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WEIRD SHOW TWS is an art platform dedicated to the showcase and exploration of contemporary collage through exhibitions, publishing and workshops & sessions.

The whole thing is co-curated by Rubén B and Max-o-matic

Thirty days is all a design gets in our shop.Each month TWS Gallery puts out one shirt. When the month ends, the design ...
10/14/2026

Thirty days is all a design gets in our shop.
Each month TWS Gallery puts out one shirt. When the month ends, the design is retired and a new one takes its place.
September’s shirt belongs to Day Spectres & Invisible Interruptions, our second online exhibition. It is available until this weekend.
The gallery is free to visit. The shop helps keep it that way, and wearing a shirt backs the work directly.
Link in bio.

Listen what Dennis Busch  has to say about collage: ““Collage is like a micro cosmos.There’s good collage, and there are...
09/26/2026

Listen what Dennis Busch has to say about collage: ““Collage is like a micro cosmos.
There’s good collage, and there are ways of working with collage that I really like. And there are artists that, using collage, need to say something interesting, and that’s when I like it.”

Read more about his work and ideas at theweirdshow.info

Day Spectres & Invisible Interruptions is officially open, TWS Gallery’s second online exhibition.Five artists working a...
09/21/2026

Day Spectres & Invisible Interruptions is officially open, TWS Gallery’s second online exhibition.
Five artists working at the point where painting and collage stop being separate mediums, treating paint as fragments and paper as pigment.
Lola Dupré (Lola Dupre), Alvaro Naddeo (Alvaro Naddeo), John Whitlock (John Whitlock), Nacho Martín Silva (Nacho Martin Silva), Anthony White (Anthony White).

September 20, 2026 – January 2027.
gallery.theweirdshow.info
Link in bio.


Poster by Max-o-matic (Max-o-matic)
And Animation by Ed-Guillaume Smith (Ed Guillaume-Smith)

"AL: How much does the happy accident figure into what you do?�LB: The Angel of Accidents drops in at her convenience. C...
08/21/2026

"AL: How much does the happy accident figure into what you do?�LB: The Angel of Accidents drops in at her convenience. Can't quantify.
AL: What makes something art?�LB: A frame, a pedestal."�— Lou Beach

Beach declines to answer either question in the terms they were asked, and that refusal is itself the answer: art's boundary and its accidents both resist explanation, so he doesn't force one. Coming from someone who has worked in collage for sixty years, that reads as a conclusion rather than a shrug. Some artists spend careers trying to define the frame; Beach just points at it.

Read more. https://theweirdshow.info/2022/06/28/art-is-a-difficult-process-i-prefer-to-make-yard-work-a-conversation-with-collage-legend-lou-beach

Liss Fenwick's new book has an unusual set of co-authors: a termite colony that's been living under their childhood home...
08/18/2026

Liss Fenwick's new book has an unusual set of co-authors: a termite colony that's been living under their childhood home in the Northern Territory for years.

Fenwick gathered old textbooks, the kind built on frontier myths and one-sided histories that left out First Nations cultures, and fed the whole stack to the colony to see what would happen. What came back wasn't ruin. It was structure: chambers and passageways built where the pages used to be.

Fenwick never cut a single page themselves. Choosing which books went in, and where, was the whole job. The termites did the rest, underground, without being asked to make any kind of statement.

We keep coming back to this: collage doesn't need a hand holding a blade. It just needs something willing to take things apart and put them back together differently. This time, that something had six legs.

Artist selected by
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"We all collage every day: our memories, the way we put on clothes, how we arrange food, how we organise our junk, the w...
08/15/2026

"We all collage every day: our memories, the way we put on clothes, how we arrange food, how we organise our junk, the way we walk, the way we talk, the way we sing. Collage pieces it all together, and for me it is the strongest communication there is."�— Kubi Vasak

Vasak points to one repeated action underneath every item on his list: arranging fragments into something legible, whether the fragments are photographs or gestures. That claim extends collage past the studio into every ordinary decision a person makes about how to present themselves. If arranging is the constant, the scissors were always optional.

https://theweirdshow.info/2023/05/10/bloom-tall-botanical-artistry-and-collage-at-kubi-vasaks-upcoming-exhibition

A lot of you found us in the past few months. Welcome!We know this account can be confusing if you just landed here. Som...
08/13/2026

A lot of you found us in the past few months. Welcome!

We know this account can be confusing if you just landed here. Some paper collage, some paintings, some sculpture, some photography. So here's a quick FAQ on what we actually do, why it doesn't always look like traditional collage, and how to be part of it if you want in.

Short version: we think collage stopped being just paper and glue a while ago. It's becoming a way of thinking, and we're here to track where it shows up next.

Questions? Ask in the comments.
Memberships: link in bio.

Cover art: Julien Boudet ( ) featured on TWS in April, 2023.

Bernie Diaz () has never really finished a collage. He works in series of twenty to thirty pieces, and a completed one d...
08/10/2026

Bernie Diaz () has never really finished a collage.
He works in series of twenty to thirty pieces, and a completed one doesn't stay sealed. Years later he'll go back, tear something open, and fold it into whatever he's building next. He calls his studio an ecosystem, work still in dialogue with itself long after it was supposedly done.

The idea comes from somewhere bigger than the studio. Personal and cultural history both arrive with pieces missing, and Diaz has spent years thinking about what people do to fill those gaps. His reference point is Mr. DNA from Jurassic Park, the gaps in the dinosaur genome patched with frog DNA. He sees the same thing happening whenever someone tries to make sense of an incomplete story, including their own.

Even his process starts before he's touched anything. The night before a new piece, he gathers fragments and lets the relationships between them settle while he sleeps.

Read the full interview: link in bio.

"There's a sort of organic connection between things for me. Collecting and connecting is the basis of collage, be it im...
08/06/2026

"There's a sort of organic connection between things for me. Collecting and connecting is the basis of collage, be it image with image, image with text, video, concept, historical paradigms."�— Vera Gomes

�Gomes treats connection itself as the material, more than any single image or object. That widens collage past a stack of clippings into a method for handling ideas across completely different forms at once. Once connection is the material, almost nothing sits outside the practice.

https://theweirdshow.info/2020/05/18/vera-gomes-carving-stones-with-glitches

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