06/02/2026
๐ง๐๐๐ฆ ๐ฆ๐๐ง๐จ๐ฅ๐๐๐ฌ, ๐๐จ๐ก๐ ๐ฒ! ๐
๐๐๐๐๐ฅ ๐๐จ๐๐ฅ๐ฅ๐๐๐ฅ
๐๐ง๐๐ข ๐๐ฃ๐ ๐ข๐ค๐ฉ๐ฉ๐ก๐๐ ๐๐ค๐ง๐ข๐จ ๐๐ง๐ง๐๐ฃ๐๐๐ ๐ฉ๐ค ๐ฉ๐๐๐จ ๐๐ฃ๐
๐ข๐ฝ๐ฒ๐ป๐ถ๐ป๐ด ๐ฅ๐ฒ๐ฐ๐ฒ๐ฝ๐๐ถ๐ผ๐ป: ๐ฆ๐ฎ๐๐๐ฟ๐ฑ๐ฎ๐, ๐๐๐ป๐ฒ ๐ฒ ๐ณ๐ฟ๐ผ๐บ ๐ฑ-๐ณ๐ฝ๐บ
๐ฟ๐ฒ.๐ฟ๐ถ๐ฑ๐ฑ๐น๐ฒ, ๐ญ๐ฎ๐ณ๐ฑ ๐ ๐ถ๐ป๐ป๐ฒ๐๐ผ๐๐ฎ ๐ฆ๐๐ฟ๐ฒ๐ฒ๐, ๐ฆ๐
๐๐ณ๐ช๐ฎ ๐ข๐ฏ๐ฅ ๐ฎ๐ฐ๐ต๐ต๐ญ๐ฆ๐ฅ ๐ง๐ฐ๐ณ๐ฎ๐ด ๐ข๐ณ๐ณ๐ข๐ฏ๐จ๐ฆ๐ฅ ๐ต๐ฐ ๐ต๐ฉ๐ช๐ด ๐ฆ๐ฏ๐ฅ, a solo exhibition of new works on paper by Adler Guerrier, contemplates the concept, spatial structure and temporal experience of โpendingโ within the context of survival and goodness.
Modern society suffers from a temporal crisis, not a shortage of time, but a slip in our hold of its fragrance, texture, and meaning. Todayโs accelerated, atomized time, structured by productivity, efficiency, and constant stimulation has deemphasized temporal duration and depth. Yet the essence of the human condition lies in the slowness of the mundane, the everyday, the gradual changes, and in being ๐ข๐ญ๐ฎ๐ฐ๐ด๐ต ๐ต๐ฉ๐ฆ๐ณ๐ฆ. Our lives consist of experiencing a series of โon the ways,โ and impending anticipated arrivals.
Pending, for Guerrier, is a mode of being with its own interiority, its own spatial and temporal elasticity, articulated as a survival strategy of the not-yet nor fully liberated, deployed for its generative and freeing potentiality. Through drawing, photography, collage, and mixed media, Guerrier explores how this temporality, as it emerged within compositions and arrangements, might offer a kind of spatial strata, one where everyday survival is posited as life long goal and the easy reach for forms of goodness.
To request a work list, please contact [email protected].
๐ท: Adler Guerrier, ๐๐ฏ๐ต๐ช๐ต๐ญ๐ฆ๐ฅ ๏ผ๐๐ฉ๐ช๐ด ๐ฉ๐ฆ๐ณ๐ฆ ๐ฎ๐ฐ๐ฎ๐ฆ๐ฏ๐ต ๐ฑ๐ณ๐ฐ๐ฑ๐ฆ๐ญ๐ด ๐ข๐ฏ๐ฅ ๐จ๐ถ๐ช๐ฅ๐ฆ๐ด๏ผ, 2026, Archival pigment print, 15 x 10โ; courtesy of artist and re.riddle.
