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Texas Internet Radio Chart Texas Chart Tracking Independent Texas Artists Radio spin counts on Internet Radio Stations

10/06/2026

🚨 TIRC CHART UPDATE — THIS WEEK’S CHART IS FROZEN

Hey everyone, just a quick update from TIRC.

Unfortunately, the Chart Editor has come down with a pretty rough stomach bug, and because of that, this week’s chart will be frozen.

Rather than rush the reporting, verification, and chart-building process, we’re going to carry the current chart forward and resume normal reporting and chart activity next week.

As always, maintaining the accuracy and integrity of the TIRC and TIRC-AM charts comes first. Sometimes the person behind the computer just gets sick. 🤢

Program Directors & Reporting Stations: No additional action is needed on your end. We’ll pick everything back up with the next reporting cycle.

Thank you to our artists, promoters, program directors, reporting stations, and TIRA members for your patience and understanding.

I appreciate y’all.

— Mark Sebby
Chart Editor
Texas Internet Radio Chart / TIRC-AM
Texas Internet Radio Association

📻 AI SCREENING & TIRC CHART ELIGIBILITYThis week, three submissions returned AI screening scores above our chart-wide 15...
10/04/2026

📻 AI SCREENING & TIRC CHART ELIGIBILITY

This week, three submissions returned AI screening scores above our chart-wide 15% threshold. We want to remind artists, producers, and promoters how our policy applies.

We support using AI as a tool to develop song ideas. For example, an AI scratch track can help you communicate an arrangement to your musicians and producer before entering the studio, saving valuable studio time.

The final recording submitted for radio and chart consideration must meet our requirements. AI-generated instrumentation should not be included in that recording. Human-recorded vocals and original lyrics do not exempt a song if its instrumental was generated with AI.

At TIRC and TIRC-AM, we’re committed to preserving human musicianship, recording, and engineering—and maintaining fair chart eligibility for artists whose recordings are created and performed by people.

Our policy, amended September 1, 2026, makes a recording ineligible when two of our three primary screening services return AI scores above 15%. That threshold provides room for possible false positives; it is not permission to include 15% AI-generated audio. Detector scores indicate an assessment of AI likelihood, not an exact percentage of AI content in a song.

Other platforms may accept AI-generated recordings under their own policies. Our requirements reflect the standards we’ve established for our charts.

Please check your final master before submitting:

🔹 SubmitHub: https://www.submithub.com/
🔹 IRCAM Amplify: https://www.ircamamplify.com/
🔹 Let’s Submit: https://letssubmit.com/ai-music-checker

Additional comparison tool:
🔹 AHA Music: https://aha-music.com/aimusicdetector

These checks can help identify concerns before submission. Final eligibility remains subject to our review.

We wish you success in using new tools to develop your ideas while keeping human performance at the heart of your finished recordings. If you have questions, please reach out.

Thank you for understanding and helping us preserve the music.
— Mark Sebby | TIRC & TIRC-AM

Upload any audio file and our advanced AI detection technology will analyze whether the music was created by a human artist or generated by AI platforms like Suno, Udio, Sonauto, and more.

TIRC Expands Monitored Radio Reporting With Autopo.st Audio Fingerprinting & TrackingNew Technology. Better Verification...
10/03/2026

TIRC Expands Monitored Radio Reporting With Autopo.st Audio Fingerprinting & Tracking

New Technology. Better Verification. More Accurate Radio Reporting.

The Texas Internet Radio Association and Texas Internet Radio Chart are excited to announce an important advancement in the way we monitor and document radio airplay across the TIRC reporting panel.

TIRC is implementing audio fingerprinting and track-monitoring technology provided by Autopo.st to monitor participating radio station streams and identify music being played.

This represents another major step in our continued effort to provide artists, radio promoters, record labels, industry professionals and—most importantly—our reporting radio stations with dependable and verifiable radio airplay information.

And before getting into the technology, we want to say something very clearly:

Thank You, Autopo.st

TIRA and TIRC would like to extend a special thank-you to the team at Autopo.st for working directly with us to develop a custom package designed around the needs of the TIRC charts and our reporting station panel.

Autopo.st has been operating since 2013 and says its radio and television services are developed in-house and operated on its own infrastructure rather than simply being resold from another provider. The company specifically notes that this structure allows it to customize many of its services according to a customer’s requirements and budget. (AutoPost Bugs)

That flexibility was extremely valuable to us.

TIRC is not a single radio station looking to monitor its own programming. We operate radio charts involving multiple reporting stations and need a system capable of helping us accurately document airplay across that network.

Autopo.st worked with us on a solution designed around those needs.

We sincerely appreciate their willingness to work with independent radio and the TIRC organization to make this possible.

What Exactly Is Audio Fingerprinting?

This is where the technology gets interesting.

Traditional radio reporting can depend heavily on the information—or metadata—being transmitted by the station.

Audio fingerprinting approaches the problem differently.

Instead of relying exclusively on the text saying what is playing, the system can actually listen to the audio stream.

According to Autopo.st, its platform samples a station’s live stream and uses an audio fingerprinting service to match the songs being played, with results made available in real time. (autopo.st)

Think of the basic process this way:

RADIO STATION STREAM → AUDIO IS SAMPLED → AUDIO FINGERPRINT IS MATCHED → SONG IS IDENTIFIED → PLAY IS LOGGED → REPORTING DATA IS CREATED

That distinction is important.

The system isn’t simply asking:

“What does the station metadata say is playing?”

Audio fingerprinting attempts to determine:

“What recording is actually coming through the stream?”

Why That Matters to TIRC

This capability addresses one of the challenges independent internet radio has faced for years.

Station environments aren’t identical.

Some stations operate completely automated programming.

Some have live DJs.

Some air syndicated programs.

Some broadcast prerecorded shows.

Some have excellent metadata.

Others occasionally have missing or inconsistent metadata.

Autopo.st’s Track Reporting documentation specifically says that its audio fingerprinting service can gather songs played through an audio stream even during prerecorded or live programming where metadata isn’t present. (autopo.st)

That capability is particularly valuable to TIRC.

It gives us another technological method of documenting what was actually broadcast rather than depending entirely upon one station automation or metadata configuration.

What Information Can Be Captured?

Autopo.st says its fingerprinting system can provide information including the artist, track title, track start time, track duration and album information. It can also return artist and cover-art imagery when available. Results can be supplied in formats including JSON, TXT and CSV, and the company says output can be customized for different requirements. (autopo.st)

For chart reporting, several of those fields are especially valuable:

Artist + Song Title + Time Played + Duration

Those pieces of information allow detected airplay to become usable reporting data rather than simply a “now playing” display.

Fingerprinting + Track Reporting

The second part of this system is just as important as recognizing the song.

It has to be logged.

Autopo.st offers Track Reporting that can operate using streaming-server metadata or in conjunction with its Audio Fingerprinting service. Detected songs can then be logged and compiled into reports. Its standard service provides daily and monthly reporting files accessible through its control panel. (autopo.st)

For the TIRC environment, that combination is what makes this technology particularly useful.

Detection tells us what played.

Tracking tells us when it played.

Reporting turns those detections into usable airplay information.

This Also Shows Why Metadata Still Matters

Our recent TIRA educational article discussed the importance of stations maintaining clean metadata.

Nothing about this announcement changes that.

In fact, the two technologies complement each other.

Audio fingerprinting gives us an additional method of recognizing the actual recording coming through the stream. Good metadata gives stations and reporting systems another reliable source of identifying information.

The strongest radio operation is therefore not:

Metadata OR fingerprinting.

It is:

Good Metadata + Audio Fingerprinting + Proper Logging + Human Oversight.

Technology should provide more evidence—not eliminate responsible review.

What This Means for TIRC Reporting Stations

For stations participating in the TIRC reporting ecosystem, our goal is to make reporting easier, more accurate and less burdensome.

A station’s most important job should be programming great radio.

When a participating station can provide us access to its public audio stream, monitoring technology can listen to that stream and identify eligible music being broadcast.

Autopo.st says its fingerprinting system can monitor almost any type of audio stream. The company also separately documents compatibility with Live365 in some of its stream-based services, alongside Icecast and Shoutcast. (autopo.st)

That is especially significant to TIRA because internet radio stations operate on many different platforms.

Our objective is not to force every reporting station into identical software.

Our objective is to accurately document airplay.

This Is About Supporting Independent Radio

There is a larger reason TIRA and TIRC are making this investment.

Independent internet radio continues to provide something incredibly valuable to emerging and independent artists:

Access.

These stations give new artists a place to be discovered.

They give regional music a place to live.

They give DJs and programmers the freedom to introduce listeners to records that may not yet have the resources necessary to compete for major-market terrestrial airplay.

TIRC was built around recognizing that contribution.

As our reporting panel grows, however, the infrastructure supporting the charts must grow with it.

We cannot simply add more stations and more music without continuing to improve how that airplay is collected, verified and processed.

Audio fingerprinting and automated track monitoring are part of that evolution.

Technology Doesn’t Replace Our Stations

We want to make one other point very clear.

The technology does not replace the radio station.

It does not replace the Program Director.

It does not replace the DJ.

It does not determine what music deserves to be played.

And it doesn’t replace human oversight of the charts.

It simply gives us another tool for answering a very important question:

Did the record actually play?

When the answer can be supported by audio recognition, timestamps, station information and reporting data, we have a stronger foundation for chart reporting.

That’s good for the chart.

That’s good for the station.

That’s good for radio promoters.

And ultimately, that’s good for the artist.

Continuing to Build the TIRC Infrastructure

TIRA and TIRC have been working extensively to improve the infrastructure surrounding our charts—from station onboarding and reporting procedures to current-single databases, music screening, metadata education, downloadable music resources for Program Directors and now expanded automated monitoring.

Not every improvement is something listeners will see.

But those improvements matter.

A credible radio chart depends on what happens behind the chart just as much as the Top 20 or Top 40 everyone sees each week.

We will continue evaluating technology and refining our procedures as our station panel grows.

The goal remains simple:

Protect the integrity of the reporting process while making participation practical for independent radio stations.

A Special Thank You to Autopo.st

Once again, we want to publicly thank the team at Autopo.st for taking the time to understand what TIRC needed and working with us on a custom monitoring solution for our charts.

Autopo.st describes itself as a radio and television technology provider operating for more than 13 years, with its services running on its own platform and infrastructure. (autopo.st)

Their willingness to work with an independent chart organization like ours is appreciated.

This isn’t simply about adding another piece of software.

It’s about continuing to build better infrastructure for independent radio and the artists who depend on it.

To our reporting stations: thank you for continuing to grow with us.

To our artists, promoters and industry professionals: thank you for trusting the process.

And to Autopo.st: thank you for helping us take another significant step forward.

There’s a lot more coming.

Texas Internet Radio Association (TIRA)
Texas Internet Radio Chart (TIRC)
TIRC-AM National Americana Chart

Supporting Independent Radio. Supporting Independent Artists. Strengthening the Radio Community.

Learn More About the Technology

Autopo.st Audio Fingerprinting & Song Recognition

Autopo.st Track Reporting

FOR IMMEDIATE RELEASETEXAS INTERNET RADIO CHART ANNOUNCES NEW HYBRID REPORTING MODELTIRC combines monitored airplay with...
10/02/2026

FOR IMMEDIATE RELEASE

TEXAS INTERNET RADIO CHART ANNOUNCES NEW HYBRID REPORTING MODEL

TIRC combines monitored airplay with verified write-in reporting and launches an expanded search for radio stations supporting Texas music

CANYON LAKE, TEXAS — October 2, 2026 — The Texas Internet Radio Association (TIRA) and Texas Internet Radio Chart (TIRC) are proud to announce a major advancement in the continued growth of independent Texas radio.

The Texas Internet Radio Chart is now operating as a hybrid reporting radio chart, combining monitored airplay reporting with verified direct/write-in reporting from approved radio stations.

Two reporting methods. One chart.

The new system allows participating stations capable of being monitored to have qualifying airplay captured through TIRC’s monitoring system, while approved stations that cannot be reliably monitored may report qualifying airplay directly through TIRC’s write-in reporting system.

TIRC believes this represents the first Texas-focused radio chart to combine monitored and write-in station reporting under a hybrid reporting model.

The goal is to create a reporting system that reflects the realities of today’s independent radio landscape while continuing to protect chart integrity and provide opportunities for radio stations of different sizes and technologies to participate.

TIRC IS ACTIVELY SEEKING NEW REPORTING STATIONS

With the hybrid reporting system now in place, TIRA and TIRC are actively recruiting new radio stations in Texas, across the United States and internationally that support Texas artists and Texas music.

Stations do not have to be located in Texas to become part of the reporting panel.

TIRC is interested in hearing from internet, terrestrial, community, college and independent radio stations programming music within the chart’s supported formats:

Texas Country • Red Dirt • Country • Americana • Alt-Country • Tex-Mex

If your station supports Texas artists and provides legitimate radio airplay within these formats, TIRA and TIRC want to hear from you.

WHY A HYBRID CHART?

Independent radio does not operate under a single technological model.

Some stations can be effectively monitored through audio-fingerprinting and airplay-monitoring technology. Other legitimate broadcasters — particularly smaller internet, community and independent stations — may not always be reliably captured by monitoring technology.

A monitoring-only system can potentially leave those broadcasters outside the reporting ecosystem.

A write-in-only system, meanwhile, does not take advantage of the additional verification and efficiency that modern monitoring technology can provide.

TIRC’s hybrid approach brings the two together.

Approved stations can participate through the reporting method appropriate for their operation while remaining part of the same reporting network.

INDEPENDENT RADIO STILL MATTERS

Internet and independent radio stations have historically provided an important platform for emerging and independent artists.

These broadcasters can introduce new music to listeners, provide artists with their first meaningful radio airplay and help establish relationships between artists, promoters, programmers and music fans.

TIRA and TIRC believe those stations deserve a place within the Texas music reporting ecosystem.

The organizations have maintained a longstanding commitment to recognizing Texas artists, radio stations and music-industry professionals and the work they contribute to the Texas music community.

CHART INTEGRITY REMAINS THE PRIORITY

Expanding the reporting network does not mean lowering reporting standards.

Prospective reporting stations are reviewed before joining the panel, and participating stations are expected to follow TIRC reporting requirements and provide accurate information.

The hybrid system is intended to provide TIRC with additional tools for documenting legitimate radio activity while maintaining safeguards against inaccurate reporting and artificial chart manipulation.

Programming decisions also remain entirely with the individual radio station.

Being accepted onto the TIRC reporting panel does not require a station to play particular artists or recordings, and acceptance of a recording into the TIRC system does not guarantee airplay or chart placement.

The purpose of the chart is to document legitimate radio support — not manufacture it.

AN OPEN INVITATION TO RADIO

If you’re operating a radio station that believes in discovering new music, supporting independent artists and helping Texas music reach new listeners, TIRA and TIRC invite you to become part of the next chapter.

You don’t have to broadcast from Texas.

You simply need to have a genuine place for Texas music on your station.

Whether you’re broadcasting from Texas, another state or another country, if your programming supports Texas artists in Texas Country, Red Dirt, Country, Americana, Alt-Country or Tex-Mex, we want to hear from you.

Qualified stations will receive information regarding chart eligibility, reporting requirements and the TIRC station onboarding process.

ABOUT TIRA & TIRC

The Texas Internet Radio Association and Texas Internet Radio Chart work to support independent radio, Texas artists and the professionals who help bring Texas music to listeners.

TIRC provides radio charting and reporting infrastructure designed to document legitimate radio support while TIRA works to strengthen relationships among radio stations, artists, promoters and other members of the independent music community.

TWO REPORTING METHODS. ONE CHART.

MONITORED + WRITE-IN = TIRC HYBRID REPORTING

Radio stations interested in becoming a TIRC reporting station are encouraged to contact us.

Texas Internet Radio Association
Texas Internet Radio Chart

Supporting Texas Music. Strengthening Independent Radio. Protecting Chart Integrity.

MEDIA & REPORTING STATION INQUIRIES
Texas Internet Radio Chart
Canyon Lake, Texas
Email: [email protected]
Phone: 512-648-3545

OFFICIAL WEBSITE
TexasInternetRadioChart.com

# # #

📻 BIG NEWS FROM THE TEXAS INTERNET RADIO CHART!Please join us in welcoming @99.3 KCAD (Raven Cade) and One Star Radio (O...
10/01/2026

📻 BIG NEWS FROM THE TEXAS INTERNET RADIO CHART!

Please join us in welcoming @99.3 KCAD (Raven Cade) and One Star Radio (OSR - KRae) BACK to the TIRC reporting station panel! We’re excited to have both stations reporting with us again.

We’re also welcoming Bobby D & Texas Free For All Radio from San Antonio, Texas, a brand-new addition to our panel! 🤠

And surprise… we’ve got our monitoring set up again! 🎉

TIRC will now operate as a hybrid reporting chart, combining write-in and monitored stations. This gives participating stations more ways to report their airplay while helping us recognize the music they’re supporting each week.

The newly updated reporting station panel will be posted to our website soon:
👉 https://www.texasinternetradiochart.com

Thank you to our returning stations, our newest addition, and every station helping Texas Country and Red Dirt artists reach more listeners. Let’s keep this music moving!

10/01/2026

📻 A Heartfelt Thank You to Mix 106

It’s never easy saying goodbye to a member of the family, and today we want to recognize Mix 106 as they step away from the TIRC reporting panel.

What a loss they will be.

Throughout their time with us, Mix 106 has been a wonderful, professional, dependable, and fair reporting station. More importantly, they have supported the artists and industry professionals who depend on independent radio stations willing to listen, play the music, and give artists an opportunity to be heard.

To the entire KMXC - Mix Country 106 family: thank you.

Thank you for every report, every spin, every artist you supported, and everything you contributed to our charts and the Texas music community.

We wish you nothing but success and happiness in whatever comes next. May God bless you and your wonderful family as you begin your next chapter.

You may be leaving the panel, but the door will always be open. ❤️

Once you’re part of this family, you’re part of this family.

Thank you, Mix 106, for everything you did for the artists, the industry, and the TIRC family. We’re going to miss you, friends. 📻🎶

— Mark Sebby & the TIRC/TIRA Family

📻 WELCOME TO THE TIRC & TIRA FAMILY, KZSM! 🎶Had a great visit today with Rob from KZSM 104.1 FM in San Marcos, Texas!It’...
10/01/2026

📻 WELCOME TO THE TIRC & TIRA FAMILY, KZSM! 🎶

Had a great visit today with Rob from KZSM 104.1 FM in San Marcos, Texas!

It’s always great getting to sit down face-to-face with the people who are keeping independent and community radio alive and growing across Texas.

We’re excited to officially welcome KZSM San Marcos to the family! 🤠📻

Every new station relationship helps us continue building a stronger network for Texas artists, independent music, radio professionals, and the Texas music community as a whole.

Rob, thank you for the visit, the conversation, and for being part of what we’re building.

Welcome to the family, KZSM 104.1 San Marcos!

🎙️ Texas Radio Supporting Texas Music.

 #1 Artist Spotlight: Ghosts of Hill County Keep the Momentum Building With “Brace For Impact”By Mark Sebby | TIRASeptem...
09/30/2026

#1 Artist Spotlight: Ghosts of Hill County Keep the Momentum Building With “Brace For Impact”

By Mark Sebby | TIRA
September 30, 2026

Ghosts of Hill County are holding their ground at the top of the Texas Internet Radio Chart—and their airplay is still growing.

On the chart completed September 29, “Brace For Impact” remains at #1, collecting 143 reported spins, up from 113 the previous week. That increase of **30 spins—approximately 26.5%—**gives the band another strong week while confirming two consecutive chart weeks in the top position.

Holding #1 is an accomplishment. Holding it while adding airplay gives this week’s spotlight an additional reason to celebrate: reporting stations are continuing to support the single.

Texas songwriting with a rock edge

Ghosts of Hill County describe their musical identity as a combination of Red Dirt country, gritty storytelling, and modern country rock. Their official biography emphasizes a dual-lead approach, driving guitars, and a powerful rhythm section, with Texas songwriting at the center of the sound. Their booking agency also places the band at the intersection of outlaw country, Southern rock, and Americana.

That combination gives listeners several ways into their music: country storytelling, the energy of a rock band, and the regional character that connects those traditions across the Texas scene.

The band’s official news page offers another window into that identity. In its coverage of Roy Hudson’s appearance on the Country Vs. Metal podcast, the band highlights discussions about live performance, connecting with audiences, blues influences, and songwriting within a band. Those subjects help introduce the people and creative process behind the recordings.

A catalog worth exploring

“Brace For Impact” was released June 26, 2026, according to Apple Music. It follows a catalog that includes “Nicotine,” “Good Ol’ Boys,” “Little Bit Lonely,” “Workin’ on Me,” “Home for a Hotel,” and “Headlights,” along with the band’s self-titled 2025 album. For listeners discovering Ghosts of Hill County through this week’s #1 single, those releases offer a starting point for exploring more of their work.

Their official website also reports more than 2.6 million Spotify streams. That figure is supplied by the band, while this week’s TIRC results provide a separate measure of their current support among the chart’s reporting stations.

This week’s achievement

For Ghosts of Hill County, the headline is clear: “Brace For Impact” remains #1, and reported spins increased by more than a quarter over the previous week.

Congratulations to the band and everyone working behind the release. Thank you to the reporting stations helping listeners discover their music and keeping Texas artists on the air.

Explore the band, listen to the single, and find upcoming performances at ghostsofhillcounty.com.

Ghosts of Hill County — “Brace For Impact”
#1 on the Texas Internet Radio Chart | 143 reported spins

🔥🤠 THE TIRC WEEK 38 TOP 20 IS HERE — AND GHOSTS OF HILL COUNTY HOLD THE CROWN! 🤠🔥Week 38 is official, and Ghosts of Hill...
09/30/2026

🔥🤠 THE TIRC WEEK 38 TOP 20 IS HERE — AND GHOSTS OF HILL COUNTY HOLD THE CROWN! 🤠🔥

Week 38 is official, and Ghosts of Hill County aren’t giving up that #1 spot.

🏆 “BRACE FOR IMPACT” — #1 FOR THE SECOND CONSECUTIVE WEEK!

After taking over the chart last week, “Brace For Impact” stays at #1 and jumps from 113 to 143 spins — a gain of 30 spins in one week. That also gives Ghosts of Hill County a 21-spin lead over this week’s #2.

And Week 38 has a HUGE story developing farther down the Top 10…
🚀 GARRETT TALAMANTES — #26 → #5!

“She Left Me With A Song” makes a monster 21-position jump, climbing from 64 spins to 90 spins and landing inside the Top 5!

🏆 TIRC WEEK 38 — TOP 20

🥇 #1 Ghosts of Hill County — Brace For Impact — 143 Spins
🥈 #2 Dave Fenley — Pretty Face — 122 ⬆️ +1
🥉 #3 Kayla Jane — Hillbilly Heart — 103
#4 Megan Urby — Wh***ey — 102
#5 Garrett Talamantes — She Left Me With A Song — 90 🚀 +21
#6 Rebecca Valadez — I Found Myself — 88 🚀 +12
#7 TexMex Hippies — What’s It To You — 88 ⬆️ +1
#8 Jamie Weston — Too Hard Not To — 87 ⬆️ +2
#9 Matthew Mata — The Dirt Remembers — 87 ⬆️ +4
#10 Steve Anthony— When One Door Closes — 82
#11 Calamity Janes — If The World Was Flat — 78 ⬆️ +4
#12 Ram Herrera — Just One Time — 77 ⬆️ +2
#13 Coston Cross — The Wh***ey on Your Lips — 73 ⬆️ +6
#14 Gabe Choate — Hard To Hold — 73 🚀 +16
#15 Elle Townley Music — You’re Not Enough — 72 🚀 +12
#16 Jessie Blake — Ain’t Enough — 72
#17 Justin Hewitt Band— Perfect Storm — 72
#18 Aaron Boultinghouse — All About The Ride — 71 ⬆️ +7
#19 Truck Stop Gamblers — Over You — 71
#20 Jason Breedlove — Boy From The South — 70

🚀 BIGGEST TOP 20 MOVERS

🔥 Garrett Talamantes — #26 → #5 — +21
🔥 Gabe Choate — #30 → #14 — +16
🔥 Rebecca Valadez — #18 → #6 — +12
🔥 Elle Townley — #27 → #15 — +12
🔥 Aaron Boultinghouse — #25 → #18 — +7
🔥 Coston Cross — #19 → #13 — +6
🔥 Matthew Mata — #13 → #9 — +4
🔥 Calamity Janes — #15 → #11 — +4

🔥 AND CHECK OUT WHAT’S HAPPENING OUTSIDE THE TOP 20…

Kensie Coppin climbs #43 → #27 (+16), while Wes McClelland moves #55 → #38 (+17). Chloee Rae jumps #76 → #54 (+22), William Clark Green surges #79 → #56 (+23), and Jamie Richards makes a huge #81 → #59 (+22) move.

🆕 NEW MUSIC HITTING THE CHART

Week 38 also brings several new entries, including Frank Ray — “Third Row George Strait” at #40, Steven McClintock — “George On Vinyl” at #48, and Tanner Usery — “Beautiful Lies” feat. Ella Langley at #51. Texas Internet Radio Chart week…
Farther down, Ryan Thompson, Lane Bricker, Bernie Nelson, Two Tons of Steel, Rusty Dillard, Jillian Hudson, Dan Dennis, and Dave Christen also enter this week’s chart.

👏 CONGRATULATIONS TO GHOSTS OF HILL COUNTY!

Two consecutive weeks at #1 for “Brace For Impact.” If they hold that #1 position for one more consecutive week, they will reach the TIRC three-week #1 recurrent threshold and the single will be marked recurrent under chart policy, making room for the next top-performing single.

And with Dave Fenley at 122 spins, Kayla Jane at 103, Megan Urby at 102, plus Garrett Talamantes charging into the Top 5, Week 39 could be a battle.
📻 Thank you to every reporting station and Program Director for continuing to support these artists and keeping independent Texas radio moving.

🎧 STREAM IT. REQUEST IT. SHARE IT. SUPPORT IT.

⭐ TIRC — TEXAS INTERNET RADIO CHART ⭐
WHERE TEXAS MUSIC EARNS ITS PLACE.

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102 Wonder World Drive #1551
San Marcos, TX
78666

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