an incredible cast, built a fantastic set, and together we created a really special show. We ran for three weeks, had great audiences, and had one hell of a good time doing it.

But coming back from directing reminded me of something about playwriting that I think every playwright struggles with: focus.

Playwriting is dangerous that way.

We sit down at the computer to write one play… and suddenly another idea shows up. Then another. Then another. Before long, we’ve got one finished script, five unfinished ones, ten new title pages, three synopses, and twenty random scenes sitting in folders on the desktop.

That’s the curse of the playwright. The ideas never stop coming.

The hard part isn’t finding ideas. The hard part is staying loyal to the play you’re already writing.

I know this from experience. In the past two months alone, I completed one play… and started about twenty-five unfinished ones. No exaggeration. Every new idea felt exciting enough to chase, and before I knew it, the original project was suffering because my attention was split in too many directions.

So that’s something I’ve learned this past year:

Stay present.

Write the idea down if it comes to you. Save it. Table it. But don’t immediately create the title page, character breakdown, synopsis, and thirty pages of dialogue for a brand-new script while abandoning the play that already has your heart and your momentum.

Finish the play in front of you first.

Anyway, I’m back. I’ve got a new project coming up that I’ll be talking about soon, and I’ll also be posting several new plays on New Play Exchange.

I’ve still been following everybody on here, and you’re all doing amazing work.

I’m having fun out here.

Till later.

✨NEW EPISODE LIVE!✨Our 6th season of Theatrical Shenanigans begins today as episode one goes LIVE!You can listen here - ...
01/04/2026

✨NEW EPISODE LIVE!✨
Our 6th season of Theatrical Shenanigans begins today as episode one goes LIVE!

You can listen here -

https://theatricalshenanigans.podbean.com/e/s06-e01-a-rainy-night-in-hollywood-kaylee-killingsworth/?token=f24c473ae00fd5d1dc43bd7bc334d9ad&fbclid=IwY2xjawPHUnZleHRuA2FlbQIxMABicmlkETFQUldqVmVoM1V2TXBocERDc3J0YwZhcHBfaWQQMjIyMDM5MTc4ODIwMDg5MgABHq8zB5x0Sd5i_s-rPrLHjEgvZ4oaS4aw1Ui3XT3ENueqvDrUfE0ha_iWngJ3_aem_LX9_67tfNSwe7slLl_FOaQ

Synopsis:
The play follows the encounter between Rita Hayworth, a famous actress unhappy with her career and personal life, and George, a studio driver unaware of her identity and a secret passion for writing movies. The play occurs in a car parked outside a studio gate on a rainy night, where Rita and George share their dreams, frustrations, and feelings.

Cast:
Rita Heyworth – Jacquie Floyd (www.jacquiefloyd.com)

George – Jeff Priskorn (www.jeffpriskorn.com)

And, to accompany this wonderful play, I get to have a chat with playwright & collaborative theatre artist, Kaylee Killingsworth

(https://newplayexchange.org/users/17255/ko-killingsworth & https://www.kayleekillingsworth.com/).

Hope you can join us for this shiny new episode!

If you can, please Like/Follow/Support us! 🙂
https://www.buymeacoffee.com/TheatricalShenanigans
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Hello there and welcome to this shiny sixth season of Theatrical Shenanigans! Our first play of this season is written b...
01/01/2026


Hello there and welcome to this shiny sixth season of Theatrical Shenanigans! Our first play of this season is written by Tom Erb (https://newplayexchange.org/users/16892/tom-erb). Tom Erb, a Southwest Florida-based playwright who began his writing career in 2016, brings over five decades of theatrical experience to his dramatic works. His transition to playwriting follows an extensive career spanning directing, acting, and production, allowing him to infuse his scripts with a deep understanding of stagecraft and performance dynamics. As a playwright, Erb draws upon his Executive production experience with StageRight and Newportant Studios, where he honed his storytelling abilities by overseeing all aspects of theatrical production. His work is further informed by decades as an actor (beginning in the early 1960s), giving him unique insight into character development and dialogue.
Through his playwriting, Erb continues contributing to his theater community, creating works that capitalize on his lifetime of experience in the performing arts. Tom's play is entitled “A Rainy Night in Hollywood” (https://newplayexchange.org/.../a-rainy-night-in...)

Synopsis:
The play follows the encounter between Rita Hayworth, a famous actress unhappy with her career and personal life, and George, a studio driver unaware of her identity and a secret passion for writing movies. The play occurs in a car parked outside a studio gate on a rainy night, where Rita and George share their dreams, frustrations, and feelings.

Cast:
Rita Heyworth – Jacquie Floyd (www.jacquiefloyd.com)
George – Jeff Priskorn (www.jeffpriskorn.com)

If you can, please Like/Follow/Support us! 🙂
https://www.buymeacoffee.com/TheatricalShenanigans
https://www.facebook.com/profile.php?id=100087550385392
https://www.instagram.com/theatricalshenanigans/
https://www.etsy.com/uk/shop/RFWScripts

Reflections on Seeing My Grandfather's Story Come to LifeA month has passed since I watched my play "A Rainy Night in Ho...
09/30/2025

Reflections on Seeing My Grandfather's Story Come to Life

A month has passed since I watched my play "A Rainy Night in Hollywood" open the Wesley Chapel Theater Group's One-Act Festival, and the experience still resonates deeply with me. I often find myself thinking about that afternoon, overwhelmed with gratitude for what transpired.

While this was technically the second production—the first was at the Texas A&M Corpus Christi Theatre Festival, which I was unable to attend, and the play has since been accepted for "Theatrical Shenanigans - Season 6"—it was my first time experiencing my own work performed live. Throughout my career, I've been portraying and producing other artists' worlds and concepts, but releasing my own ideas and words to someone else's interpretation felt entirely different. I wasn't sure how I would react to that moment, but now, reflecting back, I realize how profoundly it affected me.

When I first started writing this play based on the stories my grandfather told me as a young boy, I never imagined I'd see it brought to life so beautifully. My grandfather was such a fascinating man—he grew up in Hollywood, served in both World Wars, and worked as a driver for the Hollywood studios in the late 1940s. His stories about that rainy night when he met a Hollywood starlet always captivated me, and I knew someday I had to share that story with the world. That afternoon proved that I made the right choice.

Looking back, Director Rodney Bueno's interpretation of my work was nothing short of magical. Rodney understood the heart of what I was trying to convey—this wasn't just about old Hollywood glamour, but about real human connection and how one night can change everything. His direction brought out nuances in my script that I hadn't even fully realized were there. He treated my grandfather's story with such respect and sensitivity, and I'm still grateful for his vision.

Kelsey Nicole Marsilia's portrayal of Rita continues to stay with me. When I wrote Rita, I was thinking about the countless starlets my grandfather encountered, but Kelsey made her so much more than I had imagined. She found layers in the character that brought her to vibrant life—vulnerable beneath the glamour, searching for genuine connection in a world of make-believe. Her performance revealed dimensions of the character I hadn't fully appreciated until I saw them embodied on stage.

And John Sullivan as George—his performance still moves me when I think about it. Seeing an actor embody the essence of my grandfather was incredibly powerful. John captured not just the words I wrote, but the spirit of the man who lived these experiences. His quiet strength, his dignity, and his wonder at this unexpected encounter—John brought all of it to life in a way that perfectly honored my grandfather's memory.

As I sat in the audience that day, watching my family's history unfold on stage, I was struck by how the Wesley Chapel Theater Group had so effectively embraced this very personal story. They saw the universal themes within my grandfather's specific experience—the magic of unexpected connections, the way one night can alter the course of two lives, the beauty of finding authenticity in an artificial world. Time hasn't diminished my appreciation for what they accomplished.

The Wesley Chapel Theater Group took a chance on an unknown writer and a very personal story, and they gave it life beyond anything I could have hoped for. Rodney, Kelsey, John, and the entire team didn't just perform my play—they became partners in keeping my grandfather's memory alive, and that partnership continues to mean the world to me.

I know my grandfather would have been so proud to see his story told with such care, artistry, and heart. A month later, I'm still processing the gift I was given that afternoon. Thank you to everyone who made this dream possible. This is the beginning of what I hope will be many more opportunities to share the stories that shaped me.

Reflections on Seeing My Grandfather's Story Come to LifeTime has passed since I watched my play "A Rainy Night in Hollywood" open the Wesley Chapel Theater ...

Seeing My Grandfather's Story Come to Life - A Dream Realized -I'm still pinching myself! Yesterday afternoon, I watched...
07/14/2025

Seeing My Grandfather's Story Come to Life - A Dream Realized -
I'm still pinching myself! Yesterday afternoon, I watched a live production of my play, "A Rainy Night in Hollywood," for the very first time, as it opened the Wesley Chapel Theater Group's One-Act Festival. I'm overwhelmed with gratitude and emotion.
While this is actually the second production of this play – the first being at the Texas A&M Corpus Christi Theatre Festival, which I was unable to attend, and was recently accepted for "Theatrical Shenanigans - Season 6" lineup. – I was thrilled to finally experience my own work performed live. I wasn't sure how I would react to this moment. Throughout my whole career, I've been portraying and producing other artists' worlds and concepts, but releasing my own ideas and words to someone else's interpretation felt entirely different. This was truly an afternoon of firsts for me.
When I first started writing this play based on the stories my grandfather told me as a young boy, I never imagined I'd see it brought to life so beautifully. My grandfather was such a fascinating man – he grew up in Hollywood, served in both World Wars, and worked as a driver for the Hollywood studios in the late 1940s. His stories about that rainy night when he met a Hollywood starlet always captivated me, and I knew someday I had to share that story with the world.
Watching Director Rodney Bueno's interpretation of my work was nothing short of magical. Rodney understood the heart of what I was trying to convey – this wasn't just about old Hollywood glamour, but about real human connection and how one night can change everything. His direction brought out nuances in my script that I hadn't even fully realized were there. He treated my grandfather's story with such respect and sensitivity that I felt like my grandfather was somehow present in that theater.
Kelsey Nicole Marsilia’s portrayal of Rita absolutely took my breath away. When I wrote Rita, I was thinking about the countless starlets my grandfather encountered, but Kelsey made her so much more than I had even imagined. She found layers in the character that brought her to vibrant life. Watching her perform, I could almost see the real woman who inspired this story – vulnerable beneath the glamour, searching for genuine connection in a world of make-believe.
And John Sullivan as George – wow. Seeing an actor embody the essence of my grandfather was incredibly moving. John captured not just the words I wrote, but the spirit of the man who lived these experiences. His quiet strength, his dignity, and his wonder at this unexpected encounter – John brought all of it to life in a way that perfectly honored my grandfather's memory.
As I sat in the audience, watching my family's history unfold on stage, I was struck by how the Wesley Chapel Theater Group had embraced this very personal story. They saw the universal themes within my grandfather's specific experience – the magic of unexpected connections, the way one night can alter the course of two lives, the beauty of finding authenticity in an artificial world.
This is such an incredible journey for me being a playwright. The Wesley Chapel Theater Group took a chance on an unknown writer and a very personal story, and they've given it life beyond anything I could have hoped for. Rodney, Kelsey, John, and the entire team didn't just perform my play – they became partners in keeping my grandfather's memory alive.
I know my grandfather would have been so proud to see his story told with such care, artistry, and heart. Thank you to everyone who made this dream possible. This is just the beginning of what I hope will be many more opportunities to share the stories that shaped me.

Seeing My Grandfather's Story Come to Life - A Dream RealizedI'm still pinching myself! Yesterday afternoon, I watched a...
07/14/2025

Seeing My Grandfather's Story Come to Life - A Dream Realized
I'm still pinching myself! Yesterday afternoon, I watched a live production of my play, "A Rainy Night in Hollywood," for the very first time, as it opened the Wesley Chapel Theater Group's One-Act Festival. I'm overwhelmed with gratitude and emotion.
While this is actually the second production of this play – the first being at the Texas A&M Corpus Christi Theatre Festival, which I was unable to attend – I was thrilled to finally experience my own work performed live. I wasn't sure how I would react to this moment. Throughout my whole career, I've been portraying and producing other artists' worlds and concepts, but releasing my own ideas and words to someone else's interpretation felt entirely different. This was truly an afternoon of firsts for me.
When I first started writing this play based on the stories my grandfather told me as a young boy, I never imagined I'd see it brought to life so beautifully. My grandfather was such a fascinating man – he grew up in Hollywood, served in both World Wars, and worked as a driver for the Hollywood studios in the late 1940s. His stories about that rainy night when he met a Hollywood starlet always captivated me, and I knew someday I had to share that story with the world.
Watching Director Rodney Bueno's interpretation of my work was nothing short of magical. Rodney understood the heart of what I was trying to convey – this wasn't just about old Hollywood glamour, but about real human connection and how one night can change everything. His direction brought out nuances in my script that I hadn't even fully realized were there. He treated my grandfather's story with such respect and sensitivity that I felt like my grandfather was somehow present in that theater.
Kelsey Nicole Marsilia’s portrayal of Rita absolutely took my breath away. When I wrote Rita, I was thinking about the countless starlets my grandfather encountered, but Kelsey made her so much more than I had even imagined. She found layers in the character that brought her to vibrant life. Watching her perform, I could almost see the real woman who inspired this story – vulnerable beneath the glamour, searching for genuine connection in a world of make-believe.
And John Sullivan as George – wow. Seeing an actor embody the essence of my grandfather was incredibly moving. John captured not just the words I wrote, but the spirit of the man who lived these experiences. His quiet strength, his dignity, and his wonder at this unexpected encounter – John brought all of it to life in a way that perfectly honored my grandfather's memory.
As I sat in the audience, watching my family's history unfold on stage, I was struck by how the Wesley Chapel Theater Group had embraced this very personal story. They saw the universal themes within my grandfather's specific experience – the magic of unexpected connections, the way one night can alter the course of two lives, the beauty of finding authenticity in an artificial world.
This is such an incredible journey for me being a playwright. The Wesley Chapel Theater Group took a chance on an unknown writer and a very personal story, and they've given it life beyond anything I could have hoped for. Rodney, Kelsey, John, and the entire team didn't just perform my play – they became partners in keeping my grandfather's memory alive.
I know my grandfather would have been so proud to see his story told with such care, artistry, and heart. Thank you to everyone who made this dream possible. This is just the beginning of what I hope will be many more opportunities to share the stories that shaped me.

For anyone interested, here is the backstory and inspiration for "A Rainy Night in Hollywood."Backstory for play: “A Rai...
07/07/2025

For anyone interested, here is the backstory and inspiration for "A Rainy Night in Hollywood."

Backstory for play:
“A Rainy Night in Hollywood”

Excerpt from memoir “I Am the Walrus” by Tom Erb

On the last evening of our stay, an unforgettable moment unfolded. My family, including my mom, Aunt Gertie, Uncle Larry, Grandma, and the other kids, decided to attend a carnival, leaving my Papa and me behind. Neither of us felt like joining the festivities, so we opted to stay home. I vividly recall lying on the couch, engrossed in a Western on the television, while Papa sat at the kitchen table. The sound of clinking coins emanated from his direction, piquing my curiosity. I couldn't resist investigating.

I approached the table, clambered onto a nearby chair, and observed as Papa meticulously arranged the coins. He sorted them, occasionally sharing intriguing tidbits with me. "This stack is made up of Silver Dollars minted before 1900," he would say, and I hung on to his every word.

As he completed the sorting process, I was astounded by the sheer quantity of coins and their impeccable shine. Then, Papa posed a question that would forever linger in my memory: "Among all these coins on the table, which one do you think holds the most value?" I surveyed the table, eventually selecting the tallest stack of silver dollars. To my surprise, Papa replied, "No, it's not always the tallest stack that holds the greatest value. The two most precious coins on this table are valuable for very different reasons."

He picked up two single coins, one glistening gold and the other shimmering silver, and placed them before me. "These," he declared, "are the two most valuable coins to me, Tommy. Would you like to know why?" I eagerly nodded, urging him to continue.

With a smile, Papa began, "Well, young man, these coins are heirlooms, destined to be passed down to close family members when I'm no longer here. But they also hold value because of their unique stories and the people who once possessed them."

He reached for the gleaming silver coin and shared its tale. "This coin was a gift from a renowned actress named Rita Hayworth back in 1947. At the time, I worked as a driver for Columbia Pictures, a quick way to earn some money. During my tenure, I chauffeured numerous movie stars and directors, such as Fred Astaire, Ginger Rogers, Glenn Ford, Alfred Hitchcock, and Orson Welles."

Papa's narrative continued, recounting the evening when he met Rita Hayworth. "In March 1948, they assigned me to pick her up. It was a rainy night, and I was waiting in my car near a stage door light, just like a scene from a Sam Spade novel. She hopped into the back seat, drenched from the rain. Initially, I didn't recognize her, but when I turned to ask her destination, I realized it was Rita Hayworth."

Curiosity piqued, I inquired about Papa's response. He chuckled and said, "I simply drove, without a specific destination in mind. She needed some time to herself, so I drove her all around Los Angeles. About half an hour later, she asked if I had a cigarette, and I offered her one from my Pall Mall pack. She lit it with my Zippo lighter, which had my Army insignia on it."

As the story unfolded, Papa recalled their conversation. "She introduced herself as Rita and asked if I had served in the Army. I replied affirmatively and shared some of my wartime experiences. She commended me for my service and reminded me that even those who returned home alive were heroes."

Papa's connection with Rita Hayworth didn't end there. "That night, she gave me the silver coin as a tip, and we exchanged no further words. Its face value may be only twenty-five dollars, but its true worth is immeasurable, as it came from her to me. I've documented its origin in my coin journal."

Intrigued, I probed further, asking if he ever crossed paths with Rita again. "Yes," Papa replied, "I see her virtually every day."

He elaborated on the subsequent events that unfolded. "After that night, I received a call from the studio, and they instructed me to drive to the back lot to meet a studio executive. While driving there, I noticed unusual ease of access, as the gate guard allowed me in without the customary approval process. I arrived at soundstage 3A, where I had been before for pickups."

Papa recounted the pivotal moment when he encountered Rita Hayworth again. "As I pulled up, I saw men in suits, and Rita was reviewing some paperwork. She walked over and introduced me as her 'Knight in Shining Armor.' She explained that she needed a driver who respected her need for silence during rides but was ready to protect her if needed."

Recalling his response, Papa said, "I hesitated at first, but eventually agreed. From that day onward, I was loaned to Beckworth Corporations, her production company, and our journey together continued. We worked on various projects, including 'The Loves of Carmen' in 1951, a partnership between her company and Columbia Pictures."

Papa's reminiscences painted a vivid picture of that glamorous era. "My time with Rita Hayworth and the studios was a wild and sometimes bizarre ride. She defied the media's portrayal and proved to be even more complex. This coin serves as a memento of those glamorous days."

But there was one more story left to be told, the tale of the gold coin. Papa seamlessly transitioned to it, explaining its significance. "This gold coin is tied to World War II. During the war, a shortage of gold occurred, and the government issued a mandate requiring all Americans to turn in their gold coins. This coin, however, was a source of hope for me."

He revealed how he won the gold coin in a poker game while aboard a ship bound for Europe. "I kept it close to my heart in my left breast pocket, wrapped in a sock. In moments of despair, I'd retrieve it, finding solace and a reminder of what I was fighting for."

When the government demanded the coin, Papa couldn't part with it. "I included it in my will, intending for it to pass to Grandma, then to the firstborn grandson, who could decide its fate. It's a precious 1908 $2.50 Indian Head solid gold piece in mint condition, a collector's item worth thousands."

These stories, intertwined with coins, carried the weight of history and sentimentality. As Papa shared them with me, I couldn't help but appreciate the rich tapestry of his life and the incredible value of the coins, not just in monetary terms, but in the stories and memories they held.

Tom Erb

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Venice, FL
34285

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